Cover -- Contents -- Editor's Note -- Introduction -- The "Tragic Pastoral" -- Sherwood Anderson: American Mythopoeist -- Sinclair Lewis and the Implied America -- The Fully Matured Art: The Grapes of Wrath -- Dos Passos's U.S.A.: Chronicle and...
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Cover -- Contents -- Editor's Note -- Introduction -- The "Tragic Pastoral" -- Sherwood Anderson: American Mythopoeist -- Sinclair Lewis and the Implied America -- The Fully Matured Art: The Grapes of Wrath -- Dos Passos's U.S.A.: Chronicle and Performance -- Modernism: The Case of Willa Cather -- Metaphor, Metonymy and Voice in Zora Neale Hurston's Their Eyes Were Watching God -- De Profundis: The Sound and the Fury I -- Fitzgerald and Cather: The Great Gatsby -- Clarity Returns: Ida and The Geographical History of America -- The Expatriate Predicament in The Sun Also Rises -- Writing the Long Desire: The Function of Sehnsucht in The Great Gatsby and Look Homeward, Angel -- Order and Will in A Farewell to Arms -- Lost Gods: Pan, Milton, and the Pastoral Tradition in Thomas Wolfe's O Lost -- Youth Culture and the Spectacle of Waste -- A Yoknapatawpha Pantheon: Light in August -- Chronology -- Contributors -- Bibliography -- Acknowledgments -- Index.
