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  1. Disability, public space performance and spectatorship
    unconscious performers
    Autor*in: Hadley, Bree
    Erschienen: 2014
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781349484492
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Australian; People with disabilities and the performing arts; Performance art / History / 21st century; People with disabilities and the arts; Artists with disabilities; Geschichte; Behinderung <Motiv>; Behinderter Mensch; Öffentlichkeit; Performance <Künste>; Schauspieler
    Umfang: IX, 210 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 187-198) and index

    Machine generated contents note: Seeing, imaging and imagining the other -- Disability, performance and performative interventions in public space -- Protesters, pranksters or pity seekers? -- the motivations and conundrums of interventionalist performance -- Studying the performativity of spectatorship -- Book structure -- 1.Weebles, Mirages and Living Mirrors: The Ethics of Embarrassed Laughter -- Bodies in becoming -- Igneous's Mirage -- Bodies ambiguous -- Noemi Lakmaier's Exercise in Losing Control -- 'I can hear you looking at me' --- Alison Jones's Portraits By Proxy -- Stepping into someone Else's shoes? -- Interpreting spectators' self-performances -- 2.Drug Deals, Samaritans and Suicides: Bodies on the Brink of the Visible -- 'I want to be a full human being' --- Back to Back Theatre's Small Metal Objects -- The weight of empathy -- Bill Shannon's Regarding the Fall --
  2. Disability, public space performance and spectatorship
    unconscious performers
    Autor*in: Hadley, Bree
    Erschienen: 2014
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781349484492
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Australian; People with disabilities and the performing arts; Performance art / History / 21st century; People with disabilities and the arts; Artists with disabilities; Geschichte; Behinderung <Motiv>; Behinderter Mensch; Öffentlichkeit; Performance <Künste>; Schauspieler
    Umfang: IX, 210 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 187-198) and index

    Machine generated contents note: Seeing, imaging and imagining the other -- Disability, performance and performative interventions in public space -- Protesters, pranksters or pity seekers? -- the motivations and conundrums of interventionalist performance -- Studying the performativity of spectatorship -- Book structure -- 1.Weebles, Mirages and Living Mirrors: The Ethics of Embarrassed Laughter -- Bodies in becoming -- Igneous's Mirage -- Bodies ambiguous -- Noemi Lakmaier's Exercise in Losing Control -- 'I can hear you looking at me' --- Alison Jones's Portraits By Proxy -- Stepping into someone Else's shoes? -- Interpreting spectators' self-performances -- 2.Drug Deals, Samaritans and Suicides: Bodies on the Brink of the Visible -- 'I want to be a full human being' --- Back to Back Theatre's Small Metal Objects -- The weight of empathy -- Bill Shannon's Regarding the Fall --