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  1. Milton's visual imagination
    imagery in Paradise lost
    Autor*in: Dobranski, Stephen B.
    Erschienen: 2015
    Verlag:  Cambridge University Press, New York, NY

    Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the... mehr

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316146149
    Weitere Identifier:
    Schlagworte: Bildersprache
    Weitere Schlagworte: Milton, John (1608-1674): Paradise lost
    Umfang: 1 Online-Ressource (xiii, 219 Seiten)
  2. Milton's visual imagination
    imagery in Paradise Lost
    Autor*in: Dobranski, Stephen B.
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316146149
    Weitere Identifier:
    RVK Klassifikation: HK 2576
    Schlagworte: Visual perception in literature; Bildersprache
    Weitere Schlagworte: Milton, John / 1608-1674 / Paradise lost; Milton, John (1608-1674): Paradise lost
    Umfang: 1 online resource (xiii, 219 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 11 Nov 2015)

    Introduction: of things invisible -- Free will and God's scales -- Heaven's gates -- Pondering satan's shield -- What do bad angels look like? -- Transported touch -- Clustering and curling locks -- Images of the future and the son -- Postscript
  3. Milton's visual imagination
    imagery in Paradise Lost
    Autor*in: Dobranski, Stephen B.
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic Introduction: of things invisible -- Free will and God's scales -- Heaven's gates -- Pondering satan's shield -- What do bad angels look like? -- Transported touch -- Clustering and curling locks -- Images of the future and the son -- Postscript

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316146149
    Weitere Identifier:
    RVK Klassifikation: HK 2575
    Schlagworte: Visual perception in literature; Milton, John ; 1608-1674 ; Paradise lost; Visual perception in literature
    Weitere Schlagworte: Milton, John (1608-1674): Paradise lost
    Umfang: 1 Online-Ressource (xiii, 219 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 11 Nov 2015)
  4. Milton's visual imagination
    imagery in Paradise Lost
    Autor*in: Dobranski, Stephen B.
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the... mehr

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    Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316146149
    RVK Klassifikation: HK 2575
    Umfang: 1 Online-Ressource (xiii, 219 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 11 Nov 2015)
  5. Milton's visual imagination
    imagery in Paradise lost
    Autor*in: Dobranski, Stephen B
    Erschienen: 2015
    Verlag:  Cambridge University Press, New York, NY

    Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the... mehr

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316146149
    Weitere Identifier:
    Schlagworte: Milton, John; Bildersprache
    Umfang: 1 Online-Ressource (xiii, 219 Seiten)
  6. Milton's visual imagination
    imagery in Paradise Lost
    Autor*in: Dobranski, Stephen B.
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the... mehr

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    Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic Introduction: of things invisible -- Free will and God's scales -- Heaven's gates -- Pondering satan's shield -- What do bad angels look like? -- Transported touch -- Clustering and curling locks -- Images of the future and the son -- Postscript

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316146149
    Weitere Identifier:
    RVK Klassifikation: HK 2575
    Schlagworte: Visual perception in literature; Milton, John ; 1608-1674 ; Paradise lost; Visual perception in literature
    Weitere Schlagworte: Milton, John (1608-1674): Paradise lost
    Umfang: 1 Online-Ressource (xiii, 219 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 11 Nov 2015)