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  1. Art and monist philosophy in nineteenth century France from Auteuil to Giverny
    Autor*in: Athanassoglou-Kallmyer, Nina M.
    Erschienen: 2024
    Verlag:  Routledge, Taylor & Francis Group, New York

    "This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism" emerged and became increasingly popular among... mehr

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2024 C 670
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism" emerged and became increasingly popular among intellectuals, artists, and scientists. Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture-from Romanticism to Impressionism-and as a theoretical backdrop that paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, Théodore Géricault (1791-1824), Eugène Delacroix (1798-1863) and Claude Monet (1840-1926), and their particular approach to and interpretation of this unitarian concept. The book will be of interest to scholars working in art history, philosophy, and cultural history"--

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032465388; 9781032491226
    Schriftenreihe: Routledge research in art history
    Schlagworte: Art and philosophy; Art and philosophy; Monism
    Weitere Schlagworte: Géricault, Théodore (1791-1824); Delacroix, Eugène (1798-1863); Monet, Claude (1840-1926)
    Umfang: viii, 182 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    The Auteuil Salon and Ideology -- Théodore Géricault. Soul and Body -- Self and Nature. Delacroix and the Aesthetics of Unity -- A Cosmic Vision. Monet's Giverny Circle -- Epilogue. Unforgettable: Memory, Matter and Unity.
  2. Art and monist philosophy in nineteenth century France from Auteuil to Giverny
    Autor*in: Athanassoglou-Kallmyer, Nina M.
    Erschienen: 2024
    Verlag:  Routledge, Taylor & Francis Group, New York

    "This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism" emerged and became increasingly popular among... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism" emerged and became increasingly popular among intellectuals, artists, and scientists. Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture-from Romanticism to Impressionism-and as a theoretical backdrop that paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, Théodore Géricault (1791-1824), Eugène Delacroix (1798-1863) and Claude Monet (1840-1926), and their particular approach to and interpretation of this unitarian concept. The book will be of interest to scholars working in art history, philosophy, and cultural history"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format