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  1. Poetics of the iconotext
    Autor*in: Louvel, Liliane
    Erschienen: 2011
    Verlag:  Ashgate, Farnham, Surrey, England

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Deutsches Forum für Kunstgeschichte, Bibliothek
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781409431169; 1409431169
    Weitere Identifier:
    RVK Klassifikation: EC 2440
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; English literature; Art and literature; Imagery (Psychology) in literature; Visual perception in literature; Intertextuality; Ekphrasis; Bildersprache; Ut pictura poesis
    Umfang: 1 Online-Ressource (206 p.)
    Bemerkung(en):

    Translation of L'Oeil du texte and Texte/Images: images à lire, textes à voir

    Includes bibliographical references and index

    What is an image? -- The infinite dialogue between text and image -- Modes of insertion of the pictorial I: narrative figures of the pictorial image -- Modes of insertion of the pictorial II: from text to iconotext: degrees of pictorial saturation -- Modes of insertion of the pictorial III: functions of the image: a pragmatics of the iconotext -- Variations on the pictorial -- Beyond the paragone: towards a poetics of pictorial rhythm

    "Poetics of the Iconotext makes available for the first time in English the theories of the respected French text/image specialist, Professor Liliane Louvel. A consolidation of the most significant theoretical materials of Louvel's two acclaimed books, L'Oeil du Texte: Texte et image dans la littérature anglophone and Texte/Image: Images à lire, textes à voir, this newly conceived work introduces English readers to the most current thinking in French text/image theory and visual studies. Focusing on the full spectrum of text/image relations, from medieval illuminated manuscripts to digital books, Louvel begins by introducing key terms and situating her work in the context of significant debates in text/image studies. Part II introduces Louvel's s typology of pictorial saturation through which she establishes a continuum along which to measure the effect of the most figurative to the most literal images upon writerly and readerly textual 'spaces.' Part III adopts a phenomenological approach towards the reading-viewing experience as expressed in conceptual categories that include the trace, focal range, synesthesia, and rhythm and speed. The result is a provocative interplay of the categorical and the subjective that invites readers to think at once more precisely and more inventively about texts, images, and the intersections between the two"--Provided by publisher