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  1. Sound, Sense, and Rhythm
    Listening to Greek and Latin Poetry
    Autor*in: Edwards, Mark W.
    Erschienen: 2004
    Verlag:  Princeton University Press, Princeton, N.J.

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400824830
    Weitere Identifier:
    Schriftenreihe: Martin Classical Lectures
    Schlagworte: Griechisch; Rezeptionssteuerung; Mündliche Kommunikation; Latein; Literatur
    Umfang: 1 Online-Ressource (208 S.)
    Bemerkung(en):

    Main description: This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. The first of four chapters examines Homer's emphasis of certain words by their positioning; a passage from the Iliad is analyzed, and a poem of Tennyson illustrates English parallels. The second considers Homer's techniques of disguising the break in the narrative when changing a scene's location or characters, to maintain his audience's attention. In the third we learn, partly through an English translation matching the rhythm, how Aeschylus chose and adapted meters to arouse listeners' emotions. The final chapter examines how Latin poets, particularly Propertius, infused their language with ambiguities and multiple meanings. An appendix examines the use of classical meters by twentieth-century American and English poets. Based on the author's Martin Classical Lectures at Oberlin College in 1998, this book will enrich the appreciation of classicists and their students for the immense possibilities of the languages they read, translate, and teach. Since the Greek and Latin quotations are translated into English, it will also be welcomed by non-classicists as an aid to understanding the enormous influence of ancient Greek and Latin poetry on modern Western literature
  2. Sound, Sense, and Rhythm
    Listening to Greek and Latin Poetry
    Autor*in: Edwards, Mark W.
    Erschienen: 2002; ©2002
    Verlag:  Princeton University Press, Princeton, N.J.

    This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. The first of four chapters examines Homer's emphasis of certain words by their positioning; a passage from the Iliad is analyzed, and a poem of Tennyson illustrates English parallels. The second considers Homer's techniques of disguising the break in the narrative when changing a scene's location or characters, to maintain his audience's attention. In the third we learn, partly through an English translation matching the rhythm, how Aeschylus chose and adapted meters to arouse listeners' emotions. The final chapter examines how Latin poets, particularly Propertius, infused their language with ambiguities and multiple meanings. An appendix examines the use of classical meters by twentieth-century American and English poets. Based on the author's Martin Classical Lectures at Oberlin College in 1998, this book will enrich the appreciation of classicists and their students for the immense possibilities of the languages they read, translate, and teach. Since the Greek and Latin quotations are translated into English, it will also be welcomed by non-classicists as an aid to understanding the enormous influence of ancient Greek and Latin poetry on modern Western literature.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400824830
    Weitere Identifier:
    Schriftenreihe: Martin Classical Lectures
    Schlagworte: Classical languages; Classical poetry; Classical languages; Communication orale; Langues anciennes; Oral communication; LITERARY CRITICISM; Poésie ancienne; Oral communication; Communication orale
    Umfang: Online-Ressource (208 S.)
  3. Sound, sense, and rhythm
    listening to Greek and Latin poetry
    Erschienen: c2002
    Verlag:  Princeton University Press, Princeton, N.J

    This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for... mehr

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. The first of four chapters examines Homer's emphasis of certain words by their positioning; a passage from the Iliad is analyzed, and a poem of Tennyson illustrates English parallels. The second considers Homer's techniques of disguising the break in the narrative when changing a s

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400824830; 1400824834
    Schriftenreihe: Martin classical lectures
    Schlagworte: Classical languages; Classical poetry; Oral communication; Oral communication; Langues anciennes; Poésie ancienne; Communication orale; Communication orale; Classical languages; Classical poetry; Oral communication; Oral communication; LITERARY CRITICISM ; Ancient & Classical; Classical languages ; Metrics and rhythmics; Classical poetry; Oral communication; Dichtkunst; Klassieke talen; Woordvolgorde; Metriek; Ritmiek; Klankkleur; Criticism, interpretation, etc
    Weitere Schlagworte: Homer; Aeschylus
    Umfang: Online Ressource (xi, 191 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [179]-187) and index. - Description based on print version record
  4. Sound, Sense, and Rhythm
    Listening to Greek and Latin Poetry
    Autor*in: Edwards, Mark W.
    Erschienen: 2002; ©2002
    Verlag:  Princeton University Press, Princeton, N.J.

    This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. The first of four chapters examines Homer's emphasis of certain words by their positioning; a passage from the Iliad is analyzed, and a poem of Tennyson illustrates English parallels. The second considers Homer's techniques of disguising the break in the narrative when changing a scene's location or characters, to maintain his audience's attention. In the third we learn, partly through an English translation matching the rhythm, how Aeschylus chose and adapted meters to arouse listeners' emotions. The final chapter examines how Latin poets, particularly Propertius, infused their language with ambiguities and multiple meanings. An appendix examines the use of classical meters by twentieth-century American and English poets. Based on the author's Martin Classical Lectures at Oberlin College in 1998, this book will enrich the appreciation of classicists and their students for the immense possibilities of the languages they read, translate, and teach. Since the Greek and Latin quotations are translated into English, it will also be welcomed by non-classicists as an aid to understanding the enormous influence of ancient Greek and Latin poetry on modern Western literature.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400824830
    Weitere Identifier:
    Schriftenreihe: Martin Classical Lectures
    Schlagworte: Classical languages; Classical poetry; Classical languages; Communication orale; Langues anciennes; Oral communication; LITERARY CRITICISM; Poésie ancienne; Oral communication; Communication orale
    Umfang: Online-Ressource (208 S.)
  5. Sound, Sense, and Rhythm
    Listening to Greek and Latin Poetry
    Autor*in: Edwards, Mark W.
    Erschienen: 2004
    Verlag:  Princeton University Press, Princeton, N.J.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400824830
    Weitere Identifier:
    Schriftenreihe: Martin Classical Lectures
    Schlagworte: Griechisch; Rezeptionssteuerung; Mündliche Kommunikation; Latein; Literatur
    Umfang: 1 Online-Ressource (208 S.)
    Bemerkung(en):

    Main description: This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. The first of four chapters examines Homer's emphasis of certain words by their positioning; a passage from the Iliad is analyzed, and a poem of Tennyson illustrates English parallels. The second considers Homer's techniques of disguising the break in the narrative when changing a scene's location or characters, to maintain his audience's attention. In the third we learn, partly through an English translation matching the rhythm, how Aeschylus chose and adapted meters to arouse listeners' emotions. The final chapter examines how Latin poets, particularly Propertius, infused their language with ambiguities and multiple meanings. An appendix examines the use of classical meters by twentieth-century American and English poets. Based on the author's Martin Classical Lectures at Oberlin College in 1998, this book will enrich the appreciation of classicists and their students for the immense possibilities of the languages they read, translate, and teach. Since the Greek and Latin quotations are translated into English, it will also be welcomed by non-classicists as an aid to understanding the enormous influence of ancient Greek and Latin poetry on modern Western literature
  6. Sound, sense, and rhythm
    listening to Greek and Latin poetry
    Autor*in: Edwards, Mark W.
    Erschienen: ©2002
    Verlag:  Princeton University Press, Princeton, N.J.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1400824834; 9781400824830
    Schriftenreihe: Martin classical lectures (Unnumbered)
    Schlagworte: Langues anciennes / Métrique et rythmique; Poésie ancienne / Histoire et critique; Communication orale / Grèce; Communication orale / Rome; LITERARY CRITICISM / Ancient & Classical; Classical languages / Metrics and rhythmics; Classical poetry; Oral communication; Dichtkunst; Klassieke talen; Woordvolgorde; Metriek; Ritmiek; Klankkleur; Classical languages; Classical poetry; Oral communication; Oral communication; Mündliche Kommunikation; Griechisch; Literatur; Rezeptionssteuerung; Latein
    Weitere Schlagworte: Homer / Criticism and interpretation; Aeschylus / Criticism and interpretation
    Umfang: 1 Online-Ressource (xi, 191 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 179-187) and index

    PREFACE; CHAPTER ONE: Homer I: Poetry and Speech; CHAPTER TWO: Homer II: Scenes and Summaries; CHAPTER THREE: Music and Meaning in Three Songs of Aeschylus; CHAPTER FOUR: Poetry in the Latin Language; AFTERWORD; APPENDIX A: Tennyson's Morte d'Arthur; APPENDIX B: Continuity in Mrs. Dalloway; APPENDIX C: The Performance of Homeric Episodes; APPENDIX D: Classical Meters in Modern English Verse; REFERENCES; INDEX.

    This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. The first of four chapters examines Homer's emphasis of certain words by their positioning; a passage from the Iliad is analyzed, and a poem of Tennyson illustrates English parallels. The second considers Homer's techniques of disguising the break in the narrative when changing a s
  7. Sound, Sense, and Rhythm
    Listening to Greek and Latin Poetry
    Autor*in: Edwards, Mark W.
    Erschienen: 2009
    Verlag:  Princeton University Press, Princeton ; ProQuest, Ann Arbor, Michigan

    This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for... mehr

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    /
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
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    Standort:
    Universität Mainz, Zentralbibliothek
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    keine Fernleihe

     

    This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. The first of four chapters examines Homer's emphasis of certain words by their positioning; a passage from the Iliad is analyzed, and a poem of Tennyson illustrates English parallels. The second considers Homer's techniques of disguising the break in the narrative when changing a scene's location or characters, to maintain his audience's attention. In the third we learn, partly through an English translation matching the rhythm, how Aeschylus chose and adapted meters to arouse listeners' emotions. The final chapter examines how Latin poets, particularly Propertius, infused their language with ambiguities and multiple meanings. An appendix examines the use of classical meters by twentieth-century American and English poets. Based on the author's Martin Classical Lectures at Oberlin College in 1998, this book will enrich the appreciation of classicists and their students for the immense possibilities of the languages they read, translate, and teach. Since the Greek and Latin quotations are translated into English, it will also be welcomed by non-classicists as an aid to understanding the enormous influence of ancient Greek and Latin poetry on modern Western literature.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400824830
    Schriftenreihe: Martin Classical Lectures
    Umfang: 1 Online-Ressource (181 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  8. Sound, sense, and rhythm
    listening to Greek and Latin poetry
    Autor*in: Edwards, Mark W.
    Erschienen: 2002
    Verlag:  Princeton University Press, Princeton, N.J. ; EBSCO Industries, Inc., Birmingham, AL, USA

    This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. The first of four chapters examines Homer's emphasis of certain words by their positioning; a passage from the Iliad is analyzed, and a poem of Tennyson illustrates English parallels. The second considers Homer's techniques of disguising the break in the narrative when changing a s.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400824830; 1400824834
    RVK Klassifikation: FB 5501 ; FB 5925
    Schriftenreihe: Martin classical lectures
    Schlagworte: Griechisch; Latein; Literarische Technik; Aufführungspraxis; Versdichtung
    Umfang: 1 Online-Ressource (xi, 191 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 179-187) and index