Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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Intro -- Contents -- Acknowledgements -- 1 Introduction: parents, bastards and orphans -- 2 Conrad's 'hopeless' binaries: Heart of Darkness and postcolonial interior journeys -- 3 'On England's Desert Island cast away': protean Crusoes, exiled Fridays -- 4 Reclaiming ghosts, claiming ghosts: Caribbean and Canadian responses to the Brontës -- 5 Turned upside down? Dickens's Australia and Peter Carey's Jack Maggs -- 6 Encountering other selves: re-staging The Tempest -- 7 Removing the black-face: a different 'Othello music' -- 8 Conclusion and postscript: narrative agency in Pauline Melville's The Ventriloquist's Tale -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
Includes bibliographical references (p. [186]-195) and index
""Contents""; ""Acknowledgements""; ""1 Introduction: parents, bastards and orphans""; ""2 Conrad's 'hopeless' binaries: Heart of Darkness and postcolonial interior journeys""; ""3 'On England's Desert Island cast away': protean Crusoes, exiled Fridays""; ""4 Reclaiming ghosts, claiming ghosts: Caribbean and Canadian responses to the Brontës""; ""5 Turned upside down? Dickens's Australia and Peter Carey's Jack Maggs""; ""6 Encountering other selves: re-staging The Tempest""; ""7 Removing the black-face: a different 'Othello music'""