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  1. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Autor*in: Hartley, Lucy
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be... mehr

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781316635346; 9781107184084
    RVK Klassifikation: HL 1139
    Auflage/Ausgabe: First paperback edition
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 106
    Schlagworte: Art; Historiography; Art and society; Civil society; Art; Historiography; Art and society; Civil society; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Art and society; Art; Civil society; Historiography; Intellectual life; Art; Art; Art and society; Art and society; Civil society; Civil society; Historiography; Historiography; Intellectual life; LITERARY CRITICISM; Great Britain
    Umfang: xii, 296 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Autor*in: Hartley, Lucy
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Signatur:
    QTB15505
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    4' 2017/348
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Englisches Seminar der Universität, Bibliothek
    Signatur:
    LIT CP 2017:6
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107184084; 1107184088
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 106
    Schlagworte: Literatur; Öffentlichkeit; Demokratisierung; Kunst; Ästhetik
    Umfang: xii, 296 Seiten, Illustrationen (schwarz-weiß)
    Bemerkung(en):

    Includes bibliographical references and index

    Hier auch später erschienene, unveränderte Nachdrucke
  3. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Autor*in: Hartley, Lucy
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and perils of self-interest: calculating the passions in Walter Pater's essays; 4. Figuring the individual in the collective: the 'art-politics' of Edward Poynter and William Morris; 5. The humanist interest old and new: John Addington Symonds and the nature of liberty "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107184084
    Weitere Identifier:
    9781107184084
    RVK Klassifikation: HL 1139
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 106
    Schlagworte: Geschichte; Kunst; Öffentlichkeit; Ästhetik; Literatur; Kunstgeschichtsschreibung; Demokratisierung; Kunst
    Weitere Schlagworte: Art / Historiography; Historiography / History / 19th century / Great Britain; Art and society / History / 19th century / Great Britain; Civil society / History / 19th century / Great Britain; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Art and society; Art / Historiography; Civil society; Historiography; Intellectual life; Great Britain / Intellectual life / 19th century / Great Britain
    Umfang: xii, 296 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  4. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Autor*in: Hartley, Lucy
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and perils of self-interest: calculating the passions in Walter Pater's essays; 4. Figuring the individual in the collective: the 'art-politics' of Edward Poynter and William Morris; 5. The humanist interest old and new: John Addington Symonds and the nature of liberty "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107184084
    Weitere Identifier:
    9781107184084
    RVK Klassifikation: HL 1139
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 106
    Schlagworte: Geschichte; Kunst; Öffentlichkeit; Ästhetik; Literatur; Kunstgeschichtsschreibung; Demokratisierung; Kunst
    Weitere Schlagworte: Art / Historiography; Historiography / History / 19th century / Great Britain; Art and society / History / 19th century / Great Britain; Civil society / History / 19th century / Great Britain; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Art and society; Art / Historiography; Civil society; Historiography; Intellectual life; Great Britain / Intellectual life / 19th century / Great Britain
    Umfang: xii, 296 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  5. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Autor*in: Hartley, Lucy
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia ; New Delhi, India ; Singapore

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be... mehr

    Standort:
    Universitätsbibliothek der RPTU in Landau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  6. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Autor*in: Hartley, Lucy
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2017:5092:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 B 177598
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2017 B 1368
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2017 C 3362
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    67a/1461
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    LH 61100 H255
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107184084
    Weitere Identifier:
    9781107184084
    RVK Klassifikation: HL 1139
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 106
    Schlagworte: Art; Historiography; Art and society; Civil society; Art; Historiography; Art and society; Civil society; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Art and society; Art; Civil society; Historiography; Intellectual life; Art; Art; Art and society; Art and society; Civil society; Civil society; Historiography; Historiography; Intellectual life; LITERARY CRITICISM; Great Britain
    Umfang: xii, 296 Seiten, Illustrationen
    Bemerkung(en):

    Auch als Online-Ausgabe erschienen

    Includes bibliographical references and index
  7. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Autor*in: Hartley, Lucy
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Standort:
    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    Signatur:
    CC 6910 har 2018
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    91.053.71
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Signatur:
    /
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107184084
    Weitere Identifier:
    9781107184084
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 106
    Schlagworte: Ästhetik; Literatur; Öffentlichkeit; Kunst; Demokratisierung
    Umfang: xii, 296 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 269-286
  8. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Autor*in: Hartley, Lucy
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia ; New Delhi, India ; Singapore

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be... mehr

    Standort:
    Universitätsbibliothek der RPTU in Landau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  9. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Autor*in: Hartley, Lucy
    Erschienen: 2017
    Verlag:  Cambridge University Press, Port Melbourne, VIC

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107184084; 1107184088
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 106
    Schlagworte: Großbritannien; Literatur; Kunst; Ästhetik; Öffentlichkeit; Demokratisierung; Geschichte 1800-1899
    Umfang: xii, 296 Seiten, Illustrationen (schwarz-weiß)
    Bemerkung(en):

    Includes bibliographical references and index

    Hier auch später erschienene, unveränderte Nachdrucke