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  1. Atonement and self-sacrifice in nineteenth-century narrative
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Jan-Melissa Schramm explores the conflicted attitude of the Victorian novel to sacrifice, and the act of substitution on which it depends. The Christian idea of redemption celebrated the suffering of the innocent: to embrace a life of metaphorical... mehr

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    Jan-Melissa Schramm explores the conflicted attitude of the Victorian novel to sacrifice, and the act of substitution on which it depends. The Christian idea of redemption celebrated the suffering of the innocent: to embrace a life of metaphorical self-sacrifice was to follow in the footsteps of Christ's literal Passion. Moreover, the ethical agenda of fiction relied on the expansion of sympathy which imaginative substitution was seen to encourage. But Victorian criminal law sought to calibrate punishment and culpability as it repudiated archaic models of sacrifice that scapegoated the innocent. The tension between these models is registered creatively in the fiction of novelists such as Dickens, Gaskell and Eliot, at a time when acts of Chartist protest, national sacrifices made during the Crimean War, and the extension of the franchise combined to call into question what it means for one man to 'stand for', and perhaps even 'die for', another

     

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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139108713
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    RVK Klassifikation: EC 5410 ; HL 1101
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 80
    Schlagworte: English fiction / 19th century / History and criticism; Self in literature; Atonement in literature; Self-sacrifice in literature; Selbstaufopferung <Motiv>; Sühne <Motiv>; Englisch; Roman
    Umfang: 1 Online-Ressource (xi, 289 Seiten)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: (Unmerited) suffering and the uses of adversity in Victorian public discourse -- 1. "It is expedient that one man should die for the people" : sympathy and substitution on the scaffold -- 2. "Fortune takes the place of guilt" : narrative reversals and the literary afterlives of Eugene Aram -- 3. "Standing for" the people : Charles Dickens, Elizabeth Gaskell and professional oratory in 1848 -- 4. Sacrifice and the sufferings of the substitute : Dickens and the atonement controversy of the 1850s -- 5. Substitution and imposture : George Eliot, Anthony Trollope and fictions of usurpation -- Conclusion: Innocence, sacrifice, and wrongful accusation in Victorian fiction

  2. Atonement and self-sacrifice in nineteenth-century narrative
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Jan-Melissa Schramm explores the conflicted attitude of the Victorian novel to sacrifice, and the act of substitution on which it depends. The Christian idea of redemption celebrated the suffering of the innocent: to embrace a life of metaphorical... mehr

    Universitätsbibliothek Bamberg
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    Jan-Melissa Schramm explores the conflicted attitude of the Victorian novel to sacrifice, and the act of substitution on which it depends. The Christian idea of redemption celebrated the suffering of the innocent: to embrace a life of metaphorical self-sacrifice was to follow in the footsteps of Christ's literal Passion. Moreover, the ethical agenda of fiction relied on the expansion of sympathy which imaginative substitution was seen to encourage. But Victorian criminal law sought to calibrate punishment and culpability as it repudiated archaic models of sacrifice that scapegoated the innocent. The tension between these models is registered creatively in the fiction of novelists such as Dickens, Gaskell and Eliot, at a time when acts of Chartist protest, national sacrifices made during the Crimean War, and the extension of the franchise combined to call into question what it means for one man to 'stand for', and perhaps even 'die for', another

     

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    Sprache: Englisch
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    Format: Online
    ISBN: 9781139108713
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    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 80
    Schlagworte: English fiction / 19th century / History and criticism; Self in literature; Atonement in literature; Self-sacrifice in literature; Selbstaufopferung <Motiv>; Sühne <Motiv>; Englisch; Roman
    Umfang: 1 Online-Ressource (xi, 289 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: (Unmerited) suffering and the uses of adversity in Victorian public discourse -- 1. "It is expedient that one man should die for the people" : sympathy and substitution on the scaffold -- 2. "Fortune takes the place of guilt" : narrative reversals and the literary afterlives of Eugene Aram -- 3. "Standing for" the people : Charles Dickens, Elizabeth Gaskell and professional oratory in 1848 -- 4. Sacrifice and the sufferings of the substitute : Dickens and the atonement controversy of the 1850s -- 5. Substitution and imposture : George Eliot, Anthony Trollope and fictions of usurpation -- Conclusion: Innocence, sacrifice, and wrongful accusation in Victorian fiction

  3. Atonement and self-sacrifice in nineteenth-century narrative
    Erschienen: 2012
    Verlag:  Cambridge University Press, New York

    Cover; ATONEMENT AND SELF-SACRIFICE IN NINETEENTH-CENTURY NARRATIVE; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; VICTORIAN SUFFERING AND 'THE GIFT OF A TRANSFERRED LIFE'; VARIETIES OF VICARIOUS EXPERIENCE: TWO CASE STUDIES... mehr

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    Cover; ATONEMENT AND SELF-SACRIFICE IN NINETEENTH-CENTURY NARRATIVE; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; VICTORIAN SUFFERING AND 'THE GIFT OF A TRANSFERRED LIFE'; VARIETIES OF VICARIOUS EXPERIENCE: TWO CASE STUDIES -- EDWARD CARSON AND MAGGIE TULLIVER; APORIAS OF SYMPATHY; WHAT THE READER LEARNS (1) -- THE ETHICS OF RECOGNITION; WHAT THE READER LEARNS (2) -- THE POLITICS OF RECONCILIATION; JUSTICE AND MERCY; CALCULATION AND CHRISTIAN SACRIFICE; OUTLINE OF THIS STUDY. Jan-Melissa Schramm explores the conflicted attitude of the Victorian novel to sacrifice, and the act of substitution on which it depends. The Christian idea of redemption celebrated the suffering of the innocent: to embrace a life of metaphorical self-sacrifice was to follow in the footsteps of Christ's literal Passion. Moreover, the ethical agenda of fiction relied on the expansion of sympathy which imaginative substitution was seen to encourage. But Victorian criminal law sought to calibrate punishment and culpability as it repudiated archaic models of sacrifice that scapegoated the innocent. The tension between these models is registered creatively in the fiction of novelists such as Dickens, Gaskell and Eliot, at a time when acts of Chartist protest, national sacrifices made during the Crimean War, and the extension of the franchise combined to call into question what it means for one man to 'stand for', and perhaps even 'die for', another

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 1139518828; 1139108719; 9781139518826; 9781139108713
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 80
    Schlagworte: Self in literature; Atonement in literature; Self-sacrifice in literature; English fiction; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Atonement in literature; English fiction; Self in literature; Self-sacrifice in literature; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (1 online resource)
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    Includes bibliographical references and index

  4. Atonement and self-sacrifice in nineteenth-century narrative
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Jan-Melissa Schramm explores the conflicted attitude of the Victorian novel to sacrifice, and the act of substitution on which it depends. The Christian idea of redemption celebrated the suffering of the innocent: to embrace a life of metaphorical... mehr

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    Jan-Melissa Schramm explores the conflicted attitude of the Victorian novel to sacrifice, and the act of substitution on which it depends. The Christian idea of redemption celebrated the suffering of the innocent: to embrace a life of metaphorical self-sacrifice was to follow in the footsteps of Christ's literal Passion. Moreover, the ethical agenda of fiction relied on the expansion of sympathy which imaginative substitution was seen to encourage. But Victorian criminal law sought to calibrate punishment and culpability as it repudiated archaic models of sacrifice that scapegoated the innocent. The tension between these models is registered creatively in the fiction of novelists such as Dickens, Gaskell and Eliot, at a time when acts of Chartist protest, national sacrifices made during the Crimean War, and the extension of the franchise combined to call into question what it means for one man to 'stand for', and perhaps even 'die for', another Introduction: (Unmerited) suffering and the uses of adversity in Victorian public discourse -- 1. "It is expedient that one man should die for the people" : sympathy and substitution on the scaffold -- 2. "Fortune takes the place of guilt" : narrative reversals and the literary afterlives of Eugene Aram -- 3. "Standing for" the people : Charles Dickens, Elizabeth Gaskell and professional oratory in 1848 -- 4. Sacrifice and the sufferings of the substitute : Dickens and the atonement controversy of the 1850s -- 5. Substitution and imposture : George Eliot, Anthony Trollope and fictions of usurpation -- Conclusion: Innocence, sacrifice, and wrongful accusation in Victorian fiction

     

    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139108713
    Weitere Identifier:
    RVK Klassifikation: EC 5410 ; HL 1101
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 80
    Schlagworte: Atonement in literature; Self-sacrifice in literature; Self in literature; English fiction; English fiction ; 19th century ; History and criticism; Self in literature; Atonement in literature; Self-sacrifice in literature
    Umfang: 1 Online-Ressource (xi, 289 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  5. Atonement and self-sacrifice in nineteenth-century narrative
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Jan-Melissa Schramm explores the conflicted attitude of the Victorian novel to sacrifice, and the act of substitution on which it depends. The Christian idea of redemption celebrated the suffering of the innocent: to embrace a life of metaphorical... mehr

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    Jan-Melissa Schramm explores the conflicted attitude of the Victorian novel to sacrifice, and the act of substitution on which it depends. The Christian idea of redemption celebrated the suffering of the innocent: to embrace a life of metaphorical self-sacrifice was to follow in the footsteps of Christ's literal Passion. Moreover, the ethical agenda of fiction relied on the expansion of sympathy which imaginative substitution was seen to encourage. But Victorian criminal law sought to calibrate punishment and culpability as it repudiated archaic models of sacrifice that scapegoated the innocent. The tension between these models is registered creatively in the fiction of novelists such as Dickens, Gaskell and Eliot, at a time when acts of Chartist protest, national sacrifices made during the Crimean War, and the extension of the franchise combined to call into question what it means for one man to 'stand for', and perhaps even 'die for', another.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139108713
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 80
    Umfang: 1 Online-Ressource (xi, 289 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)