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  1. The poetics and ethics of (on-)grievability in contemporary anglophone fiction
    Beteiligt: Onega, Susana (Hrsg.); Ganteau, Jean-Michel (Hrsg.)
    Erschienen: 2023
    Verlag:  Routledge, Taylor & Francis Group, New York ; London

    - This is the first book of its kind to review a series of contemporary novels in English through the prism of the critical and theoretical categories of grievability and ungrievability. In the wake of Judith Butler's work on (un-)grievable groups,... mehr

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    - This is the first book of its kind to review a series of contemporary novels in English through the prism of the critical and theoretical categories of grievability and ungrievability. In the wake of Judith Butler's work on (un-)grievable groups, it addresses the ways in which fiction in English since the 1990s operates in its singularity to delve into the socio-cultural construction of grievability, thereby refining and displacing the more traditional categories of subalternity, inaudibility and invisibility associated with the poetics of postmodernism. - It also considers these categories in relation with the neighbouring issues of visibility and invisibility, ultimately providing a welcome prism though which to envisage such secular forms as the obituary and the elegy. Such genres provide means to perform mourning or, conversely, postulate an ethics of melancholia through continuing attachment to the departed.- Central to the objectives of this volume is the idea of providing an analysis of how Butler's influential categories may be of specific use to literary scholars all the more so as, in our post-trauma age, this traditional function of literature has brought to the fore such aspects of grievability as the influence of race, class, gender and/or sexual orientation in the determination of the grievability or ungrievability of the human beings exposed to individual or collective violence.- More concretely, this book uses the prism of (un-)grievability to contribute to the study of the ethics and politics of literature, taking on board the ethics and politics of form. It shows how some fictions delve into the lives of those considered ungrievable and are submitted to invisibility and/or illicit dead, while, in perpetrator trauma fictions, it is the perpetrators themselves whose refusal or impossibility to acknowledge the harm done to others under warfare conditions, foster a relation of spectrality that transforms the unfairly killed into ghosts who cannot be laid down to rest.- The essays collected in this volume relate the relevance of the above-mentioned critical and theoretical categories to various cultural areas of the English-speaking world, charting the singularities and common concerns of an array of contemporary texts and themes relating to various grounds of relegation and invisibilisation

     
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      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Onega, Susana (Hrsg.); Ganteau, Jean-Michel (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781032389769; 9781032389752
    RVK Klassifikation: HN 1331 ; HO 13310 ; HU 1819 ; HV 18190
    Schriftenreihe: Routledge studies in contemporary literature ; 58
    Schlagworte: Trauer <Motiv>; Englisch; Roman
    Umfang: ix, 229 Seiten
  2. The poetics and ethics of (on-)grievability in contemporary anglophone fiction
    Beteiligt: Onega, Susana (Hrsg.); Ganteau, Jean-Michel (Hrsg.)
    Erschienen: 2023
    Verlag:  Routledge, Taylor & Francis Group, New York ; London

    - This is the first book of its kind to review a series of contemporary novels in English through the prism of the critical and theoretical categories of grievability and ungrievability. In the wake of Judith Butler's work on (un-)grievable groups,... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    - This is the first book of its kind to review a series of contemporary novels in English through the prism of the critical and theoretical categories of grievability and ungrievability. In the wake of Judith Butler's work on (un-)grievable groups, it addresses the ways in which fiction in English since the 1990s operates in its singularity to delve into the socio-cultural construction of grievability, thereby refining and displacing the more traditional categories of subalternity, inaudibility and invisibility associated with the poetics of postmodernism. - It also considers these categories in relation with the neighbouring issues of visibility and invisibility, ultimately providing a welcome prism though which to envisage such secular forms as the obituary and the elegy. Such genres provide means to perform mourning or, conversely, postulate an ethics of melancholia through continuing attachment to the departed.- Central to the objectives of this volume is the idea of providing an analysis of how Butler's influential categories may be of specific use to literary scholars all the more so as, in our post-trauma age, this traditional function of literature has brought to the fore such aspects of grievability as the influence of race, class, gender and/or sexual orientation in the determination of the grievability or ungrievability of the human beings exposed to individual or collective violence.- More concretely, this book uses the prism of (un-)grievability to contribute to the study of the ethics and politics of literature, taking on board the ethics and politics of form. It shows how some fictions delve into the lives of those considered ungrievable and are submitted to invisibility and/or illicit dead, while, in perpetrator trauma fictions, it is the perpetrators themselves whose refusal or impossibility to acknowledge the harm done to others under warfare conditions, foster a relation of spectrality that transforms the unfairly killed into ghosts who cannot be laid down to rest.- The essays collected in this volume relate the relevance of the above-mentioned critical and theoretical categories to various cultural areas of the English-speaking world, charting the singularities and common concerns of an array of contemporary texts and themes relating to various grounds of relegation and invisibilisation

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Onega, Susana (Hrsg.); Ganteau, Jean-Michel (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781032389769; 9781032389752
    RVK Klassifikation: HN 1331 ; HO 13310 ; HU 1819 ; HV 18190
    Schriftenreihe: Routledge studies in contemporary literature ; 58
    Schlagworte: Trauer <Motiv>; Englisch; Roman
    Umfang: ix, 229 Seiten
  3. The poetics and ethics of (un)grievability in contemporary Anglophone fiction
    Beteiligt: Onega, Susana (HerausgeberIn); Ganteau, Jean-Michel (HerausgeberIn)
    Erschienen: 2023
    Verlag:  Routledge, New York, NY

    "The working hypothesis of the book is that, since the 1990s, an increasing number of Anglophone fictions are responding to the new ethical and political demands arising out of the facts of war, exclusion, climate change, contagion, posthumanism and... mehr

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 A 7752
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The working hypothesis of the book is that, since the 1990s, an increasing number of Anglophone fictions are responding to the new ethical and political demands arising out of the facts of war, exclusion, climate change, contagion, posthumanism and other central issues of our post-trauma age by adapting the conventions of traditional forms of expressing grievability, such as elegy, testimony or (pseudo-)autobiography. Situating themselves in the wake of Judith Butler's work on (un-)grievableability, the essays collected in this volume seek to cast new light on these issues by delving into the socio-cultural constructions of grievability and other types of vulnerabilities, invisibilities and inaudibilities linked with the neglect and/or abuse of non-normative individuals and submerged groups that have been framed as disposable,exploitable and/or unmournable by such determinant factors as sex, gender, ethnic origin, health, etc., thereby refining and displacing the category of subalternity associated with the poetics of postmodernism"--

     
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      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Onega, Susana (HerausgeberIn); Ganteau, Jean-Michel (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032389752; 9781032389769
    Weitere Identifier:
    Schriftenreihe: Routledge studies in contemporary literature ; 60
    Schlagworte: Grief in literature; English fiction; Ethics in literature; English fiction; Literary criticism; Essays
    Umfang: ix, 229 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: The poetics and ethics of (un-)grievability in contemporary Anglophone fiction / Jean-Michel Ganteau and Susana Onega -- The presence of history. Trading relations, the evil of violence, and the ungrievability of the other in David Mitchell's The one thousand autumns of Jacob de Zoet / Susana Onega -- Undermining the hierarchy of grief in Rachel Seiffert's A boy in winter / Paula Romo-Mayor -- Escaping "dead time": the temporal ethics of (un-)grievability in Ali Smith's The accidental / Katia Marcellin -- Grieving the Earth. "How bold to mix the dreamings": the ethics and poetics of mourning in Alexis Wright's The swan book / Bárbara Arizti -- From elegy to apocalypse: ecological grief and human grievability in Ben Smith's Doggerland / Angelo Monaco -- Outcasts. Ungrievable incest: ecology and kinship in Michael Stewart's Ill will / Maite Escuero-Alías -- (Un-)grieving celestial in Toni Morrison's Love / Martín-Salván -- Contamination. What remains of (un-)grievability in Hollinghurst's and Tóibín's AIDS fiction / José M. Yebra-Pertusa -- Overcoming grief and salvaging memory: Rebecca Makkai's The great believers / Guilio Milone -- After the subject. Grieving for the subhuman in Never let me go by Kazuo Ishiguro / Sylvie Maurel -- The grievability of the non-human: Ian McEwan's Machines like me / Jean-Michel Ganteau.