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  1. British pirates in print and performance
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, New York, NY

    "This book tracks the interconnections among pirates, pirates in print, and pirates on stage. Performance is the shared strategy for all three. Our chapters examine accounts of piracy in historical records, in adventure stories and romance, and,... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book tracks the interconnections among pirates, pirates in print, and pirates on stage. Performance is the shared strategy for all three. Our chapters examine accounts of piracy in historical records, in adventure stories and romance, and, crucial to the emphasis on performativity, in stage representation. British pirates, in both print and performance, are discussed within a nexus of influence that cares very little for generic distinction beyond the constant of performativity. In fact and in fiction, the role-playing pirate is traced through dozens of stage performances, including the nautical Gothic melodrama, the adaptations of Byron, Scott, and Cooper, and the exploits of lusty she-pirates"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137339911
    RVK Klassifikation: HG 435
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Nineteenth-century major lives and letters
    Schlagworte: English literature; English drama; Pirates in literature; Pirates; Theater
    Umfang: x, 231 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 195-211) and index

    Machine generated contents note:Introduction: Striding the Deck, Strutting the Stage -- 1. A Nation of Pirates -- 2. Pirates on Stage -- 3. Byron's The Corsair -- 4. Scott's The Pirate -- 5. Cooper's The Pilot and The Red Rover -- 6. Pirate Sex -- 7. She-Pirates -- 8. Pirate Cliches -- Appendix: Chronology of Pirate Plays in Britain.

  2. British pirates in print and performance
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, New York, NY [u.a.]

    Universitätsbibliothek Bielefeld
    WA430 B974
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Bonn
    2018/4110
    Ausleihe von Bänden möglich, keine Kopien
    Universitäts- und Landesbibliothek Düsseldorf
    angg870.b974
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Münster
    3K 63144
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781137339911; 9781349464586
    Auflage/Ausgabe: 1. ed.
    Schlagworte: English literature; English drama; Pirates in literature; Pirates; Theater; Characters and characteristics in literature; Seeräuber <Motiv>; Aufführung; Englisch; Literatur; Drama
    Umfang: X, 231 S., Ill.
  3. British pirates in print and performance
  4. British pirates in print and performance
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, New York, NY

    "This book tracks the interconnections among pirates, pirates in print, and pirates on stage. Performance is the shared strategy for all three. Our chapters examine accounts of piracy in historical records, in adventure stories and romance, and,... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 950535
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book tracks the interconnections among pirates, pirates in print, and pirates on stage. Performance is the shared strategy for all three. Our chapters examine accounts of piracy in historical records, in adventure stories and romance, and, crucial to the emphasis on performativity, in stage representation. British pirates, in both print and performance, are discussed within a nexus of influence that cares very little for generic distinction beyond the constant of performativity. In fact and in fiction, the role-playing pirate is traced through dozens of stage performances, including the nautical Gothic melodrama, the adaptations of Byron, Scott, and Cooper, and the exploits of lusty she-pirates"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137339911
    RVK Klassifikation: HG 435
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Nineteenth-century major lives and letters
    Schlagworte: English literature; English drama; Pirates in literature; Pirates; Theater
    Umfang: x, 231 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 195-211) and index

    Machine generated contents note:Introduction: Striding the Deck, Strutting the Stage -- 1. A Nation of Pirates -- 2. Pirates on Stage -- 3. Byron's The Corsair -- 4. Scott's The Pirate -- 5. Cooper's The Pilot and The Red Rover -- 6. Pirate Sex -- 7. She-Pirates -- 8. Pirate Cliches -- Appendix: Chronology of Pirate Plays in Britain.

  5. British pirates in print and performance
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, New York, NY [u.a.]

    Universitätsbibliothek Bielefeld
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Bonn
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Düsseldorf
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137339911; 9781349464586
    Auflage/Ausgabe: 1. ed.
    Schlagworte: English literature; English drama; Pirates in literature; Pirates; Theater; Characters and characteristics in literature
    Umfang: X, 231 S. : Ill.
  6. British pirates in print and performance
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, New York, NY [u.a.]

    "This book tracks the interconnections among pirates, pirates in print, and pirates on stage. Performance is the shared strategy for all three. Our chapters examine accounts of piracy in historical records, in adventure stories and romance, and,... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book tracks the interconnections among pirates, pirates in print, and pirates on stage. Performance is the shared strategy for all three. Our chapters examine accounts of piracy in historical records, in adventure stories and romance, and, crucial to the emphasis on performativity, in stage representation. British pirates, in both print and performance, are discussed within a nexus of influence that cares very little for generic distinction beyond the constant of performativity. In fact and in fiction, the role-playing pirate is traced through dozens of stage performances, including the nautical Gothic melodrama, the adaptations of Byron, Scott, and Cooper, and the exploits of lusty she-pirates"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1137339918; 9781137339911
    RVK Klassifikation: HG 435
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Nineteenth-century major lives and letters
    Schlagworte: English literature; English drama; Pirates in literature; Pirates; Theater; LITERARY CRITICISM / General; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / Drama; PERFORMING ARTS / Theater / History & Criticism; English drama; English literature; Pirates; Pirates in literature; Theater; English literature; English drama; Pirates in literature; Pirates; Theater
    Umfang: X, 231 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note:Introduction: Striding the Deck, Strutting the Stage -- 1. A Nation of Pirates -- 2. Pirates on Stage -- 3. Byron's The Corsair -- 4. Scott's The Pirate -- 5. Cooper's The Pilot and The Red Rover -- 6. Pirate Sex -- 7. She-Pirates -- 8. Pirate Cliches -- Appendix: Chronology of Pirate Plays in Britain.

  7. British pirates in print and performance
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, New York, NY [u.a.]

    Universität Marburg, Universitätsbibliothek
    001 HG 435 B974
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Powell, Manushag N.
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137339911
    RVK Klassifikation: HG 435
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Englisch; Literatur; Seeräuber <Motiv>; Drama; Aufführung
    Umfang: X, 231 S., Ill.
    Bemerkung(en):

    Literaturverz. S. [195] - 211

  8. British pirates in print and performance
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, New York, NY [u.a.]

    "This book tracks the interconnections among pirates, pirates in print, and pirates on stage. Performance is the shared strategy for all three. Our chapters examine accounts of piracy in historical records, in adventure stories and romance, and,... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 950535
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2015 A 4222
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book tracks the interconnections among pirates, pirates in print, and pirates on stage. Performance is the shared strategy for all three. Our chapters examine accounts of piracy in historical records, in adventure stories and romance, and, crucial to the emphasis on performativity, in stage representation. British pirates, in both print and performance, are discussed within a nexus of influence that cares very little for generic distinction beyond the constant of performativity. In fact and in fiction, the role-playing pirate is traced through dozens of stage performances, including the nautical Gothic melodrama, the adaptations of Byron, Scott, and Cooper, and the exploits of lusty she-pirates"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1137339918; 9781137339911
    RVK Klassifikation: HG 435
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Nineteenth-century major lives and letters
    Schlagworte: English literature; English drama; Pirates in literature; Pirates; Theater; LITERARY CRITICISM / General; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / Drama; PERFORMING ARTS / Theater / History & Criticism; English drama; English literature; Pirates; Pirates in literature; Theater; English literature; English drama; Pirates in literature; Pirates; Theater
    Umfang: X, 231 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note:Introduction: Striding the Deck, Strutting the Stage -- 1. A Nation of Pirates -- 2. Pirates on Stage -- 3. Byron's The Corsair -- 4. Scott's The Pirate -- 5. Cooper's The Pilot and The Red Rover -- 6. Pirate Sex -- 7. She-Pirates -- 8. Pirate Cliches -- Appendix: Chronology of Pirate Plays in Britain.

  9. British pirates in print and performance
    Erschienen: [2015]
    Verlag:  Palgrave Macmillan, New York

    "This book tracks the interconnections among pirates, pirates in print, and pirates on stage. Performance is the shared strategy for all three. Our chapters examine accounts of piracy in historical records, in adventure stories and romance, and,... mehr

    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    "This book tracks the interconnections among pirates, pirates in print, and pirates on stage. Performance is the shared strategy for all three. Our chapters examine accounts of piracy in historical records, in adventure stories and romance, and, crucial to the emphasis on performativity, in stage representation. British pirates, in both print and performance, are discussed within a nexus of influence that cares very little for generic distinction beyond the constant of performativity. In fact and in fiction, the role-playing pirate is traced through dozens of stage performances, including the nautical Gothic melodrama, the adaptations of Byron, Scott, and Cooper, and the exploits of lusty she-pirates"--

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781137339928; 9781137339911
    Weitere Identifier:
    RVK Klassifikation: HG 435
    Schriftenreihe: Nineteenth-century major lives and letters
    Schlagworte: English literature; English drama; Pirates in literature; Pirates; Theater; LITERARY CRITICISM / General; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / Drama; PERFORMING ARTS / Theater / History & Criticism; English drama; English literature; Pirates; Pirates in literature; Theater
    Umfang: 1 Online-Ressource (xi, 231 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

    Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction: Striding the Deck, Strutting the Stage; 1 A Nation of Pirates; 1. A Pirate by Any Other Name; 2. English Pirates in English Literature and the General History; 3. Whose Nation of Pirates? Madagascar and Bold Captain Avery; 2 Pirates on Stage; 1. Pirates and Smugglers; 2. Blackbeard: The Musical; 3. Privateers: Sir Francis Drake; 4. Pirate Traffic and Trade; 5. Slave Trade and the Stage; 6. Captain Kidd and François "Lolonois"; 7. Nautical Gothic Melodrama; 3 Byron's The Corsair; 4 Scott's The Pirate

    5 Cooper's The Pilot and The Red Rover6 Pirate Sex; 1. Marriage and Polygamy and Pirates; 2. Pirate Sex on Land and at Sea; 3. Ruined by Women; 4. The Heroine's Adventures: Pirates as Plot Elements; 5. The End of Pirate Romance: Marriage; 7 She-Pirates; 1. The Glory of the Pre-Golden Age She-Pirate; 2. Polly and the Once and Future Mary Reads; 3. The Altered Afterlife of Anne Bonny; 8 Pirate Clichés; 1. The Pirate Code, or the "Jamaican Discipline"; 2. Pirate Fashion: Peg Legs, Parrots, Pretty Red Coats; 3. The Jolly Roger; 4. Jolly Songs beneath the Black Flag; 5. Walking the Plank

    6. The Gentleman Pirate7. The Reluctant Pirate; 8. Pirate Dynasties; Appendix: Chronology of Pirate Plays in Britain; Notes; Introduction; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Bibliography; Index