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  1. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Erschienen: [2016]; © 1996
    Verlag:  University of Toronto Press, Toronto

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Sprache: Englisch
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    Format: Online
    ISBN: 9781442670600
    Weitere Identifier:
    Schriftenreihe: Theory / Culture
    Schlagworte: German fiction; Narration (Rhetoric); Prosa; Erzähltechnik; Literatur; Deutsch
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :

  2. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Erschienen: [2016]; ©1996
    Verlag:  University of Toronto Press, Toronto

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... mehr

    Hochschule für Gesundheit, Hochschulbibliothek
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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.Acts of Narrative provides a fresh and challenging approach to German literary texts that will interest both those whose concern is narrative theory and critical practice and those who study modern and postmodern German or comparative literature.

     

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    ISBN: 9781442670600
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    Schriftenreihe: Theory / Culture
    Schlagworte: Narration (Rhetoric); German fiction; Narration (Rhetoric); German fiction; German fiction.; Narration (Rhetoric).
    Umfang: 1 online resource
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    Frontmatter -- -- Contents -- -- ACKNOWLEDGMENTS -- -- Introduction -- -- 1. Death in Venice: Narrative Situations in Thomas Mann's Der Tod in Venedig -- -- 2. The Trial: Paradigms of Indeterminacy in Franz Kafka's Der Froze ft -- -- 3. Harry Haller's Records: The Ludic Imagination in Hermann Hesse's Steppenwolf -- -- 4. Auto da fé: Reading Misreading in Elias Canetti's Die Blendung -- -- 5. The Tin Drum: Implications of Unreliability in Günter Grass's Die Blechtrommel -- -- 6. Two Views: The Authority of Discourse in Uwe Johnson's Zwei Ansichten -- -- 7. The Goalie's Anxiety: Signs and Semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter -- -- 8. The Lime Works: Narrative and Noise in Thomas Bernhard's Das Kalkwerk -- -- Conclusion -- -- NOTES -- -- BIBLIOGRAPHY -- -- INDEX

  3. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: c1996
    Verlag:  University of Toronto Press, Toronto [Ont.]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    ISBN: 0802009824; 1442670606; 9780802009821; 9781442670600
    Schriftenreihe: Theory/culture series
    Schlagworte: Roman allemand / 20e siècle / Histoire et critique; Narration; Literatur; Narrativität; LITERARY CRITICISM / European / German; German fiction; Narration (Rhetoric); German fiction; Narration (Rhetoric); Erzähltechnik; Literatur; Deutsch; Prosa
    Umfang: 1 Online-Ressource (x, 205 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Death in Venice : narrative situations in Thomas Mann's Der Tod in Venedig -- - Trial : paradigms of indeterminacy in Franz Kafka's Der Prozess -- - Harry Haller's records : the ludic imagination in Hermann Hesse's Steppenwolf -- - Auto da fé : reading misreading in Elias Canetti's Die Blendung -- - Tin Drum : implications of unrealibility in Günter Grass's Die Blechtrommel -- - Two views : the authority of discourse in Uwe Johnson's Zwei Ansichten -- - Goalie's anxiety : signs and semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter -- - Lime works : narrative and noise in Thomas Bernhard's Das Kalkwerk

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard

    O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system

  4. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Erschienen: [2016]; © 1996
    Verlag:  University of Toronto Press, Toronto

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Format: Online
    ISBN: 9781442670600
    Weitere Identifier:
    Schriftenreihe: Theory / Culture
    Schlagworte: German fiction; Narration (Rhetoric); Prosa; Erzähltechnik; Literatur; Deutsch
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.Acts of Narrative provides a fresh and challenging approach to German literary texts that will interest both those whose concern is narrative theory and critical practice and those who study modern and postmodern German or comparative literature

  5. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: 1996; © 1996
    Verlag:  University of Toronto Press, Toronto, [Canada] ; Buffalo, [New York] ; London, [England]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    ISBN: 9781442670600
    RVK Klassifikation: GM 1411 ; GN 1411 ; GN 1900
    Schriftenreihe: Theory / Culture
    Schlagworte: German fiction; Narration (Rhetoric); Prosa; Erzähltechnik; Literatur; Deutsch
    Umfang: 1 online resource (216 pages)
    Bemerkung(en):

    Description based on print version record

  6. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: c1996
    Verlag:  University of Toronto Press, Toronto [Ont.]

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... mehr

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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system

     

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    Format: Online
    ISBN: 9781442670600; 1442670606
    Schriftenreihe: Theory
    Theory/culture
    Schlagworte: German fiction; Roman allemand; Narration; Narration (Rhetoric); German fiction; LITERARY CRITICISM ; European ; German; German fiction; Narration (Rhetoric); Literatur; Narrativität; Criticism, interpretation, etc
    Umfang: Online Ressource (x, 205 p.)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

  7. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Erschienen: 1996
    Verlag:  University of Toronto Press, Toronto ; ProQuest, Ann Arbor, Michigan

    O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard. mehr

    Universität Frankfurt, Elektronische Ressourcen
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    O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.

     

    Export in Literaturverwaltung   RIS-Format
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    Sprache: Englisch
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    Format: Online
    ISBN: 9781442670600
    RVK Klassifikation: GN 1900
    Schriftenreihe: Theory / Culture
    Schlagworte: Deutsch; Literatur; Narrativität
    Umfang: 1 Online-Ressource (216 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  8. Acts of narrative
    textual strategies in modern German fiction
    Erschienen: 1996
    Verlag:  University of Toronto Press, Toronto [Ont.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard. O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.

     

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    ISBN: 9781442670600; 1442670606
    RVK Klassifikation: GN 1900
    Schriftenreihe: Theory/culture
    Schlagworte: Deutsch; Literatur; Narrativität
    Umfang: 1 Online-Ressource (x, 205 pages)
    Bemerkung(en):

    Includes bibliographical references and index

  9. Acts of Narrative
    Textual Strategies in Modern German Fiction
    Erschienen: [1996]
    Verlag:  University of Toronto Press, Toronto ; [Walter de Gruyter GmbH], [Berlin]

    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German... mehr

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    Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.O'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system.Acts of Narrative provides a fresh and challenging approach to German literary texts that will interest both those whose concern is narrative theory and critical practice and those who study modern and postmodern German or comparative literature.

     

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    Quelle: Verbundkataloge
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    ISBN: 9781442670600
    Weitere Identifier:
    Schriftenreihe: Theory / Culture
    Umfang: 1 online resource
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    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

  10. Acts of Narrative: Textual Strategies in Modern German Fiction
    Erschienen: 1996
    Verlag:  University of Toronto Press, Toronto

    O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard mehr

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    O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard

     

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    Quelle: Verbundkataloge
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    Format: Online
    ISBN: 1282009486; 9781442670600; 9781282009486
    Schriftenreihe: Theory / culture
    Theory / Culture
    Schlagworte: Electronic books; Narration (Rhetoric) ; History ; 20th century; German fiction ; 20th century ; History and criticism
    Umfang: Online-Ressource (x, 205 p)
    Bemerkung(en):

    Description based upon print version of record