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A Note on Form and Methodology Multiverse, part one: Ode to Ophelia Introduction - The Pleasures of Cyborg Reading Multiverse, part two: The Patient Must Minister To Himself, or, William and the Doctor Chapter One - The Archontic Multiverse: A Theory of Shakespeare's Big Bang Multiverse, part three: Prince's Shadow Chapter Two - "The Thing Itself": Paratexts and New Shakespeare Genealogies Multiverse part four: Four Songs for Lady Macbeth Chapter Three - Taking out the (Shakespeare) Trash: Illegitimate Knowledge and Shakespeare's Losers Multiverse part five: Hamlet's Buzz Chapter Four - Your Fave is Problematic: Ante Fandom, Anti Fandom, and the Problem of Will Multiverse part six: The Red Right Hand Conclusion - Shakespeare and the Cyborg Self "The Shakespeare Multiverse: Fandom as Literary Praxis argues that fandom offers new models for a twenty-first century reading practice that embraces affective pleasure and subjective self-positioning as a means of understanding a text. Part critical study, part source book, The Shakespeare Multiverse suggests that fannish contributions to the ongoing expansion of the object that we call Shakespeare is best imagined as a multiverse, encompassing different worlds that consolidate the various perspectives that different fans bring to Shakespeare. Our concept of the multiverse redefines 'Shakespeare' not as a singular body of work, but as space where a process of inquiry and cultural memory - memories in the making, and those already made - is influenced and shaped by the technologies available to the reader. Characteristic of fandom is an intertextual reading strategy that we term cyborg reading, an approach that accommodates the varied elements of identity, politics, culture, sexuality, and race that shape the ways that Shakespeare is explored and appropriated throughout fannish reading communities. The Shakespeare Multiverse intersects literary theory, fan studies, and popular culture as it traverses Shakespeare fandom from the 1623 Folio to the age of the Internet, exploring the different textures of fan affect, from those who firmly uphold fidelity to the text to those who sit on the very edge of the fandom, threatening to cross over into Shakespearean anti-fandom. By recognizing the literary value of fandom, The Shakespeare Multiverse offers a new approach to literary criticism that challenges the limits of hegemonic authority and recognizes the value of a joyfully speculative critical praxis"--
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