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  1. Euripidean Drama
    Myth, Theme and Structure
    Erschienen: [2017]; © 1967
    Verlag:  University of Toronto Press, Toronto

    It is a commonly held view among historians of Greek literature that with the advent of Euripides the tragic structure, even the tragic outlook of Greek drama suffered a breakdown from which it never recovered. While there is much truth in this... mehr

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    It is a commonly held view among historians of Greek literature that with the advent of Euripides the tragic structure, even the tragic outlook of Greek drama suffered a breakdown from which it never recovered. While there is much truth in this opinion, it has tended to put too much emphasis on ";Euripides the destroyer"; rather than ";Euripides the creator."; In this study the author's main purpose is to redress the balance and to discuss the structure and techniques of Euripidean drama in relation to its new and richly varied themes.The consistent dramatic form evolved by Aeschylus and Sophocles had grown out of their conception of tragedy as the resultant of the tension between the individual will and the universal order suggested in myth. For Euripides, who never fully accepted myth as the real basis of tragedy, alternate ways of using the traditional material became necessary, and the playwright continually changed his dramatic structure to suit the particular tragic idea he was seeking to express. Viewed in this way, Euripides' dramatic technique may be seen in positive as well as negative terms—as something other than the breakdown of structural technique and mythological insight under the overwhelming force of his ideas. Professor Conacher offers here a new view of Euripides as the first Greek dramatist properly to understand the world of myth, and so, in a sense, to stand a bit outside it. He shows how Euripides, far from being an impatient or incompetent craftsman, used traditional mth as a basis for inventing new forms in which to cast his perceptions of the sources of human tragedy.All the extant Euripidean drama is examined in this book; the result is an intelligent guide to the plays for all students of dramatic literature, as well as a convincing defence of Euripides the creator

     

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    ISBN: 9781442653047
    Weitere Identifier:
    Schriftenreihe: Heritage
    Schlagworte: DISCOUNT-B.; Mythology, Greek, in literature; Rhetoric, Ancient; Tragedy; Mythos; Drama
    Weitere Schlagworte: Euripides (ca. 485/480 v. Chr.-406 v.Chr.)
    Umfang: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017)

  2. Euripidean Drama
    Myth, Theme and Structure
    Erschienen: 2017; ©1967
    Verlag:  University of Toronto Press, Toronto

    It is a commonly held view among historians of Greek literature that with the advent of Euripides the tragic structure, even the tragic outlook of Greek drama suffered a breakdown from which it never recovered. While there is much truth in this... mehr

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    It is a commonly held view among historians of Greek literature that with the advent of Euripides the tragic structure, even the tragic outlook of Greek drama suffered a breakdown from which it never recovered. While there is much truth in this opinion, it has tended to put too much emphasis on ";Euripides the destroyer"; rather than ";Euripides the creator."; In this study the author's main purpose is to redress the balance and to discuss the structure and techniques of Euripidean drama in relation to its new and richly varied themes.The consistent dramatic form evolved by Aeschylus and Sophocles had grown out of their conception of tragedy as the resultant of the tension between the individual will and the universal order suggested in myth. For Euripides, who never fully accepted myth as the real basis of tragedy, alternate ways of using the traditional material became necessary, and the playwright continually changed his dramatic structure to suit the particular tragic idea he was seeking to express. Viewed in this way, Euripides' dramatic technique may be seen in positive as well as negative terms—as something other than the breakdown of structural technique and mythological insight under the overwhelming force of his ideas. Professor Conacher offers here a new view of Euripides as the first Greek dramatist properly to understand the world of myth, and so, in a sense, to stand a bit outside it. He shows how Euripides, far from being an impatient or incompetent craftsman, used traditional mth as a basis for inventing new forms in which to cast his perceptions of the sources of human tragedy.All the extant Euripidean drama is examined in this book; the result is an intelligent guide to the plays for all students of dramatic literature, as well as a convincing defence of Euripides the creator.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442653047
    Weitere Identifier:
    Schriftenreihe: Heritage
    Schlagworte: Mythology, Greek, in literature; Tragedy; Rhetoric, Ancient; Tragedy; Rhetoric, Ancient; Mythology, Greek, in literature; Mythology, Greek, in literature.; Rhetoric, Ancient.; Tragedy.; DISCOUNT-B.
    Umfang: 1 online resource
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    Frontmatter -- -- PREFACE -- -- CONTENTS -- -- 1. INTRODUCTION -- -- PART ONE. MYTHOLOGICAL TRAGEDY -- -- 2. THE Hippolytus -- -- 3. THE Bacchae -- -- 4. THE Heracles -- -- PART TWO. POLITICAL TRAGEDY -- -- 5. THE Suppliants -- -- 6. THE Heracleidae -- -- PART THREE. WAR AND ITS AFTERMATH -- -- 7. THE Trojan Women -- -- 8. THE Hecuba -- -- 9. THE Andromache -- -- PART FOUR. REALISTIC TRAGEDY -- -- 10. THE Medea -- -- 11. THE Electra -- -- 12. THE Orestes -- -- PART FIVE. TRAGEDIE MANQUEE -- -- 13. THE Phoenissae -- -- 14. THE Iphigenia at Aulis -- -- PART SIX. ROMANTIC TRAGEDY -- -- 15. THE Ion -- -- 16. THE Helena -- -- 17. THE Iphigenia among the Taurians -- -- PART SEVEN. SATYRIC (AND PRO-SATYRIC?) DRAMA -- -- 18. THE SATYR-PLAY -- -- 19. THE Alcestis -- -- 20. EPILOGUE -- -- BIBLIOGRAPHY -- -- SELECT LIST OF ABBREVIATIONS

  3. Euripidean drama
    myth, theme and structure
    Autor*in: Conacher, D. J.
    Erschienen: [1967]
    Verlag:  University of Toronto Press, [Toronto]

    Mythological tragedy. The Hippolytus -- The Bacchae -- The Heracles -- Political tragedy. The Suppliants -- The Heracleidae -- War and its aftermath. The Trojan women -- The Hecuba -- The Andromache -- Realistic tragedy. The Medea -- The Electra --... mehr

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Mythological tragedy. The Hippolytus -- The Bacchae -- The Heracles -- Political tragedy. The Suppliants -- The Heracleidae -- War and its aftermath. The Trojan women -- The Hecuba -- The Andromache -- Realistic tragedy. The Medea -- The Electra -- The Orestes -- Tragedie manquee. The Phoenissae -- The Iphigenia at Aulis -- Romantic tragedy. The Ion -- The Helena -- The Iphigenia among the Taurians -- Satyric (and pro-satyric?) drama. The Satyr-play -- The Alcestis.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442653047; 1442653043; 9781442637597; 1442637595
    Schlagworte: Mythology, Greek, in literature; Rhetoric, Ancient; Tragedy; Mythology, Greek, in literature; Rhetoric, Ancient; Tragedy; Criticism, interpretation, etc; tragedies; tragedy (general genre); Mythologie grecque dans la littérature; Rhétorique ancienne; Euripides; Mythology, Greek, in literature; Rhetoric, Ancient; Tragedy; Tragédie
    Weitere Schlagworte: Euripides; Euripides; Euripide
    Umfang: 1 Online-Ressource (xiii, 354 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 347-354)

    Electronic reproduction

  4. Euripidean Drama
    Myth, Theme and Structure
    Erschienen: [2017]; © 1967
    Verlag:  University of Toronto Press, Toronto

    It is a commonly held view among historians of Greek literature that with the advent of Euripides the tragic structure, even the tragic outlook of Greek drama suffered a breakdown from which it never recovered. While there is much truth in this... mehr

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    It is a commonly held view among historians of Greek literature that with the advent of Euripides the tragic structure, even the tragic outlook of Greek drama suffered a breakdown from which it never recovered. While there is much truth in this opinion, it has tended to put too much emphasis on ";Euripides the destroyer"; rather than ";Euripides the creator."; In this study the author's main purpose is to redress the balance and to discuss the structure and techniques of Euripidean drama in relation to its new and richly varied themes.The consistent dramatic form evolved by Aeschylus and Sophocles had grown out of their conception of tragedy as the resultant of the tension between the individual will and the universal order suggested in myth. For Euripides, who never fully accepted myth as the real basis of tragedy, alternate ways of using the traditional material became necessary, and the playwright continually changed his dramatic structure to suit the particular tragic idea he was seeking to express. Viewed in this way, Euripides' dramatic technique may be seen in positive as well as negative terms—as something other than the breakdown of structural technique and mythological insight under the overwhelming force of his ideas. Professor Conacher offers here a new view of Euripides as the first Greek dramatist properly to understand the world of myth, and so, in a sense, to stand a bit outside it. He shows how Euripides, far from being an impatient or incompetent craftsman, used traditional mth as a basis for inventing new forms in which to cast his perceptions of the sources of human tragedy.All the extant Euripidean drama is examined in this book; the result is an intelligent guide to the plays for all students of dramatic literature, as well as a convincing defence of Euripides the creator

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442653047
    Weitere Identifier:
    Schriftenreihe: Heritage
    Schlagworte: DISCOUNT-B.; Mythology, Greek, in literature; Rhetoric, Ancient; Tragedy; Mythos; Drama
    Weitere Schlagworte: Euripides (ca. 485/480 v. Chr.-406 v.Chr.)
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017)

  5. Euripidean Drama
    Myth, Theme and Structure
    Erschienen: [1967]
    Verlag:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    It is a commonly held view among historians of Greek literature that with the advent of Euripides the tragic structure, even the tragic outlook of Greek drama suffered a breakdown from which it never recovered. While there is much truth in this... mehr

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    It is a commonly held view among historians of Greek literature that with the advent of Euripides the tragic structure, even the tragic outlook of Greek drama suffered a breakdown from which it never recovered. While there is much truth in this opinion, it has tended to put too much emphasis on ";Euripides the destroyer"; rather than ";Euripides the creator."; In this study the author's main purpose is to redress the balance and to discuss the structure and techniques of Euripidean drama in relation to its new and richly varied themes.The consistent dramatic form evolved by Aeschylus and Sophocles had grown out of their conception of tragedy as the resultant of the tension between the individual will and the universal order suggested in myth. For Euripides, who never fully accepted myth as the real basis of tragedy, alternate ways of using the traditional material became necessary, and the playwright continually changed his dramatic structure to suit the particular tragic idea he was seeking to express. Viewed in this way, Euripides' dramatic technique may be seen in positive as well as negative terms—as something other than the breakdown of structural technique and mythological insight under the overwhelming force of his ideas. Professor Conacher offers here a new view of Euripides as the first Greek dramatist properly to understand the world of myth, and so, in a sense, to stand a bit outside it. He shows how Euripides, far from being an impatient or incompetent craftsman, used traditional mth as a basis for inventing new forms in which to cast his perceptions of the sources of human tragedy.All the extant Euripidean drama is examined in this book; the result is an intelligent guide to the plays for all students of dramatic literature, as well as a convincing defence of Euripides the creator.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442653047
    Weitere Identifier:
    Schriftenreihe: Heritage
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017)