Includes bibliographical references and index Friedrich Schiller's explosive original artistry and feel for timely and enduring personal tragedy embedded in timeless sociohistorical conflicts remain the topic of lively academic debate. The essays in...
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Includes bibliographical references and index Friedrich Schiller's explosive original artistry and feel for timely and enduring personal tragedy embedded in timeless sociohistorical conflicts remain the topic of lively academic debate. The essays in this volume address the many flashpoints and canoni
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Frontcover ; CONTENTS ; FOREWORD ; ACKNOWLEDGMENTS ; LIST OF ABBREVIATIONS ; INTRODUCTION: Why Is This Schiller [Still] in the United States?; Part I: Schiller, Drama, and Poetry; 1: Lenz und Schiller. Die erlebnissymptomatische Dramensprache; 2: Melancholy in Schiller's Dramas; 3: Schillers Ästhetik der Trauer. Der Dichter als "elegischer" Lyriker und Dramatiker; 4: Glühendes Wort zum Ideal über der versagenden Realität - zu Schillers Balladen; 5: Zwischen Max Piccolomini und Buttler. Wallensteins Orts- und Zeitverluste; Part II: Schiller, Aesthetics, and Philosophy
6: Die Moralphilosophie des jungen Schiller. Ein ‚Kantianer ante litteram'7: Aesthetic Humanism and Its Foes: The Perspective from Halle; 8: Zur kulturpolitischen Dynamik des ästhetischen Spiels in Schillers Briefen Ueber die ästhetische Erziehung des Menschen; 9: Die Empfänglichkeit für den ästhetischen Schein ist das a priori des Schönen in Kants Kritik der Urteilskraft. Das Orientierende in Schillers Forderung der ästhetischen Erziehung des Menschen; 10: Energy and Schiller's Aesthetics from the "Philosophical" to the Aesthetic Letters
11: "Making Other People's Feelings Our Own": From the Aesthetic to the Political in Schiller's Aesthetic LettersPart III: Schiller, History, and Politics; 12: Schiller und die Demokratie; 13: God's Warriors, Mercenaries, or Freedom Fighters? Politics,Warfare, and Religion in Schiller's Geschichte des Dreyßigjährigen Kriegs; 14: Who Is This Black Knight? Schiller's Maid of Orleans and (Mythological) History; 15: Religion and Violence in Schiller's Late Tragedies; 16: So Who Was Naive? Schiller a sEnlightenment Historian and His Successors; Part IV: Schiller Reception - Reception and Schiller
17: Schiller and the Gothic - Reception and Reality18: Schiller's Plays on the British Stage, 1797-1825; 19: From Martyr to Vampire: The Figure of Mary Stuart in Drama from Vondel to Swinburne; 20: A Chapter of Schiller in America: The First World War and Volume 3 of Kuno Francke's Edition of The German Classics; 21: The Reluctant Recruit? Schiller in the Trenches, 1914-1918; 22: Schiller - Kommerell - George. Eine Konstellation der Moderne; 23: Was sagte dieser Schiller (damals)? Schillers Antworten auf seine Kritiker nach 1945; Part V: Schiller Now
24: Maria Stuart Adaptations in the Twentieth and Twenty-First Centuries: From "Classical" Parodies to Contemporary Politics25: Whose Schiller Is This? Das Fremde und das Eigene in US Auslandsgermanistik; 26: Schiller's Political Ideas: Who Cares?; 27: Where Is This Schiller Now?; NOTES ON THE CONTRIBUTORS ; INDEX ; Backcover
pt. 1: Schiller, drama, and poetry -- pt. 2: Schiller, aesthetics, and philosophy -- pt. 3: Schiller, history, and politics -- pt. 4: Schiller reception, reception and Schiller -- pt. 5: Schiller now.
