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  1. Suicide and contemporary science fiction
    Autor*in: Gutiérrez-Jones, Carl
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Suicide and Contemporary Science Fiction examines the fascination with suicidal crises evident in a range of science fiction. Carlos Gutiérrez-Jones argues that the theme of creative self-destruction is invoked by H. G. Wells as a means of... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Suicide and Contemporary Science Fiction examines the fascination with suicidal crises evident in a range of science fiction. Carlos Gutiérrez-Jones argues that the theme of creative self-destruction is invoked by H. G. Wells as a means of negotiating Victorian anxieties regarding evolutionary theory, by Stanislaw Lem as he wrestles with the prospect of nuclear self-destruction at the dawn of the space age, by William Gibson as he considers the development of artificial intelligence, by Christopher Nolan as he explores the cybernetic colonization of the unconscious, by Rian Johnson as he links aspects of video gaming to the neoliberal militarization of institutions, and by Margaret Atwood as she considers impending ecological disaster and the rise of bioterrorism. These authors often depict such scientific and technological changes in a fashion that requires the central characters to transform themselves in hopes of remaining relevant in a radically altered environment

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316178973
    Weitere Identifier:
    RVK Klassifikation: HG 431 ; HG 672
    Schlagworte: Science fiction / History and criticism; Suicide in literature; Suizid <Motiv>; Science-Fiction-Literatur
    Umfang: 1 online resource (xii, 192 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Living to wonder: Darwin and H.G. Wells' The island of Doctor Moreau -- Stranded contacts: the transformative potential of grief in Stanislaw Lem's Solaris -- Stealing kinship: William Gibson's Neuromancer and artificial intelligence -- Escaping one's self: narcissism and cycles of violence in inception and looper -- Environmental adaptation: creative apocalypse in Margaret Atwood's Maddaddam trilogy -- Afterword: Creative self-destruction and 9/11
  2. Suicide and contemporary science fiction
    Autor*in: Gutiérrez-Jones, Carl
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Suicide and Contemporary Science Fiction examines the fascination with suicidal crises evident in a range of science fiction. Carlos Gutiérrez-Jones argues that the theme of creative self-destruction is invoked by H. G. Wells as a means of... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Suicide and Contemporary Science Fiction examines the fascination with suicidal crises evident in a range of science fiction. Carlos Gutiérrez-Jones argues that the theme of creative self-destruction is invoked by H. G. Wells as a means of negotiating Victorian anxieties regarding evolutionary theory, by Stanislaw Lem as he wrestles with the prospect of nuclear self-destruction at the dawn of the space age, by William Gibson as he considers the development of artificial intelligence, by Christopher Nolan as he explores the cybernetic colonization of the unconscious, by Rian Johnson as he links aspects of video gaming to the neoliberal militarization of institutions, and by Margaret Atwood as she considers impending ecological disaster and the rise of bioterrorism. These authors often depict such scientific and technological changes in a fashion that requires the central characters to transform themselves in hopes of remaining relevant in a radically altered environment Living to wonder: Darwin and H.G. Wells' The island of Doctor Moreau -- Stranded contacts: the transformative potential of grief in Stanislaw Lem's Solaris -- Stealing kinship: William Gibson's Neuromancer and artificial intelligence -- Escaping one's self: narcissism and cycles of violence in inception and looper -- Environmental adaptation: creative apocalypse in Margaret Atwood's Maddaddam trilogy -- Afterword: Creative self-destruction and 9/11

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316178973
    Weitere Identifier:
    RVK Klassifikation: EC 5197
    Schlagworte: Suicide in literature; Science fiction; Science fiction ; History and criticism; Suicide in literature
    Umfang: 1 Online-Ressource (xii, 192 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. Suicide and contemporary science fiction
    Autor*in: Gutiérrez-Jones, Carl
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Suicide and Contemporary Science Fiction examines the fascination with suicidal crises evident in a range of science fiction. Carlos Gutiérrez-Jones argues that the theme of creative self-destruction is invoked by H. G. Wells as a means of... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Suicide and Contemporary Science Fiction examines the fascination with suicidal crises evident in a range of science fiction. Carlos Gutiérrez-Jones argues that the theme of creative self-destruction is invoked by H. G. Wells as a means of negotiating Victorian anxieties regarding evolutionary theory, by Stanislaw Lem as he wrestles with the prospect of nuclear self-destruction at the dawn of the space age, by William Gibson as he considers the development of artificial intelligence, by Christopher Nolan as he explores the cybernetic colonization of the unconscious, by Rian Johnson as he links aspects of video gaming to the neoliberal militarization of institutions, and by Margaret Atwood as she considers impending ecological disaster and the rise of bioterrorism. These authors often depict such scientific and technological changes in a fashion that requires the central characters to transform themselves in hopes of remaining relevant in a radically altered environment Living to wonder: Darwin and H.G. Wells' The island of Doctor Moreau -- Stranded contacts: the transformative potential of grief in Stanislaw Lem's Solaris -- Stealing kinship: William Gibson's Neuromancer and artificial intelligence -- Escaping one's self: narcissism and cycles of violence in inception and looper -- Environmental adaptation: creative apocalypse in Margaret Atwood's Maddaddam trilogy -- Afterword: Creative self-destruction and 9/11

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316178973
    Weitere Identifier:
    RVK Klassifikation: EC 5197
    Schlagworte: Suicide in literature; Science fiction; Science fiction ; History and criticism; Suicide in literature
    Umfang: 1 Online-Ressource (xii, 192 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. Suicide and contemporary science fiction
    Autor*in: Gutiérrez-Jones, Carl
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Suicide and Contemporary Science Fiction examines the fascination with suicidal crises evident in a range of science fiction. Carlos Gutiérrez-Jones argues that the theme of creative self-destruction is invoked by H. G. Wells as a means of... mehr

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    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    Standort:
    Universitätsbibliothek Gießen
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    Suicide and Contemporary Science Fiction examines the fascination with suicidal crises evident in a range of science fiction. Carlos Gutiérrez-Jones argues that the theme of creative self-destruction is invoked by H. G. Wells as a means of negotiating Victorian anxieties regarding evolutionary theory, by Stanislaw Lem as he wrestles with the prospect of nuclear self-destruction at the dawn of the space age, by William Gibson as he considers the development of artificial intelligence, by Christopher Nolan as he explores the cybernetic colonization of the unconscious, by Rian Johnson as he links aspects of video gaming to the neoliberal militarization of institutions, and by Margaret Atwood as she considers impending ecological disaster and the rise of bioterrorism. These authors often depict such scientific and technological changes in a fashion that requires the central characters to transform themselves in hopes of remaining relevant in a radically altered environment.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316178973
    Schlagworte: Suizid <Motiv>; Science-Fiction-Literatur
    Umfang: 1 Online-Ressource (xii, 192 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)