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  1. Shakespeare, popularity and the public sphere
    Autor*in: Doty, Jeffrey S.
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    In late Elizabethan England, political appeals to the people were considered dangerously democratic, even seditious: the commons were supposed to have neither political voice nor will. Yet such appeals happened so often that the regime coined the... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In late Elizabethan England, political appeals to the people were considered dangerously democratic, even seditious: the commons were supposed to have neither political voice nor will. Yet such appeals happened so often that the regime coined the word 'popularity' to condemn the pursuit of popular favor. Jeffrey S. Doty argues that in plays from Richard II to Coriolanus, Shakespeare made the tactics of popularity - and the wider public they addressed - vital aspects of politics. Shakespeare figured the public not as an extension of the royal court, but rather as a separate entity that, like the Globe's spectators who surrounded the fictional princes on its thrust stage, subjected their rulers to relentless scrutiny. For ordinary playgoers, Shakespeare's plays offered good practice for understanding the means and ends of popularity - and they continue to provide insight to the public relations strategies that have come to define modern political culture

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316681312
    Weitere Identifier:
    RVK Klassifikation: HI 3385 ; HI 3390
    Schlagworte: Geschichte; Politics and literature / England / History / 16th century; Politics and literature / England / History / 17th century; Literature and society / England / History / 16th century; Literature and society / England / History / 17th century; Politics in literature; Public opinion in literature; Öffentliche Meinung; Popularität; Politisches Bewusstsein; Politik; Drama
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (vii, 210 pages)
    Bemerkung(en):

    Machine generated contents note: 1. Introduction; 2. Richard II and the early modern public sphere; 3. Henry IV, the theater, and the popular appetite; 4. Political interpretation in Julius Caesar; 5. Measure for Measure and the problem of popularity; 6. Coriolanus the popular man; Conclusion
  2. Shakespeare, popularity and the public sphere
    Autor*in: Doty, Jeffrey S.
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    In late Elizabethan England, political appeals to the people were considered dangerously democratic, even seditious: the commons were supposed to have neither political voice nor will. Yet such appeals happened so often that the regime coined the... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek der Eberhard Karls Universität
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    In late Elizabethan England, political appeals to the people were considered dangerously democratic, even seditious: the commons were supposed to have neither political voice nor will. Yet such appeals happened so often that the regime coined the word 'popularity' to condemn the pursuit of popular favor. Jeffrey S. Doty argues that in plays from Richard II to Coriolanus, Shakespeare made the tactics of popularity - and the wider public they addressed - vital aspects of politics. Shakespeare figured the public not as an extension of the royal court, but rather as a separate entity that, like the Globe's spectators who surrounded the fictional princes on its thrust stage, subjected their rulers to relentless scrutiny. For ordinary playgoers, Shakespeare's plays offered good practice for understanding the means and ends of popularity - and they continue to provide insight to the public relations strategies that have come to define modern political culture Machine generated contents note: 1. Introduction; 2. Richard II and the early modern public sphere; 3. Henry IV, the theater, and the popular appetite; 4. Political interpretation in Julius Caesar; 5. Measure for Measure and the problem of popularity; 6. Coriolanus the popular man; Conclusion

     
    Export in Literaturverwaltung   RIS-Format
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  3. Shakespeare, popularity and the public sphere
    Autor*in: Doty, Jeffrey S.
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    In late Elizabethan England, political appeals to the people were considered dangerously democratic, even seditious: the commons were supposed to have neither political voice nor will. Yet such appeals happened so often that the regime coined the... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
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    keine Fernleihe

     

    In late Elizabethan England, political appeals to the people were considered dangerously democratic, even seditious: the commons were supposed to have neither political voice nor will. Yet such appeals happened so often that the regime coined the word 'popularity' to condemn the pursuit of popular favor. Jeffrey S. Doty argues that in plays from Richard II to Coriolanus, Shakespeare made the tactics of popularity - and the wider public they addressed - vital aspects of politics. Shakespeare figured the public not as an extension of the royal court, but rather as a separate entity that, like the Globe's spectators who surrounded the fictional princes on its thrust stage, subjected their rulers to relentless scrutiny. For ordinary playgoers, Shakespeare's plays offered good practice for understanding the means and ends of popularity - and they continue to provide insight to the public relations strategies that have come to define modern political culture.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316681312
    Umfang: 1 Online-Ressource (vii, 210 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 20 Mar 2017)
  4. Shakespeare, popularity and the public sphere
    Autor*in: Doty, Jeffrey S.
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    In late Elizabethan England, political appeals to the people were considered dangerously democratic, even seditious: the commons were supposed to have neither political voice nor will. Yet such appeals happened so often that the regime coined the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In late Elizabethan England, political appeals to the people were considered dangerously democratic, even seditious: the commons were supposed to have neither political voice nor will. Yet such appeals happened so often that the regime coined the word 'popularity' to condemn the pursuit of popular favor. Jeffrey S. Doty argues that in plays from Richard II to Coriolanus, Shakespeare made the tactics of popularity - and the wider public they addressed - vital aspects of politics. Shakespeare figured the public not as an extension of the royal court, but rather as a separate entity that, like the Globe's spectators who surrounded the fictional princes on its thrust stage, subjected their rulers to relentless scrutiny. For ordinary playgoers, Shakespeare's plays offered good practice for understanding the means and ends of popularity - and they continue to provide insight to the public relations strategies that have come to define modern political culture Machine generated contents note: 1. Introduction; 2. Richard II and the early modern public sphere; 3. Henry IV, the theater, and the popular appetite; 4. Political interpretation in Julius Caesar; 5. Measure for Measure and the problem of popularity; 6. Coriolanus the popular man; Conclusion

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)