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  1. Dramaturgies of love in 'Romeo and Juliet'
    word, music, and dance
    Autor*in: Kellermann, Jonas
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, New York

    "Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of 'unspeakable'... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of 'unspeakable' love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the 'woes that no words can sound' of Shakespeare's iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare's early modern tragedy, French composer Hector Berlioz's dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz's symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007)"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9781032028590; 9781032028606
    Weitere Identifier:
    9781032028590
    RVK Klassifikation: HI 3426
    Schriftenreihe: Routledge studies in Shakespeare
    Schlagworte: Love in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616): Romeo and Juliet; Shakespeare, William (1564-1616)
    Umfang: xii, 229 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Dissertation, Universität Konstanz, 2020
  2. Chapter 1 Introduction : “A Rapture So Pure That Its Words Are Tears”
    Autor*in: Kellermann, Jonas
    Erschienen: 2021
    Verlag:  Taylor & Francis

    The introductory chapter frames Shakespeare’s Romeo and Juliet and its dramatisation of romantic love within the recent affective turn, defining affect as relational and discursive movements that are intelligible as individual, nameable emotions... mehr

     

    The introductory chapter frames Shakespeare’s Romeo and Juliet and its dramatisation of romantic love within the recent affective turn, defining affect as relational and discursive movements that are intelligible as individual, nameable emotions based on their adherence to certain cultural taxonomies. This definition entails my overall query: what are the taxonomies according to which affective movements become readable as amorous emotion in Romeo and Juliet? To showcase that these patterns not only pertain to verbal language, I also discuss symphonic and balletic adaptations of the play, specifically Hector Berlioz’s dramatic symphony Roméo et Juliette (1839) and Sasha Waltz’s staging of the Berlioz’s symphony for the Paris Opera Ballet (2007).

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781032028590; 9781032028606
    Weitere Identifier:
    Übergeordneter Titel: Dramaturgies of Love in Romeo and Juliet
    Schlagworte: Literature: history & criticism
    Weitere Schlagworte: Literary Criticism, Shakspeare
    Umfang: 1 electronic resource (22 p.)
  3. Dramaturgies of Love in Romeo and Juliet : Word, Music, and Dance
    Autor*in: Kellermann, Jonas
    Erschienen: 2021
    Verlag:  Taylor & Francis

    Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of "unspeakable"... mehr

     

    Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of "unspeakable" love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the "woes that no words can sound" of Shakespeare’s iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology, and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare’s early modern tragedy, French composer Hector Berlioz’s dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz’s symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007).

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781032028590; 9781032028606; 9781003185536
    Schlagworte: Literature: history & criticism
    Weitere Schlagworte: Literary Criticism, Shakspeare
  4. Chapter 4 Choreographing Love : Balletic Contact in Sasha Waltz’s Roméo et Juliette
    Autor*in: Kellermann, Jonas
    Erschienen: 2021
    Verlag:  Taylor & Francis

    This chapter examines Sasha Waltz’s choreographic staging of Berlioz’s Roméo et Juliette for the Paris Opera Ballet from 2007. Waltz’s production reimagines one of the most canonical stories in the classical ballet repertoire through the abstract and... mehr

     

    This chapter examines Sasha Waltz’s choreographic staging of Berlioz’s Roméo et Juliette for the Paris Opera Ballet from 2007. Waltz’s production reimagines one of the most canonical stories in the classical ballet repertoire through the abstract and fragmentary lens of contemporary dance. I trace how Waltz appropriates the post-modern principles of Contact Improvisation for purposes of balletic storytelling. Drawing from recent affect-focussed criticism in dance studies, I explore how Waltz uses the non-narrative relationality of Contact Improvisation to transform Shakespeare’s poetic constellations of affect into abstract, yet dramatically expressive choreographic embodiments of affect, especially in the Pas de deux during the “Scène d’amour”.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781032028590; 9781032028606
    Weitere Identifier:
    Übergeordneter Titel: Dramaturgies of Love in Romeo and Juliet
    Schlagworte: Literature: history & criticism
    Weitere Schlagworte: Literary Criticism, Shakspeare
    Umfang: 1 electronic resource (62 p.)
  5. Dramaturgies of love in 'Romeo and Juliet'
    word, music, and dance
    Autor*in: Kellermann, Jonas
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, New York

    "Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of 'unspeakable'... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 139419
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signatur:
    HI 3426 K29
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2021/8091
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2021 A 12266
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    ANG:Y16::S527/26:Rom:2022
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    72/603
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of 'unspeakable' love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the 'woes that no words can sound' of Shakespeare's iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare's early modern tragedy, French composer Hector Berlioz's dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz's symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007)"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9781032028590; 9781032028606
    Weitere Identifier:
    9781032028590
    RVK Klassifikation: HI 3426
    Schriftenreihe: Routledge studies in Shakespeare
    Schlagworte: Love in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616): Romeo and Juliet; Shakespeare, William (1564-1616)
    Umfang: xii, 229 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Dissertation, Universität Konstanz, 2020
  6. Dramaturgies of Love in Romeo and Juliet
    Word, Music, and Dance
    Autor*in: Kellermann, Jonas
    Erschienen: 2023
    Verlag:  Taylor & Francis Ltd, London

    Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of unspeakable love in one of the most famous love stories in literary history mehr

     

    Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of unspeakable love in one of the most famous love stories in literary history

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032028606
    Schriftenreihe: Routledge Studies in Shakespeare
    Schlagworte: DRAMA / Shakespeare; Dance; Klassische Dramen und Dramen (vor 1900); LITERARY CRITICISM / General; LITERARY CRITICISM / Shakespeare; Literary studies: c 1500 to c 1800; Literary studies: plays & playwrights; Literaturwissenschaft: Dramen und Dramatiker; Opera; Shakespeare plays; The arts: general issues; Theatre studies
    Umfang: 230 Seiten
    Bemerkung(en):

    Introduction: "A rapture so pure that its words are tears"Discoursing Love: Amorous Community in Shakespeare s Romeo and JulietComposing Love: Topical Fields and Gestures in Hector Berlioz s Roméo et JulietteChoreographing Love: Balletic Contact in Sasha Waltz s Roméo et Juliette"A story of more woe": Romeo and Juliet beyond Hector Berlioz and Sasha WaltzConclusion: Towards a Transmedial Theory of LoveReferences
  7. Dramaturgies of love in Romeo and Juliet
    word, music, and dance
    Autor*in: Kellermann, Jonas
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, New York ; London

    "Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of 'unspeakable'... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of 'unspeakable' love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the 'woes that no words can sound' of Shakespeare's iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare's early modern tragedy, French composer Hector Berlioz's dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz's symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9781032028590; 9781032028606
    Weitere Identifier:
    9781032028590
    RVK Klassifikation: HI 3426
    Schriftenreihe: Routledge studies in Shakespeare
    Schlagworte: Bearbeitung; Liebe <Motiv>
    Weitere Schlagworte: Shakespeare, William (1564-1616): Romeo and Juliet; Shakespeare, William / 1564-1616 / Romeo and Juliet; Shakespeare, William / 1564-1616 / Adaptations; Love in literature
    Umfang: xii, 229 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Dissertation, Universität Konstanz, 2020
  8. Dramaturgies of love in Romeo and Juliet
    word, music, and dance
    Autor*in: Kellermann, Jonas
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, New York ; London

    "Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of 'unspeakable'... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of 'unspeakable' love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the 'woes that no words can sound' of Shakespeare's iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare's early modern tragedy, French composer Hector Berlioz's dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz's symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9781032028590; 9781032028606
    Weitere Identifier:
    9781032028590
    RVK Klassifikation: HI 3426
    Schriftenreihe: Routledge studies in Shakespeare
    Schlagworte: Bearbeitung; Liebe <Motiv>
    Weitere Schlagworte: Shakespeare, William (1564-1616): Romeo and Juliet; Shakespeare, William / 1564-1616 / Romeo and Juliet; Shakespeare, William / 1564-1616 / Adaptations; Love in literature
    Umfang: xii, 229 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Dissertation, Universität Konstanz, 2020
  9. Chapter 4 Choreographing Love
    Balletic Contact in Sasha Waltz’s Roméo et Juliette
    Autor*in: Kellermann, Jonas
    Erschienen: 2021
    Verlag:  Taylor & Francis, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    This chapter examines Sasha Waltz’s choreographic staging of Berlioz’s Roméo et Juliette for the Paris Opera Ballet from 2007. Waltz’s production reimagines one of the most canonical stories in the classical ballet repertoire through the abstract and... mehr

    Zugang:
    Verlag (kostenfrei)

    Standort:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliothek der Frankfurt University of Applied Sciences
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    This chapter examines Sasha Waltz’s choreographic staging of Berlioz’s Roméo et Juliette for the Paris Opera Ballet from 2007. Waltz’s production reimagines one of the most canonical stories in the classical ballet repertoire through the abstract and fragmentary lens of contemporary dance. I trace how Waltz appropriates the post-modern principles of Contact Improvisation for purposes of balletic storytelling. Drawing from recent affect-focussed criticism in dance studies, I explore how Waltz uses the non-narrative relationality of Contact Improvisation to transform Shakespeare’s poetic constellations of affect into abstract, yet dramatically expressive choreographic embodiments of affect, especially in the Pas de deux during the “Scène d’amour”.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781032028590; 9781032028606
    Schlagworte: Literature: history & criticism
    Weitere Schlagworte: Literary Criticism, Shakspeare
    Umfang: 1 Online-Ressource (62 p.)
  10. Chapter 1 Introduction
    “A Rapture So Pure That Its Words Are Tears”
    Autor*in: Kellermann, Jonas
    Erschienen: 2021
    Verlag:  Taylor & Francis, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    The introductory chapter frames Shakespeare’s Romeo and Juliet and its dramatisation of romantic love within the recent affective turn, defining affect as relational and discursive movements that are intelligible as individual, nameable emotions... mehr

    Zugang:
    Verlag (kostenfrei)

    Standort:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliothek der Frankfurt University of Applied Sciences
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    The introductory chapter frames Shakespeare’s Romeo and Juliet and its dramatisation of romantic love within the recent affective turn, defining affect as relational and discursive movements that are intelligible as individual, nameable emotions based on their adherence to certain cultural taxonomies. This definition entails my overall query: what are the taxonomies according to which affective movements become readable as amorous emotion in Romeo and Juliet? To showcase that these patterns not only pertain to verbal language, I also discuss symphonic and balletic adaptations of the play, specifically Hector Berlioz’s dramatic symphony Roméo et Juliette (1839) and Sasha Waltz’s staging of the Berlioz’s symphony for the Paris Opera Ballet (2007).

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781032028590; 9781032028606
    Schlagworte: Literature: history & criticism
    Weitere Schlagworte: Literary Criticism, Shakspeare
    Umfang: 1 Online-Ressource (22 p.)
  11. Dramaturgies of Love in Romeo and Juliet
    Word, Music, and Dance
    Autor*in: Kellermann, Jonas
    Erschienen: 2021
    Verlag:  Taylor & Francis, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of "unspeakable"... mehr

    Zugang:
    Verlag (kostenfrei)

    Standort:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliothek der Frankfurt University of Applied Sciences
    Fernleihe:
    keine Fernleihe

    Standort:
    Hessisches BibliotheksInformationsSystem hebis
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    keine Fernleihe

    Standort:
    Hochschule für Musik und Darstellende Kunst Frankfurt, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    keine Fernleihe

    Standort:
    Bibliothek des Bischöflichen Priesterseminars
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    Standort:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    keine Fernleihe

    Standort:
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Akademie der Wissenschaften und der Literatur, Bibliothek
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    Standort:
    Martinus-Bibliothek, Wissenschaftliche Diözesanbibliothek
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    Standort:
    Universität Mainz, Zentralbibliothek
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    Standort:
    110 Herder-Institut für historische Ostmitteleuropaforschung – Institut der Leibniz-Gemeinschaft, Forschungsbibliothek
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    Standort:
    Hessisches Staatsarchiv Marburg, Dienstbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Standort:
    Hochschul- und Landesbibliothek RheinMain, Rheinstraße
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    Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of "unspeakable" love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the "woes that no words can sound" of Shakespeare’s iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology, and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare’s early modern tragedy, French composer Hector Berlioz’s dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz’s symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007).

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781032028590; 9781032028606; 9781003185536
    DDC Klassifikation: Musik (780)
    Schlagworte: Literature: history & criticism
    Weitere Schlagworte: Literary Criticism, Shakspeare