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  1. Women dramatists, humor, and the French stage
    1802 - 1855
    Autor*in: Johnston, Joyce
    Erschienen: 2014
    Verlag:  Palgrave Macmillan, New York [u.a.]

    "Filling a critical void, this book examines French women dramatists of the nineteenth-century who managed to have their works staged prior to the lifting of censorship laws in 1864. Sophie de Bawr (1773-1860), Sophie Gay (1776-1852), Virginie... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Filling a critical void, this book examines French women dramatists of the nineteenth-century who managed to have their works staged prior to the lifting of censorship laws in 1864. Sophie de Bawr (1773-1860), Sophie Gay (1776-1852), Virginie Ancelot (1792-1875), and Delphine Gay de Girardin (1804-1855) all staged successful plays at Paris' top venues (The Théâtre Français and Ode;on) or at other selective theaters (Ambigu-Comique, Vaudeville, Gymnase) during this period without the aid or protection of a male co-author. Between 1802 and 1855, all four of these dramatists were heavily involved in the literary scene of their day and hosted their own salons, venues essential for any male author wishing to see his works published and accepted among the public. While not always directly engaged in politics of the day in their theatre, they were aware of and influenced by the public sphere. Though none staged what today's critics would refer to as overtly feminist drama, Bawr, Gay, Ancelot and Girardin all cast aspersion upon patriarchal dominance and reconstructed ideals of womanhood which rejected traditional submissive roles. "-- "Women Dramatists, Humor, and the French Stage: 1802 to 1855 explores four women playwrights - Sophie de Bawr, Sophie Gay, Virginie Ancelot, and Delpine de Girardin - and their use of humor during the first half of the nineteenth century"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137456717
    Weitere Identifier:
    9781137456717
    Auflage/Ausgabe: 1st ed.
    Schlagworte: French drama (Comedy); French literature; Women in the theater; Theater; Humor in literature; French drama (Comedy); French literature; French drama; Women in the theater; Humor in literature
    Umfang: 233 S.
    Bemerkung(en):

    Includes bibliographical references (pages 211-221) and index

    Machine generated contents note:1. Revisiting Women, Humor, and the French Stage -- 2. Sophie de Bawr: Successful Resistance, Resisting Success -- 3. The Shifting Stages of Sophie Gay's Theater Career -- 4. Virginie Ancelot's Comedy for Women -- 5. Delphine Gay de Girardin: The Muse Takes Center Stage -- 6. Conclusion.

  2. Women dramatists, humor, and the French stage
    1802 - 1855
    Autor*in: Johnston, Joyce
    Erschienen: 2014
    Verlag:  Palgrave Macmillan, New York [u.a.]

    "Filling a critical void, this book examines French women dramatists of the nineteenth-century who managed to have their works staged prior to the lifting of censorship laws in 1864. Sophie de Bawr (1773-1860), Sophie Gay (1776-1852), Virginie... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 935364
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    H VII y 416a
    keine Fernleihe
    Universitätsbibliothek Heidelberg
    2015 A 1486
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    265602 - A
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Filling a critical void, this book examines French women dramatists of the nineteenth-century who managed to have their works staged prior to the lifting of censorship laws in 1864. Sophie de Bawr (1773-1860), Sophie Gay (1776-1852), Virginie Ancelot (1792-1875), and Delphine Gay de Girardin (1804-1855) all staged successful plays at Paris' top venues (The Théâtre Français and Ode;on) or at other selective theaters (Ambigu-Comique, Vaudeville, Gymnase) during this period without the aid or protection of a male co-author. Between 1802 and 1855, all four of these dramatists were heavily involved in the literary scene of their day and hosted their own salons, venues essential for any male author wishing to see his works published and accepted among the public. While not always directly engaged in politics of the day in their theatre, they were aware of and influenced by the public sphere. Though none staged what today's critics would refer to as overtly feminist drama, Bawr, Gay, Ancelot and Girardin all cast aspersion upon patriarchal dominance and reconstructed ideals of womanhood which rejected traditional submissive roles. "-- "Women Dramatists, Humor, and the French Stage: 1802 to 1855 explores four women playwrights - Sophie de Bawr, Sophie Gay, Virginie Ancelot, and Delpine de Girardin - and their use of humor during the first half of the nineteenth century"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137456717
    Weitere Identifier:
    9781137456717
    Auflage/Ausgabe: 1st ed.
    Schlagworte: French drama (Comedy); French literature; Women in the theater; Theater; Humor in literature; French drama (Comedy); French literature; French drama; Women in the theater; Humor in literature
    Umfang: 233 S.
    Bemerkung(en):

    Includes bibliographical references (pages 211-221) and index

    Machine generated contents note:1. Revisiting Women, Humor, and the French Stage -- 2. Sophie de Bawr: Successful Resistance, Resisting Success -- 3. The Shifting Stages of Sophie Gay's Theater Career -- 4. Virginie Ancelot's Comedy for Women -- 5. Delphine Gay de Girardin: The Muse Takes Center Stage -- 6. Conclusion.