Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Filtern nach
Aktive Filter
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 4 von 4.

  1. The white savior film
    content, critics, and consumption
    Autor*in: Hughey, Matthew W.
    Erschienen: 2014
    Verlag:  Temple University Press, Philadelphia

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  2. <<The>> white savior film
    content, critics, and consumption
    Autor*in: Hughey, Matthew W
    Erschienen: 2014
    Verlag:  Temple University Press, Philadelphia

  3. The white savior film
    content, critics, and consumption
    Autor*in: Hughey, Matthew W.
    Erschienen: 2014
    Verlag:  Temple University Press, Philadelphia ; JSTOR, New York, NY

    The cinematic trope of the white savior film-think of Sandra Bullock in The Blind Side, Kevin Costner in Dances with Wolves, or Tom Cruise in The Last Samurai-features messianic characters in unfamiliar or hostile settings discovering something about... mehr

    Zugang:

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

     

    The cinematic trope of the white savior film-think of Sandra Bullock in The Blind Side, Kevin Costner in Dances with Wolves, or Tom Cruise in The Last Samurai-features messianic characters in unfamiliar or hostile settings discovering something about themselves and their culture in the process of saving members of other races from terrible fates. In The White Savior Film, Matthew Hughey provides a cogent, multipronged analysis of this subgenre of films to investigate the underpinnings of the Hollywood-constructed images of idealized (and often idealistic) white Americans. Hughey considers the production, distribution, and consumption of white savior films to show how the dominant messages of sacrifice, suffering, and redemption are perceived by both critics and audiences. Examining the content of fifty films, nearly 3,000 reviews, and interviews with viewer focus groups, he accounts for the popularity of this subgenre and its portrayal of "racial progress." The White Savior Film shows how we as a society create and understand these films and how they reflect the political and cultural contexts of their time.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781439910023; 1439910022
    RVK Klassifikation: AP 50300 ; AP 59783
    Schlagworte: Film; Weiße <Motiv>; Ethnische Beziehungen <Motiv>; Retter <Motiv>
    Umfang: 1 Online-Ressource (x, 219 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  4. The white savior film
    content, critics, and consumption
    Autor*in: Hughey, Matthew W.
    Erschienen: 2014
    Verlag:  Temple University Press, Philadelphia

    "The cinematic trope of the white savior film-think of Sandra Bullock in The Blind Side, Kevin Costner in Dances with Wolves, or Tom Cruise in The Last Samurai--features messianic characters in unfamiliar or hostile settings discovering something... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    "The cinematic trope of the white savior film-think of Sandra Bullock in The Blind Side, Kevin Costner in Dances with Wolves, or Tom Cruise in The Last Samurai--features messianic characters in unfamiliar or hostile settings discovering something about themselves and their culture in the process of saving members of other races from terrible fates. In The White Savior Film, Matthew Hughey provides a cogent, multipronged analysis of this subgenre of films to investigate the underpinnings of the Hollywood-constructed images of idealized (and often idealistic) white Americans. Hughey considers the production, distribution, and consumption of white savior films to show how the dominant messages of sacrifice, suffering, and redemption are perceived by both critics and audiences. Examining the content of fifty films, nearly 3,000 reviews, and interviews with viewer focus groups, he accounts for the popularity of this subgenre and its portrayal of "racial progress." The White Savior Film shows how we as a society create and understand these films and how they reflect the political and cultural contexts of their time. "--...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781439910023; 1439910022
    RVK Klassifikation: AP 59783
    Schriftenreihe: UPCC book collections on Project MUSE
    Schlagworte: Film; Weiße <Motiv>; Ethnische Beziehungen <Motiv>; Retter <Motiv>; Motion pictures; Race in motion pictures; Whites in motion pictures; SOCIAL SCIENCE / Media Studies; PERFORMING ARTS / Film & Video / History & Criticism; SOCIAL SCIENCE / Discrimination & Race Relations
    Umfang: 1 Online-Ressource