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  1. Continental crosscurrents
    British criticism and European art 1810-1910
    Autor*in: Bullen, J. B.
    Erschienen: 2005
    Verlag:  Oxford University Press, Oxford

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1423770781; 9781423770787
    Schlagworte: ART / European; Geschichte; Art, European; Art, European; Art criticism; Art criticism; Art, British; Art, Romanesque; Kunstkritik; Ästhetik; Malerei
    Weitere Schlagworte: Browning, Robert (1812-1889); Waterhouse, Alfred (1830-1905); Lawrence, D. H. (1885-1930); Ruskin, John (1819-1900)
    Umfang: 1 Online-Ressource (x, 297 Seiten)
    Bemerkung(en):

    Includes bibliographical references (pages 264-282) and index
  2. Continental crosscurrents
    British criticism and European art 1810-1910
    Autor*in: Bullen, J. B.
    Erschienen: 2005
    Verlag:  Oxford University Press, Oxford [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Continental Crosscurrents" is a series of case studies reflecting British attitudes to continental art during the nineteenth and the early twentieth centuries. It stresses the way in which the British went to the continent in their search for... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    "Continental Crosscurrents" is a series of case studies reflecting British attitudes to continental art during the nineteenth and the early twentieth centuries. It stresses the way in which the British went to the continent in their search for origins or their pursuit of sources of purity and originality. This cult of the primitive took many forms; it involved a reassessment of medieval German and Italian art and offered new ways of interpreting Venetian painting; it opened up new readings of architectural history and the 'discovery' of the Romanesque; it generated a debate about the value of returning to religious subjects in art and it raised the question of the relationship between modern art and Byzantine art in the early twentieth century. J.B. Bullen's original study presents some exciting findings. Few critics have noticed how much in advance of his time was Coleridge's passion for medieval art; Ruskin's debt in the "Stones of Venice" to Victor Hugo's "Notre Dame de Paris" has hardly been noted, and Browning's involvement with the debate on the morality of Christian art is explored more extensively than previously.; Three chapters are devoted to the role of British criticism in identifying the Romanesque style in architecture and differentiating it from the Gothic. They trace the concept as it arose in criticism at the beginning of the nineteenth century; its employment in the remarkable buildings of Edmund Sharpe and Sara Losh and the way in which it reached a climax in Waterhouse's enigmatic choice of Romanesque for the Natural History Museum in London. The collection concludes with two continental episodes from the history of modernism. One is the explosive British reaction to the primitivism of Gauguin; the other involves the identifying of one of the characters in D.H. Lawrence's novel "Women in Love". Curious evidence suggests that the malevolent figure of Loerke was based on a German sculptor whom Lawrence met in Italy before the First World War.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1423770781; 9781423770787; 128075656X; 9781280756566
    RVK Klassifikation: LO 50090 ; LH 61060
    Schlagworte: Kunstkritik; Malerei; Ästhetik
    Weitere Schlagworte: Waterhouse, Alfred (1830-1905); Browning, Robert (1812-1889); Ruskin, John (1819-1900); Lawrence, D. H. (1885-1930)
    Umfang: 1 Online-Ressource (x, 297 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 264-282) and index