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  1. T.S. Eliot and the dynamic imagination
    Autor*in: Kennedy, Sarah
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 39434
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2020/2608
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Anglistisches Seminar der Universität, Bibliothek
    O ELI 1441
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Badische Landesbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    Df 2282
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Württembergische Landesbibliothek
    72/4324
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry. Machine generated contents note: Part I. Sea Voices: Eliot's Tempest: 1. Immersion: Eliot, James and Shakespeare; 2. Hints of earlier and other creation; 3. This isle is full of noises; Part II. Broken Images: Illuminating Time and Space: 4. Vacant interstellar spaces; 5. Looking backward; 6. Luminous recognitions; Part III. Gestation and Resurrection: 7. His dark materials; 8. Dark doubles; 9. Blood for the ghosts

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108441346; 9781108425216
    RVK Klassifikation: HM 2455
    Schlagworte: Eliot, T. S.; Imagination; Poetik; ; Eliot, T. S.; Imagination; Poetik;
    Weitere Schlagworte: Eliot, T. S (1888-1965)
    Umfang: x, 259 Seiten
    Bemerkung(en):

    Includes bibliographical references (pages 231-246) and index

  2. T. S. Eliot and the dynamic imagination
    Autor*in: Kennedy, Sarah
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    "How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and... mehr

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry"...

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781108425216; 9781108441346
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh / bisacsh; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Weitere Schlagworte: Eliot, T. S. (1888-1965)
    Bemerkung(en):

    Includes bibliographical references

  3. T. S. Eliot and the dynamic imagination
    Autor*in: Kennedy, Sarah
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    "How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry"-- Machine generated contents note: Part I. Sea Voices: Eliot's Tempest: 1. Immersion: Eliot, James and Shakespeare; 2. Hints of earlier and other creation; 3. This isle is full of noises; Part II. Broken Images: Illuminating Time and Space: 4. Vacant interstellar spaces; 5. Looking backward; 6. Luminous recognitions; Part III. Gestation and Resurrection: 7. His dark materials; 8. Dark doubles; 9. Blood for the ghosts

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108425216; 9781108441346
    Schlagworte: Eliot, T. S.; Imagination; Poetik;
    Weitere Schlagworte: Eliot, T. S (1888-1965)
    Umfang: x, 259 pages, 25 cm
    Bemerkung(en):

    Includes bibliographical references (pages 231-246) and index

  4. T.S. Eliot and the dynamic imagination
    Autor*in: Kennedy, Sarah
    Erschienen: 2018; © 2018
    Verlag:  Cambridge University Press, Cambridge

    Universitäts- und Landesbibliothek Düsseldorf
    ango28100.k35
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781108425216; 9781108441346
    Schlagworte: Imagination; Poetik
    Weitere Schlagworte: Eliot, T. S. (1888-1965); Eliot, T. S. (1888-1965)
    Umfang: x, 259 Seiten
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke

  5. T. S. Eliot and the dynamic imagination
    Autor*in: Kennedy, Sarah
    Erschienen: 2022
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; New Delhi ; Singapore

    "How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and... mehr

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry"...

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781108441346; 9781108425216
    RVK Klassifikation: HM 2455
    Auflage/Ausgabe: First paperback edition
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh / bisacsh; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Lyrik; Poetik
    Weitere Schlagworte: Eliot, T. S. (1888-1965); Eliot, T. S. (1888-1965)
    Umfang: X, 259 Seiten
    Bemerkung(en):

    Includes bibliographical references

  6. T.S. Eliot and the dynamic imagination
    Autor*in: Kennedy, Sarah
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry. Machine generated contents note: Part I. Sea Voices: Eliot's Tempest: 1. Immersion: Eliot, James and Shakespeare; 2. Hints of earlier and other creation; 3. This isle is full of noises; Part II. Broken Images: Illuminating Time and Space: 4. Vacant interstellar spaces; 5. Looking backward; 6. Luminous recognitions; Part III. Gestation and Resurrection: 7. His dark materials; 8. Dark doubles; 9. Blood for the ghosts

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108441346; 9781108425216
    RVK Klassifikation: HM 2455
    Schlagworte: Eliot, T. S.; Imagination; Poetik; ; Eliot, T. S.; Imagination; Poetik;
    Weitere Schlagworte: Eliot, T. S (1888-1965)
    Umfang: x, 259 Seiten
    Bemerkung(en):

    Includes bibliographical references (pages 231-246) and index

  7. T. S. Eliot and the dynamic imagination
    Autor*in: Kennedy, Sarah
    Erschienen: [2018]
    Verlag:  Cambridge University Press, Cambridge

    Universität Mainz, Zentralbibliothek
    303.043
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108441346; 9781108425216; 1108425216; 1108441343
    Umfang: x, 259 Seiten
    Bemerkung(en):

    Literaturverzeichnis Seite 231-246

  8. T.S. Eliot and the dynamic imagination
    Autor*in: Kennedy, Sarah
    Erschienen: 2018; © 2018
    Verlag:  Cambridge University Press, Cambridge

    Universitäts- und Landesbibliothek Düsseldorf
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108425216; 9781108441346
    Schlagworte: Eliot, T. S; Imagination; Poetik
    Weitere Schlagworte: Eliot, T. S (1888-1965)
    Umfang: x, 259 Seiten
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke