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  1. Contemporary trauma narratives
    liminality and the ethics of form
    Beteiligt: Onega, Susana (HerausgeberIn); Ganteau, Jean-Michel (HerausgeberIn)
    Erschienen: 2014
    Verlag:  Routledge, Taylor & Francis Group, New York

    This book provides a comprehensive compilation of essays on the relationship between formal experimentation and ethics in a number of generically hybrid or ""liminal"" narratives dealing with individual and collective traumas, running the spectrum... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book provides a comprehensive compilation of essays on the relationship between formal experimentation and ethics in a number of generically hybrid or ""liminal"" narratives dealing with individual and collective traumas, running the spectrum from the testimonial novel and the fictional autobiography to the fake memoir, written by a variety of famous, more neglected contemporary British, Irish, US, Canadian, and German writers. Building on the psychological insights and theorizing of the fathers of trauma studies (Janet, Freud, Ferenczi) and of contemporary trauma critics and theorists, t

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Onega, Susana (HerausgeberIn); Ganteau, Jean-Michel (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781317684718
    Schriftenreihe: Routledge interdisciplinary perspectives on literature
    Umfang: 1 Online-Ressource (264 pages)
    Bemerkung(en):

    Cover; Title; Copyright; Contents; Acknowledgements; Introduction: Performing the Void: Liminality and the Ethics of Form in Contemporary Trauma Narratives; PART I Ethics and Generic Hybridity; 1 Learning from Fakes: Memoir, Confessional Ethics, and the Limits of Genre; 2 " . . . with a foot in both worlds": The Liminal Ethics of Jenny Diski's Postmodern Fables; 3 Witnessing without Witnesses: Atwood's Oryx and Crake as Limit-Case of Fictional Testimony

    4 "I do remember terrible dark things, and loss, and noise": Historical Trauma and Its Narrative Representation in Sebastian Barry's The Secret ScripturePART II Ethics and the Aesthetics of Excess; 5 Vulnerable Form and Traumatic Vulnerability: Jon McGregor's Even the Dogs; 6 Ethics, Aesthetics, and History in Lawrence Durrell's Avignon Quintet; 7 The Ethics of Breaking up the Family Romance in David Mitchell's Number9Dream; 8 "circling and circling and circling . . . whirligogs": A Knotty Novel for a Tangled Object Trauma in Will Self's Umbrella

    PART III Ethics and Structural Experimentation9 Family Archive Fever: Daniel Mendelsohn's The Lost; 10 "The Roche Limit": Digression and Return in W. G. Sebald's The Rings of Saturn; 11 "Separateness and Connectedness": Generational Trauma and the Ethical Impulse in Anne Karpf's The War After: Living with the Holocaust; 12 Hybridity, Montage, and the Rhetorics and Ethics of Suffering in Anne Michaels's Fugitive Pieces; Contributors; Index
  2. Contemporary trauma narratives
    liminality and the ethics of form
    Beteiligt: Onega, Susana (HerausgeberIn); Ganteau, Jean-Michel (HerausgeberIn)
    Erschienen: 2014
    Verlag:  Routledge, Taylor & Francis Group, New York

    This book provides a comprehensive compilation of essays on the relationship between formal experimentation and ethics in a number of generically hybrid or ""liminal"" narratives dealing with individual and collective traumas, running the spectrum... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    This book provides a comprehensive compilation of essays on the relationship between formal experimentation and ethics in a number of generically hybrid or ""liminal"" narratives dealing with individual and collective traumas, running the spectrum from the testimonial novel and the fictional autobiography to the fake memoir, written by a variety of famous, more neglected contemporary British, Irish, US, Canadian, and German writers. Building on the psychological insights and theorizing of the fathers of trauma studies (Janet, Freud, Ferenczi) and of contemporary trauma critics and theorists, t

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Onega, Susana (HerausgeberIn); Ganteau, Jean-Michel (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781317684718
    Schriftenreihe: Routledge interdisciplinary perspectives on literature
    Umfang: 1 Online-Ressource (264 pages)
    Bemerkung(en):

    Cover; Title; Copyright; Contents; Acknowledgements; Introduction: Performing the Void: Liminality and the Ethics of Form in Contemporary Trauma Narratives; PART I Ethics and Generic Hybridity; 1 Learning from Fakes: Memoir, Confessional Ethics, and the Limits of Genre; 2 " . . . with a foot in both worlds": The Liminal Ethics of Jenny Diski's Postmodern Fables; 3 Witnessing without Witnesses: Atwood's Oryx and Crake as Limit-Case of Fictional Testimony

    4 "I do remember terrible dark things, and loss, and noise": Historical Trauma and Its Narrative Representation in Sebastian Barry's The Secret ScripturePART II Ethics and the Aesthetics of Excess; 5 Vulnerable Form and Traumatic Vulnerability: Jon McGregor's Even the Dogs; 6 Ethics, Aesthetics, and History in Lawrence Durrell's Avignon Quintet; 7 The Ethics of Breaking up the Family Romance in David Mitchell's Number9Dream; 8 "circling and circling and circling . . . whirligogs": A Knotty Novel for a Tangled Object Trauma in Will Self's Umbrella

    PART III Ethics and Structural Experimentation9 Family Archive Fever: Daniel Mendelsohn's The Lost; 10 "The Roche Limit": Digression and Return in W. G. Sebald's The Rings of Saturn; 11 "Separateness and Connectedness": Generational Trauma and the Ethical Impulse in Anne Karpf's The War After: Living with the Holocaust; 12 Hybridity, Montage, and the Rhetorics and Ethics of Suffering in Anne Michaels's Fugitive Pieces; Contributors; Index