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  1. Waking giants
    the presence of the past in modernism
    Autor*in: Schneidau, Herbert N.
    Erschienen: 1991
    Verlag:  Oxford University Press, New York

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0195068629; 1280440864; 1423737091; 1601298129; 9780195068627; 9781280440861; 9781423737094; 9781601298126
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English literature; American literature; Modernism (Literature); Modernism (Literature); History in literature; Memory in literature; Vergangenheit; Vergangenheit <Motiv>; Lyrik; Literatur; Englisch
    Weitere Schlagworte: Anderson, Sherwood (1876-1941): Winesburg, Ohio; Pound, Ezra (1885-1972): The cantos; Forster, E. M. (1879-1970): Howards End; Joyce, James (1882-1941): Ulysses; Conrad, Joseph (1857-1924): The secret agent; Hardy, Thomas (1840-1928)
    Umfang: 1 Online-Ressource (xi, 279 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    Century's corpse outleant : Hardy and modernism -- Safe as houses : Forster as Cambridge anthropologist -- Primal scene in the Secret agent : sex and violence in the nightmare universe -- Personal past recaptured : Anderson & Sons -- Ezra Pound : the archaeology of the immanent

    This is a study of the most paradoxical aspect of modernism, its obsession with the past. Eliot wrote that the artist must be conscious "not only of the pastness of the past, but of its presence." This creed permeated the movement: Modernists believed that the energies of the past could be resurrected in modern works, and that they could be the very force that makes those works modern: the urge of Pound and others to "make it new" stemmed from seeing the past as a source of renewal. Schneidau focuses on separate texts that incorporate these concepts: Joyce's Ulysses, Hardy's poems, Forster's H.
  2. Waking giants
    the presence of the past in modernism
    Erschienen: 1991
    Verlag:  Oxford University Press, New York

    This is a study of the most paradoxical aspect of modernism, its obsession with the past. Eliot wrote that the artist must be conscious "not only of the pastness of the past, but of its presence." This creed permeated the movement: Modernists... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    This is a study of the most paradoxical aspect of modernism, its obsession with the past. Eliot wrote that the artist must be conscious "not only of the pastness of the past, but of its presence." This creed permeated the movement: Modernists believed that the energies of the past could be resurrected in modern works, and that they could be the very force that makes those works modern: the urge of Pound and others to "make it new" stemmed from seeing the past as a source of renewal. Schneidau focuses on separate texts that incorporate these concepts: Joyce's Ulysses, Hardy's poems, Forster's H

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  3. Waking giants
    the presence of the past in modernism
    Autor*in: Schneidau, Herbert N.
    Erschienen: 1991
    Verlag:  Oxford University Press, New York ; EBSCO Industries, Inc., Birmingham, AL, USA

    This is a study of the most paradoxical aspect of modernism, its obsession with the past. Eliot wrote that the artist must be conscious "not only of the pastness of the past, but of its presence." This creed permeated the movement: Modernists... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    This is a study of the most paradoxical aspect of modernism, its obsession with the past. Eliot wrote that the artist must be conscious "not only of the pastness of the past, but of its presence." This creed permeated the movement: Modernists believed that the energies of the past could be resurrected in modern works, and that they could be the very force that makes those works modern: the urge of Pound and others to "make it new" stemmed from seeing the past as a source of renewal. Schneidau focuses on separate texts that incorporate these concepts: Joyce's Ulysses, Hardy's poems, Forster's H.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1423737091; 9781423737094; 1601298129; 9781601298126; 9780195068627; 0195068629; 1280440864; 9781280440861
    RVK Klassifikation: HM 1071 ; HG 435
    Schlagworte: Vergangenheit <Motiv>; Vergangenheit; Englisch; Lyrik; Literatur
    Weitere Schlagworte: Hardy, Thomas (1840-1928); Anderson, Sherwood (1876-1941): Winesburg, Ohio; Forster, E. M. (1879-1970): Howards End; Conrad, Joseph (1857-1924): The secret agent; Joyce, James (1882-1941): Ulysses; Pound, Ezra (1885-1972): The cantos
    Umfang: 1 Online-Ressource (xi, 279 pages)
    Bemerkung(en):

    Includes bibliographical references and index