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  1. Becoming T.S. Eliot
    the rhetoric of voice and audience in Inventions of the March hare
    Autor*in: Stayer, Jayme
    Erschienen: [2021]; © 2021
    Verlag:  Johns Hopkins University Press, Baltimore

    "This study offers a rhetorical analysis of how the young T. S. Eliot created a new voice and targeted a modern audience in the poems of his youthful notebook, published in 1996 as Inventions of the March Hare. By following Eliot's artistic... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This study offers a rhetorical analysis of how the young T. S. Eliot created a new voice and targeted a modern audience in the poems of his youthful notebook, published in 1996 as Inventions of the March Hare. By following Eliot's artistic development and intellectual maturation, the author explores, by chronological steps, how a young man who writes uninspired doggerel transformed himself-in twenty months-into the author of "The Love Song of J. Alfred Prufrock.""--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781421441030; 9781421441047
    Weitere Identifier:
    9781421441030
    9781421441047
    RVK Klassifikation: HM 2455
    Schlagworte: Eliot, T. S.; ; Eliot, T. S.;
    Weitere Schlagworte: Eliot, T. S (1888-1965); Eliot, T. S (1888-1965); Eliot, T. S (1888-1965): Inventions of the March Hare
    Umfang: xiv, 343 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 329-336
  2. Becoming T.S. Eliot
    the rhetoric of voice and audience in Inventions of the March hare
    Autor*in: Stayer, Jayme
    Erschienen: [2021]; © 2021
    Verlag:  Johns Hopkins University Press, Baltimore

    "This study offers a rhetorical analysis of how the young T. S. Eliot created a new voice and targeted a modern audience in the poems of his youthful notebook, published in 1996 as Inventions of the March Hare. By following Eliot's artistic... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 133663
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a ang 647.7/592
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2022/305
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2021 A 13241
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    T 30658 h
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2022 A 11740
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    71/14026
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Signatur:
    61 A 5890
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This study offers a rhetorical analysis of how the young T. S. Eliot created a new voice and targeted a modern audience in the poems of his youthful notebook, published in 1996 as Inventions of the March Hare. By following Eliot's artistic development and intellectual maturation, the author explores, by chronological steps, how a young man who writes uninspired doggerel transformed himself-in twenty months-into the author of "The Love Song of J. Alfred Prufrock.""--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781421441030; 9781421441047
    Weitere Identifier:
    9781421441030
    9781421441047
    RVK Klassifikation: HM 2455
    Schlagworte: Eliot, T. S.; ; Eliot, T. S.;
    Weitere Schlagworte: Eliot, T. S (1888-1965); Eliot, T. S (1888-1965); Eliot, T. S (1888-1965): Inventions of the March Hare
    Umfang: xiv, 343 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 329-336
  3. Becoming T.S. Eliot
    the rhetoric of voice and audience in Inventions of the march hare
    Autor*in: Stayer, Jayme
    Erschienen: 2021
    Verlag:  Johns Hopkins University Press, Baltimore

    Introduction: The Apprentice Alone in His Workshop: The Inventions Notebook -- Indebted and Well-Bred: Literary Models and Authority in the Juvenilia -- The Notebook, Begun: The Clash of Laforgue and Baudelaire in the Poems of November 1909 --... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: The Apprentice Alone in His Workshop: The Inventions Notebook -- Indebted and Well-Bred: Literary Models and Authority in the Juvenilia -- The Notebook, Begun: The Clash of Laforgue and Baudelaire in the Poems of November 1909 -- Clearing the Throat: The Poems of Early 1910 -- Raising the Voice: The Sequence Poems of Fall 1910 -- Trembling with Pathos: The Paris Poems of Late 1910 and Early 1911 -- The Short and Surprisingly Private Life of King Bolo: The Bawdy Poems and Their Audiences -- "Prufrock," Abandoned: How the Poem Was Written, How It Was Received, and How It Works -- Mumbling the Denouement: The Last and Undated Poems of the Notebook, Late 1911-1915 -- Appendix: Chronology of Eliot's Work: 1899-1915 "This study offers a rhetorical analysis of how the young T. S. Eliot created a new voice and targeted a modern audience in the poems of his youthful notebook, published in 1996 as Inventions of the March Hare. By following Eliot's artistic development and intellectual maturation, the author explores, by chronological steps, how a young man who writes uninspired doggerel transformed himself-in twenty months-into the author of "The Love Song of J. Alfred Prufrock.""--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781421441047; 9781421441030
    RVK Klassifikation: HM 2455
    Schlagworte: Eliot, T. S.;
    Weitere Schlagworte: Eliot, T. S. (1888-1965); Eliot, T. S / (Thomas Stearns) / 1888-1965 / Criticism and interpretation; Eliot, T. S / (Thomas Stearns) / 1888-1965 / Technique; Eliot, T. S / (Thomas Stearns) / 1888-1965 / Inventions of the March Hare
    Umfang: xiv, 343 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  4. Becoming T.S. Eliot
    the rhetoric of voice and audience in 'Inventions of the march hare'
    Autor*in: Stayer, Jayme
    Erschienen: [2021]
    Verlag:  Johns Hopkins University Press, Baltimore

    How did an ordinary, if intelligent, boy who wrote unremarkable poems become—with no help, and in record time—the author of one of the most significant and beloved poems of the twentieth century?T. S. Eliot's juvenilia show little inclination to... mehr

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    WJ235.05 S798
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Paderborn
    Signatur:
    EBNZ1016
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    How did an ordinary, if intelligent, boy who wrote unremarkable poems become—with no help, and in record time—the author of one of the most significant and beloved poems of the twentieth century?T. S. Eliot's juvenilia show little inclination to question the social, cultural, religious, or domestic values he had inherited. How did a young man who wrote uninspired doggerel about wilting flowers transform himself—in a mere twenty months—into the author of "The Love Song of J. Alfred Prufrock"? In Becoming T. S. Eliot, Jayme Stayer—praised by Christopher Ricks as a scholar who is "scrupulous in acknowledging the contingencies that will always preclude perfection"—explains this staggering accomplishment by tracing Eliot's artistic and intellectual development. Relying on archival research and original analysis, this is the first book dedicated entirely to Inventions of the March Hare, Eliot's youthful notebook, which was once thought lost but was rediscovered after Eliot's death. Stayer places Eliot's verses in the chronological order of their composition, teasing out the narratives of their making. Focusing on the period from 1909 to 1915, this incisive portrait of Eliot as a budding writer is as much a study of Eliot himself as it is a study of how a writer hones his voice.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781421441030; 9781421441047
    Weitere Schlagworte: Einzelne Autoren: Monographien & Biographien; 20. Jahrhundert (1900 - 2000; Literaturwissenschaft: Lyrik und Dichter; Literaturgeschichte und Literaturkritik; Amerikanische Literatur; modernism;poetry;Prufrock;rhetoric;juvenilia;Inventions of the March Hare;"The Love Song of J. Alfred Prufrock";craft;writing;audience;voice;journal
    Umfang: xiv, 343 Seiten
    Bemerkung(en):

    Introduction: The Apprentice Alone in His Workshop: The Inventions Notebook; 1. Indebted and Well-Bred: Literary Models and Authority in the Juvenilia; 2. The Notebook, Begun: The Clash of Laforgue and Baudelaire in the Poems of November 1909; 3. Clearing the Throat: The Poems of Early 1910; 4. Raising the Voice: The Sequence Poems of Fall 1910; 5. Trembling with Pathos: The Paris Poems of Late 1910 and Early 1911; 6. The Short and Surprisingly Private Life of King Bolo: The Bawdy Poems and Their Audiences; 7. "Prufrock," Abandoned: How the Poem Was Written, How It Was Received, and How It Works; 8. Mumbling the Denouement: The Last and Undated Poems of the Notebook, late 1911-1915; Notes; Work Cited; Index;
  5. Becoming T.S. Eliot
    the rhetoric of voice and audience in Inventions of the march hare
    Autor*in: Stayer, Jayme
    Erschienen: 2021
    Verlag:  Johns Hopkins University Press, Baltimore

    Introduction: The Apprentice Alone in His Workshop: The Inventions Notebook -- Indebted and Well-Bred: Literary Models and Authority in the Juvenilia -- The Notebook, Begun: The Clash of Laforgue and Baudelaire in the Poems of November 1909 --... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: The Apprentice Alone in His Workshop: The Inventions Notebook -- Indebted and Well-Bred: Literary Models and Authority in the Juvenilia -- The Notebook, Begun: The Clash of Laforgue and Baudelaire in the Poems of November 1909 -- Clearing the Throat: The Poems of Early 1910 -- Raising the Voice: The Sequence Poems of Fall 1910 -- Trembling with Pathos: The Paris Poems of Late 1910 and Early 1911 -- The Short and Surprisingly Private Life of King Bolo: The Bawdy Poems and Their Audiences -- "Prufrock," Abandoned: How the Poem Was Written, How It Was Received, and How It Works -- Mumbling the Denouement: The Last and Undated Poems of the Notebook, Late 1911-1915 -- Appendix: Chronology of Eliot's Work: 1899-1915 "This study offers a rhetorical analysis of how the young T. S. Eliot created a new voice and targeted a modern audience in the poems of his youthful notebook, published in 1996 as Inventions of the March Hare. By following Eliot's artistic development and intellectual maturation, the author explores, by chronological steps, how a young man who writes uninspired doggerel transformed himself-in twenty months-into the author of "The Love Song of J. Alfred Prufrock.""--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781421441047; 9781421441030
    RVK Klassifikation: HM 2455
    Schlagworte: Eliot, T. S.;
    Weitere Schlagworte: Eliot, T. S. (1888-1965); Eliot, T. S / (Thomas Stearns) / 1888-1965 / Criticism and interpretation; Eliot, T. S / (Thomas Stearns) / 1888-1965 / Technique; Eliot, T. S / (Thomas Stearns) / 1888-1965 / Inventions of the March Hare
    Umfang: xiv, 343 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  6. Becoming T.S. Eliot
    the rhetoric of voice and audience in 'Inventions of the march hare'
    Autor*in: Stayer, Jayme
    Erschienen: [2021]
    Verlag:  Johns Hopkins University Press, Baltimore

    How did an ordinary, if intelligent, boy who wrote unremarkable poems become—with no help, and in record time—the author of one of the most significant and beloved poems of the twentieth century?T. S. Eliot's juvenilia show little inclination to... mehr

    Standort:
    Universitätsbibliothek Bielefeld
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Paderborn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    How did an ordinary, if intelligent, boy who wrote unremarkable poems become—with no help, and in record time—the author of one of the most significant and beloved poems of the twentieth century?T. S. Eliot's juvenilia show little inclination to question the social, cultural, religious, or domestic values he had inherited. How did a young man who wrote uninspired doggerel about wilting flowers transform himself—in a mere twenty months—into the author of "The Love Song of J. Alfred Prufrock"? In Becoming T. S. Eliot, Jayme Stayer—praised by Christopher Ricks as a scholar who is "scrupulous in acknowledging the contingencies that will always preclude perfection"—explains this staggering accomplishment by tracing Eliot's artistic and intellectual development. Relying on archival research and original analysis, this is the first book dedicated entirely to Inventions of the March Hare, Eliot's youthful notebook, which was once thought lost but was rediscovered after Eliot's death. Stayer places Eliot's verses in the chronological order of their composition, teasing out the narratives of their making. Focusing on the period from 1909 to 1915, this incisive portrait of Eliot as a budding writer is as much a study of Eliot himself as it is a study of how a writer hones his voice

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781421441030; 9781421441047
    Schlagworte: modernism;poetry;Prufrock;rhetoric;juvenilia;Inventions of the March Hare;"The Love Song of J. Alfred Prufrock";craft;writing;audience;voice;journal
    Weitere Schlagworte: Einzelne Autoren: Monographien & Biographien; 20. Jahrhundert (1900 - 2000; Literaturwissenschaft: Lyrik und Dichter; Literaturgeschichte und Literaturkritik; Amerikanische Literatur
    Umfang: xiv, 343 Seiten
    Bemerkung(en):

    Introduction: The Apprentice Alone in His Workshop: The Inventions Notebook; 1. Indebted and Well-Bred: Literary Models and Authority in the Juvenilia; 2. The Notebook, Begun: The Clash of Laforgue and Baudelaire in the Poems of November 1909; 3. Clearing the Throat: The Poems of Early 1910; 4. Raising the Voice: The Sequence Poems of Fall 1910; 5. Trembling with Pathos: The Paris Poems of Late 1910 and Early 1911; 6. The Short and Surprisingly Private Life of King Bolo: The Bawdy Poems and Their Audiences; 7. "Prufrock," Abandoned: How the Poem Was Written, How It Was Received, and How It Works; 8. Mumbling the Denouement: The Last and Undated Poems of the Notebook, late 1911-1915; Notes; Work Cited; Index;