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  1. Shakespearean sensations
    experiencing literature in early modern England
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Cover; Shakespearean Sensations; Title; Copyright; Contents; Contributors; Acknowledgments; Introduction: Imagining audiences; Imagining literature's effects; The physiology of affect; Staging sensations; Reading sensations; Shakespearean sensations;... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Cover; Shakespearean Sensations; Title; Copyright; Contents; Contributors; Acknowledgments; Introduction: Imagining audiences; Imagining literature's effects; The physiology of affect; Staging sensations; Reading sensations; Shakespearean sensations; Part I Plays; Chapter 1 Feeling fear in Macbeth; Fear as illness; Fatal visions and sickly fears; Theatergoing: risky business; Perilous pleasures; Chapter 2 Hearing Iago's withheld confession; "I do confess the vices of my blood"; "From this time forth I never will speak word"; Chapter 3 Self-love, spirituality, and the senses in Twelfth Night "This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"--

     
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  2. Shakespearean sensations
    experiencing literature in early modern England
    Erschienen: 2013
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107028005; 9781107306752
    RVK Klassifikation: HI 3331
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Geschichte; Psychologie; English literature / Early modern, 1500-1700 / History and criticism / Theory, etc; English literature / Psychological aspects; Reading / Physiological aspects; Senses and sensation in literature; Reader-response criticism; Theater audiences / England / History / 16th century; Theater audiences / England / History / 17th century; Mind and body; Rezeption; Gefühl
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (X, 244 S.)
    Bemerkung(en):

    Includes bibliographical references and index

    "This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"--

    Machine generated contents note: Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith
  3. Shakespearean sensations
    experiencing literature in early modern England
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge ; New York

    "This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    "This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107306752
    Schlagworte: English literature; English literature; Reading; Senses and sensation in literature; Reader-response criticism; Theater audiences; Theater audiences; Mind and body
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: x, 244 p
    Bemerkung(en):

    Machine generated contents note: Introduction: imagining audiences Katharine A. Craik and Tanya Pollard; Part I. Plays: 1. Feeling fear in Macbeth Allison P. Hobgood; 2. Hearing Iago's withheld confession Allison Deutermann; 3. Self-love, spirituality, and the senses in Twelfth Night Douglas Trevor; Part II. Playhouses: 4. Conceiving tragedy Tanya Pollard; 5. Playing with appetite in early modern comedy Hillary Nunn; 6. Notes towards an analysis of early modern applause Matthew Steggle; 7. Catharsis as 'purgation' in Shakespearean drama Thomas Rist; Part III. Poems: 8. Epigrammatic commotions William Kerwin; 9. Poetic 'making' and moving the soul Margaret Healy; 10. Shakespearean pain Michael Schoenfeldt; Afterword: senses of an ending Bruce R. Smith