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  1. Chaucer and the subversion of form
    Beteiligt: Prendergast, Thomas A. (HerausgeberIn); Rosenfeld, Jessica (HerausgeberIn)
    Erschienen: [2018]; © 2018
    Verlag:  Cambridge University Press, Cambridge

    Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure... mehr

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    Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous Machine generated contents note: Introduction: failure, figure, reception Thomas A. Prendergast and Jessica Rosenfeld; Part I. The Failures of Form: 1. 'Many a lay and many a thing': Chaucer's technical terms Jenni Nuttall; 2. Chaucer's aesthetic resources: nature, longing, and economies of form Jennifer Jahner; 3. Against order: medieval, modern, and contemporary critiques of causality Eleanor Johnson; Part II. The Corporeality and Form: 4. Diverging forms: disability and the Monk's Tales Jonathan Hsy; 5. Figures for 'Gretter knowing': forms in the Treatise on the Astrolabe Lisa H. Cooper; 6. The heaviness of prosopoeial form in Chaucer's Book of the Duchess Julie Orlemanski; Part III. The Forms of Reception: 7. Reading badly: what the Physician's Tale isn't telling us Thomas A. Prendergast; 8. Birdsong, love, and the House of Lancaster: Gower reforms Chaucer Arthur Bahr; 9. Opening The Canterbury Tales: form and formalism in the general prologue Stephanie Trigg

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Prendergast, Thomas A. (HerausgeberIn); Rosenfeld, Jessica (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108147682
    Weitere Identifier:
    RVK Klassifikation: HH 5086 ; HH 5082
    Schriftenreihe: Cambridge Studies in Medieval Literature ; 104
    Cambridge studies in medieval literature ; 104
    Schlagworte: Chaucer, Geoffrey ; -1400 ; Criticism and interpretation; Chaucer, Geoffrey ; -1400 ; Criticism, Textual; Chaucer, Geoffrey ; -1400 ; Technique; Chaucer, Geoffrey -1400
    Weitere Schlagworte: Chaucer, Geoffrey (-1400); Chaucer, Geoffrey (-1400); Chaucer, Geoffrey (-1400)
    Umfang: 1 Online-Ressource (x, 230 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 15 May 2018)

  2. Chaucer and the subversion of form
    Beteiligt: Prendergast, Thomas A. (Hrsg.); Rosenfeld, Jessica (Hrsg.)
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure... mehr

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    Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous

     

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    Quelle: Verbundkataloge
    Beteiligt: Prendergast, Thomas A. (Hrsg.); Rosenfeld, Jessica (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108147682
    Weitere Identifier:
    RVK Klassifikation: HH 5082 ; HH 5086
    Schriftenreihe: Cambridge studies in medieval literature ; 104
    Schlagworte: Literarische Form
    Weitere Schlagworte: Chaucer, Geoffrey / -1400 / Criticism and interpretation; Chaucer, Geoffrey / -1400 / Criticism, Textual; Chaucer, Geoffrey / -1400 / Technique; Chaucer, Geoffrey (1343-1400)
    Umfang: 1 Online-Ressource (ix, 224 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 15 May 2018)

    Machine generated contents note: Introduction: failure, figure, reception Thomas A. Prendergast and Jessica Rosenfeld; Part I. The Failures of Form: 1. 'Many a lay and many a thing': Chaucer's technical terms Jenni Nuttall; 2. Chaucer's aesthetic resources: nature, longing, and economies of form Jennifer Jahner; 3. Against order: medieval, modern, and contemporary critiques of causality Eleanor Johnson; Part II. The Corporeality and Form: 4. Diverging forms: disability and the Monk's Tales Jonathan Hsy; 5. Figures for 'Gretter knowing': forms in the Treatise on the Astrolabe Lisa H. Cooper; 6. The heaviness of prosopoeial form in Chaucer's Book of the Duchess Julie Orlemanski; Part III. The Forms of Reception: 7. Reading badly: what the Physician's Tale isn't telling us Thomas A. Prendergast; 8. Birdsong, love, and the House of Lancaster: Gower reforms Chaucer Arthur Bahr; 9. Opening The Canterbury Tales: form and formalism in the general prologue Stephanie Trigg

  3. Chaucer and the subversion of form
    Beteiligt: Prendergast, Thomas A. (Herausgeber); Rosenfeld, Jessica (Herausgeber)
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure... mehr

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    Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Prendergast, Thomas A. (Herausgeber); Rosenfeld, Jessica (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108147682
    Schriftenreihe: Cambridge studies in medieval literature ; 104
    Umfang: 1 Online-Ressource (ix, 224 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 15 May 2018)

  4. Chaucer and the subversion of form
    Beteiligt: Prendergast, Thomas A. (HerausgeberIn); Rosenfeld, Jessica (HerausgeberIn)
    Erschienen: [2018]; © 2018
    Verlag:  Cambridge University Press, Cambridge

    Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure... mehr

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    Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous Machine generated contents note: Introduction: failure, figure, reception Thomas A. Prendergast and Jessica Rosenfeld; Part I. The Failures of Form: 1. 'Many a lay and many a thing': Chaucer's technical terms Jenni Nuttall; 2. Chaucer's aesthetic resources: nature, longing, and economies of form Jennifer Jahner; 3. Against order: medieval, modern, and contemporary critiques of causality Eleanor Johnson; Part II. The Corporeality and Form: 4. Diverging forms: disability and the Monk's Tales Jonathan Hsy; 5. Figures for 'Gretter knowing': forms in the Treatise on the Astrolabe Lisa H. Cooper; 6. The heaviness of prosopoeial form in Chaucer's Book of the Duchess Julie Orlemanski; Part III. The Forms of Reception: 7. Reading badly: what the Physician's Tale isn't telling us Thomas A. Prendergast; 8. Birdsong, love, and the House of Lancaster: Gower reforms Chaucer Arthur Bahr; 9. Opening The Canterbury Tales: form and formalism in the general prologue Stephanie Trigg

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Prendergast, Thomas A. (HerausgeberIn); Rosenfeld, Jessica (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108147682
    Weitere Identifier:
    RVK Klassifikation: HH 5086 ; HH 5082
    Schriftenreihe: Cambridge Studies in Medieval Literature ; 104
    Cambridge studies in medieval literature ; 104
    Schlagworte: Chaucer, Geoffrey ; -1400 ; Criticism and interpretation; Chaucer, Geoffrey ; -1400 ; Criticism, Textual; Chaucer, Geoffrey ; -1400 ; Technique; Chaucer, Geoffrey -1400
    Weitere Schlagworte: Chaucer, Geoffrey (-1400); Chaucer, Geoffrey (-1400); Chaucer, Geoffrey (-1400)
    Umfang: 1 Online-Ressource (x, 230 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 15 May 2018)