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  1. Quixotic Frescoes
    Cervantes and Italian Renaissance Art
    Erschienen: [2016]; © 2006
    Verlag:  University of Toronto Press, Toronto

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442678965
    Weitere Identifier:
    Schlagworte: Art in literature; Ekphrasis; Literatur; Rezeption; Kunst; Freskomalerei
    Weitere Schlagworte: Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616): Don Quijote
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :

  2. Quixotic Frescoes
    Cervantes and Italian Renaissance Art
    Erschienen: 2016; ©2006
    Verlag:  University of Toronto Press, Toronto

    As a young man, Miguel de Cervantes left his home in Spain and travelled extensively through Italy, experiencing all that the Italian Renaissance had to offer. In his later writings, Cervantes sought to recapture his experience through literature,... mehr

    Hochschule für Gesundheit, Hochschulbibliothek
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    Universitätsbibliothek Braunschweig
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    Technische Universität Hamburg, Universitätsbibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    As a young man, Miguel de Cervantes left his home in Spain and travelled extensively through Italy, experiencing all that the Italian Renaissance had to offer. In his later writings, Cervantes sought to recapture his experience through literature, and literary critics have often pointed to Italian texts as models for Cervantes? writing. The art of the period, however, has seldom been examined in this context.Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes? text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today by formulating the link between Cervantes and the Renaissance through an interdisciplinary dialogue that establishes a new set of models and predecessors. This dialogue is used to explore a variety of issues in Cervantes including the absence of a single guiding pictorial program, the doubling of archaeological reconstruction, and the use of ekphrasis as allusion, interpolation, and an integral component of the action. Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes? work. This detailed and exhaustive study is an invaluable contribution to both Hispanic and Renaissance studies.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442678965
    Weitere Identifier:
    Schlagworte: Art in literature; Ekphrasis; Art in literature; Ekphrasis; Art in literature.; Ekphrasis.
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publishers Web site, viewed Jan. 06, 2016)

    Frontmatter -- -- Contents -- -- Illustrations -- -- Preface -- -- 1. The Exhilaration of Italy -- -- 2. A Museum of Memories: From Numancia to La Galatea -- -- 3. At School with the Ancients: Raphael -- -- 4. The Fourfold Way: Raphael -- -- 5. Textual Terribilitá: Michelangelo -- -- 6. The Merchants of Trebizond: Luca Cambiaso -- -- 7. Drawing Decorum: Titian -- -- 8. Dancing with Giants: Philostratus -- -- 9. A Mannerist Theophany / A Cruel Teichoskopia: Pontormo and Parmigianino -- -- 10. Dulcinea and the Five Maidens: Zeuxis -- -- 11. Love's Architecture: Giulio Romano -- -- 12. The Last Enchantment: Epilogue -- -- Notes -- -- Works Cited -- -- Index

  3. Quixotic frescoes
    Cervantes and Italian Renaissance art
    Erschienen: (c)2006
    Verlag:  University of Toronto Press, Toronto

    "Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes' text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today... mehr

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    Hochschule Aalen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes' text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today by formulating the link between Cervantes and the Renaissance through an interdisciplinary dialogue that establishes a new set of models and predecessors. This dialogue is used to explore a variety of issues in Cervantes including the absence of a single guiding pictorial program, the doubling of archaeological reconstruction, and the use of ekphrasis as allusion, interpolation, and an integral component of the action. Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes' work. This detailed and exhaustive study is an invaluable contribution to both Hispanic and Renaissance studies."--Jacket

     

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  4. Quixotic frescoes
    Cervantes and Italian Renaissance art
    Erschienen: ©2006
    Verlag:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802090745; 1442678968; 1442686308; 9780802090744; 9781442678965; 9781442686304
    Schlagworte: Ekphrasis; Art dans la littérature; LITERARY CRITICISM/European/Spanish & Portuguese; ART / History / Renaissance; Beeldende kunsten; Renaissance; Beïnvloeding; El ingenioso hidalgo don Quijote de La Mancha (Cervantes); Don Quixote (Cervantes Saavedra, Miguel de); Art; Art in literature; Ekphrasis; Technique; Geschichte; Kunst; Wissen; Ekphrasis; Art in literature; Freskomalerei; Literatur; Kunst; Rezeption
    Weitere Schlagworte: Cervantes Saavedra, Miguel de / 1547-1616 / Don Quichotte; Cervantes Saavedra, Miguel de / 1547-1616 / Oeuvres d'art; Cervantes Saavedra, Miguel de / 1547-1616 / Et l'Italie; Cervantes Saavedra, Miguel de / 1547-1616 / Technique; Cervantes Saavedra, Miguel de / 1547-1616; Cervantes Saavedra, Miguel de / 1547-1616; Cervantes Saavedra, Miguel de (1547-1616): Don Quixote; Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616): Don Quijote
    Umfang: 1 Online-Ressource (xvii, 285 pages, [38] pages of plates)
    Bemerkung(en):

    Includes bibliographical references (pages 253-275) and index

    "Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes' text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today by formulating the link between Cervantes and the Renaissance through an interdisciplinary dialogue that establishes a new set of models and predecessors. This dialogue is used to explore a variety of issues in Cervantes including the absence of a single guiding pictorial program, the doubling of archaeological reconstruction, and the use of ekphrasis as allusion, interpolation, and an integral component of the action. Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes' work. This detailed and exhaustive study is an invaluable contribution to both Hispanic and Renaissance studies."--Jacket

    The exhilaration of Italy -- A museum of memories : from Numancia to La Galatea -- At school with the ancients : Raphael -- The fourfold way : Raphael -- Textual terribilitá : Michelangelo -- The merchants of Trebizond : Luca Cambiaso -- Drawing decorum : Titian -- Dancing with giants : Philostratus -- A mannerist theophany, a cruel Teichoskopia : Pontormo and Parmigianino -- Dulcinea and the five maidens : Zeuxis -- Love's architecture : Giulio Romano -- The last enchantment

  5. Quixotic Frescoes
    Cervantes and Italian Renaissance Art
    Erschienen: [2016]; © 2006
    Verlag:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442678965
    Weitere Identifier:
    Schlagworte: Art in literature; Ekphrasis; Literatur; Rezeption; Kunst; Freskomalerei
    Weitere Schlagworte: Cervantes Saavedra, Miguel de (1547-1616); Cervantes Saavedra, Miguel de (1547-1616): Don Quijote
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    As a young man, Miguel de Cervantes left his home in Spain and travelled extensively through Italy, experiencing all that the Italian Renaissance had to offer. In his later writings, Cervantes sought to recapture his experience through literature, and literary critics have often pointed to Italian texts as models for Cervantes? writing. The art of the period, however, has seldom been examined in this context.Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes? text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today by formulating the link between Cervantes and the Renaissance through an interdisciplinary dialogue that establishes a new set of models and predecessors. This dialogue is used to explore a variety of issues in Cervantes including the absence of a single guiding pictorial program, the doubling of archaeological reconstruction, and the use of ekphrasis as allusion, interpolation, and an integral component of the action. Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes? work. This detailed and exhaustive study is an invaluable contribution to both Hispanic and Renaissance studies

  6. Quixotic frescoes
    Cervantes and Italian Renaissance art
    Erschienen: 2006
    Verlag:  University of Toronto Press, Toronto ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes' text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
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    "Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes' text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today by formulating the link between Cervantes and the Renaissance through an interdisciplinary dialogue that establishes a new set of models and predecessors. This dialogue is used to explore a variety of issues in Cervantes including the absence of a single guiding pictorial program, the doubling of archaeological reconstruction, and the use of ekphrasis as allusion, interpolation, and an integral component of the action. Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes' work. This detailed and exhaustive study is an invaluable contribution to both Hispanic and Renaissance studies"--Provided by publisher.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442678965; 1442678968; 9781442686304; 1442686308
    Umfang: 1 Online-Ressource (xvii, 285 pages, [38] pages of plates), Illustrations, portraits
    Bemerkung(en):

    Includes bibliographical references (pages 253-275) and index

  7. Quixotic Frescoes
    Cervantes and Italian Renaissance Art
    Erschienen: [2006]
    Verlag:  University of Toronto Press, Toronto ; [Walter de Gruyter GmbH], [Berlin]

    As a young man, Miguel de Cervantes left his home in Spain and travelled extensively through Italy, experiencing all that the Italian Renaissance had to offer. In his later writings, Cervantes sought to recapture his experience through literature,... mehr

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    As a young man, Miguel de Cervantes left his home in Spain and travelled extensively through Italy, experiencing all that the Italian Renaissance had to offer. In his later writings, Cervantes sought to recapture his experience through literature, and literary critics have often pointed to Italian texts as models for Cervantes? writing. The art of the period, however, has seldom been examined in this context.Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes? text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso, Michelangelo, Raphael, and Titian. His study seeks to re-engage the critics of today by formulating the link between Cervantes and the Renaissance through an interdisciplinary dialogue that establishes a new set of models and predecessors. This dialogue is used to explore a variety of issues in Cervantes including the absence of a single guiding pictorial program, the doubling of archaeological reconstruction, and the use of ekphrasis as allusion, interpolation, and an integral component of the action. Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes? work. This detailed and exhaustive study is an invaluable contribution to both Hispanic and Renaissance studies.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442678965
    Weitere Identifier:
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

  8. Quixotic Frescoes
    Cervantes and Italian Renaissance Art
    Erschienen: 2014; ©2006
    Verlag:  University of Toronto Press, Toronto

    Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes' work mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
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    Quixotic Frescoes delves into the politics of imitation, self-censorship, religious ideology expressed through the pictorial, as well as the gendering of art as reflected in Cervantes' work

     

    Export in Literaturverwaltung   RIS-Format
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