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  1. Lyric Poetry
    The Pain and the Pleasure of Words
    Autor*in: Blasing, Mutlu Konuk
    Erschienen: 2006
    Verlag:  Princeton University Press, Princeton, N.J.

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400827411
    Weitere Identifier:
    Schlagworte: Lyrik; Lyrisches Ich
    Umfang: 1 Online-Ressource (232 S.)
    Bemerkung(en):

    Main description: Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language
  2. Lyric Poetry
    The Pain and the Pleasure of Words
    Autor*in: Blasing, Mutlu Konuk
    Erschienen: 2007; ©2007.
    Verlag:  Princeton University Press, Princeton, N.J.

    Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry,... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400827411
    Weitere Identifier:
    Schlagworte: TRAVEL; Lyric poetry; LITERARY CRITICISM; LITERARY CRITICISM
    Umfang: Online-Ressource (232 S.)
  3. Lyric poetry
    the pain and the pleasure of words
    Erschienen: c2007
    Verlag:  Princeton University Press, Princeton, N.J

    Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry,... mehr

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    Hochschule Aalen, Bibliothek
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    Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to po

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400827411; 1400827418
    Schlagworte: Lyric poetry; Lyric poetry; TRAVEL ; Special Interest ; Literary; LITERARY CRITICISM ; General; LITERARY CRITICISM ; Poetry; Lyric poetry; Criticism, interpretation, etc
    Umfang: Online Ressource (216 p.), ill.
    Bemerkung(en):

    Includes bibliographical references (p. [205]-211) and index. - Description based on print version record
  4. Lyric Poetry
    The Pain and the Pleasure of Words
    Autor*in: Blasing, Mutlu Konuk
    Erschienen: 2007; ©2007.
    Verlag:  Princeton University Press, Princeton, N.J.

    Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry,... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Universitätsbibliothek Braunschweig
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    Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400827411
    Weitere Identifier:
    Schlagworte: TRAVEL; Lyric poetry; LITERARY CRITICISM; LITERARY CRITICISM
    Umfang: Online-Ressource (232 S.)
  5. Lyric Poetry
    The Pain and the Pleasure of Words
    Autor*in: Blasing, Mutlu Konuk
    Erschienen: 2006
    Verlag:  Princeton University Press, Princeton, N.J.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400827411
    Weitere Identifier:
    Schlagworte: Lyrik; Lyrisches Ich
    Umfang: 1 Online-Ressource (232 S.)
    Bemerkung(en):

    Main description: Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language
  6. Lyric poetry
    the pain and the pleasure of words
    Autor*in: Blasing, Mutlu Konuk
    Erschienen: c2007
    Verlag:  Princeton University Press, Princeton, N.J.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0691126828; 1400827418; 9780691126821; 9781400827411
    Schlagworte: TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; LITERARY CRITICISM / Poetry; Lyric poetry; Lyric poetry; Lyrik; Lyrisches Ich
    Umfang: 1 Online-Ressource (216 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [205]-211) and index

    The lyric subject -- The historical "I" -- The scripted "I" -- The body of words -- Four quartets: rhetoric redeemed -- Wallace Stevens and "The less legible meanings of sounds" -- Pound's soundtrack: "Reading Cantos for what is on the page" -- Anne Sexton, "The typo" -- Coda: the haunted house of "Anna."

    Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to po
  7. Lyric Poetry
    The Pain and the Pleasure of Words
    Autor*in: Blasing, Mutlu Konuk
    Erschienen: 2009
    Verlag:  Princeton University Press, Princeton ; ProQuest, Ann Arbor, Michigan

    Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry,... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Gießen
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    Universität Mainz, Zentralbibliothek
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    Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400827411
    RVK Klassifikation: HU 1769
    Schlagworte: Lyriktheorie; Lyrik
    Umfang: 1 Online-Ressource (240 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  8. Lyric poetry
    the pain and the pleasure of words
    Autor*in: Blasing, Mutlu Konuk
    Erschienen: 2007
    Verlag:  Princeton University Press, Princeton, N.J. ; EBSCO Industries, Inc., Birmingham, AL, USA

    Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry,... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
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    keine Fernleihe

     

    Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to po.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400827411; 1400827418; 128215902X; 9781282159020
    RVK Klassifikation: HU 1769
    Schlagworte: Lyriktheorie; Lyrik
    Umfang: 1 Online-Ressource (216 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 205-211) and index