Verlag:
Cambridge University Press, Cambridge
;
publisher not identified, Place of publication not identified
David Herbert Lawrence (1885–1930) expected The Rainbow to cause a stir. In a characteristically open exploration of sensual and explicit themes, the novel traces more than sixty years of pre-war life and three generations of the Brangwen family....
mehr
Universitätsbibliothek der Eberhard Karls Universität
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
David Herbert Lawrence (1885–1930) expected The Rainbow to cause a stir. In a characteristically open exploration of sensual and explicit themes, the novel traces more than sixty years of pre-war life and three generations of the Brangwen family. Employing language infused with the rich imagery and repetition of biblical texts to treat all subjects - from the green fields and empty skies of the Brangwen farm through to Ursula's encounter with a female schoolteacher - Lawrence took an assuredly striking approach. However, he was unprepared for the vitriolic attacks of his reviewers. The novel was branded 'utter filth' and 'a mass of obscenity'; it was banned only a month after its publication in 1915, unsold copies being confiscated and destroyed. A second, abridged edition would not appear for another eleven years. Now a landmark in the early modernist canon, the original and unabridged text of 1915 is reissued here
Verlag:
[Verlag nicht ermittelbar], [Erscheinungsort nicht ermittelbar]
;
Cambridge University Press, Cambridge, UK
David Herbert Lawrence (1885–1930) expected The Rainbow to cause a stir. In a characteristically open exploration of sensual and explicit themes, the novel traces more than sixty years of pre-war life and three generations of the Brangwen family....
mehr
Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
Fernleihe:
keine Fernleihe
David Herbert Lawrence (1885–1930) expected The Rainbow to cause a stir. In a characteristically open exploration of sensual and explicit themes, the novel traces more than sixty years of pre-war life and three generations of the Brangwen family. Employing language infused with the rich imagery and repetition of biblical texts to treat all subjects - from the green fields and empty skies of the Brangwen farm through to Ursula's encounter with a female schoolteacher - Lawrence took an assuredly striking approach. However, he was unprepared for the vitriolic attacks of his reviewers. The novel was branded 'utter filth' and 'a mass of obscenity'; it was banned only a month after its publication in 1915, unsold copies being confiscated and destroyed. A second, abridged edition would not appear for another eleven years. Now a landmark in the early modernist canon, the original and unabridged text of 1915 is reissued here.
Verlag:
Cambridge University Press, Cambridge
;
publisher not identified, Place of publication not identified
David Herbert Lawrence (1885–1930) expected The Rainbow to cause a stir. In a characteristically open exploration of sensual and explicit themes, the novel traces more than sixty years of pre-war life and three generations of the Brangwen family....
mehr
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
David Herbert Lawrence (1885–1930) expected The Rainbow to cause a stir. In a characteristically open exploration of sensual and explicit themes, the novel traces more than sixty years of pre-war life and three generations of the Brangwen family. Employing language infused with the rich imagery and repetition of biblical texts to treat all subjects - from the green fields and empty skies of the Brangwen farm through to Ursula's encounter with a female schoolteacher - Lawrence took an assuredly striking approach. However, he was unprepared for the vitriolic attacks of his reviewers. The novel was branded 'utter filth' and 'a mass of obscenity'; it was banned only a month after its publication in 1915, unsold copies being confiscated and destroyed. A second, abridged edition would not appear for another eleven years. Now a landmark in the early modernist canon, the original and unabridged text of 1915 is reissued here
