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  1. The artist, the censor, and the nude
    a tale of morality and appropriation
    Autor*in: Harcourt, Glenn
    Erschienen: [2017]
    Verlag:  DoppelHouse Press, Los Angeles

    This hybrid book examines the art and politics of 'The Nude' in various cultural contexts, featuring books of canonical western art pirated and either digitally- or hand-censored in Iran by anonymous government workers. Author Glenn Harcourt uses... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This hybrid book examines the art and politics of 'The Nude' in various cultural contexts, featuring books of canonical western art pirated and either digitally- or hand-censored in Iran by anonymous government workers. Author Glenn Harcourt uses several case studies brought to the fore by American painter Pamela Joseph in her recent "Censored" series. Harcourt's rigorous, culturally-measured and art historical approach complements Joseph's appropriation of these censored images as feminist critique. Harcourt argues that her work serves as a window toward larger questions in art. These include an examination of the evolution of abstraction; the role of women in western society, as seen through the history of painting the body; the effects of western art on cultures outside the west (sometimes referred to in Iran as 'west-toxication'); and how artists in non-western countries, specifically those in Iran living under rules of censorship that specifically prohibit representation of the body, engage with the history of western art found in the censored books

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780997003420
    RVK Klassifikation: LH 61100
    Schlagworte: Art; Nude in art; Freedom and art; Censorship; Orientalism; Art, Iranian; Art, Modern; Women artists; Women in art; Art and society; Art; Art and society; Art, Iranian; Art, Modern; Censorship; Freedom and art; Nude in art; Orientalism; Women artists; Women in art; Joseph, Pamela
    Weitere Schlagworte: Joseph, Pamela (1942-)
    Umfang: xi, 179 Seiten, Illustrationen, 26 cm
  2. The artist, the censor, and the nude
    a tale of morality and appropriation
    Autor*in: Harcourt, Glenn
    Erschienen: [2017]
    Verlag:  DoppelHouse Press, Los Angeles

    This hybrid book examines the art and politics of 'The Nude' in various cultural contexts, featuring books of canonical western art pirated and either digitally- or hand-censored in Iran by anonymous government workers. Author Glenn Harcourt uses... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    This hybrid book examines the art and politics of 'The Nude' in various cultural contexts, featuring books of canonical western art pirated and either digitally- or hand-censored in Iran by anonymous government workers. Author Glenn Harcourt uses several case studies brought to the fore by American painter Pamela Joseph in her recent "Censored" series. Harcourt's rigorous, culturally-measured and art historical approach complements Joseph's appropriation of these censored images as feminist critique. Harcourt argues that her work serves as a window toward larger questions in art. These include an examination of the evolution of abstraction; the role of women in western society, as seen through the history of painting the body; the effects of western art on cultures outside the west (sometimes referred to in Iran as 'west-toxication'); and how artists in non-western countries, specifically those in Iran living under rules of censorship that specifically prohibit representation of the body, engage with the history of western art found in the censored books

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  3. The artist, the censor, and the nude
    a tale of morality and appropriation
    Autor*in: Harcourt, Glenn
    Erschienen: [2017]
    Verlag:  DoppelHouse Press, Los Angeles

    This hybrid book examines the art and politics of 'The Nude' in various cultural contexts, featuring books of canonical western art pirated and either digitally- or hand-censored in Iran by anonymous government workers. Author Glenn Harcourt uses... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2017:5974:
    keine Fernleihe
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This hybrid book examines the art and politics of 'The Nude' in various cultural contexts, featuring books of canonical western art pirated and either digitally- or hand-censored in Iran by anonymous government workers. Author Glenn Harcourt uses several case studies brought to the fore by American painter Pamela Joseph in her recent "Censored" series. Harcourt's rigorous, culturally-measured and art historical approach complements Joseph's appropriation of these censored images as feminist critique. Harcourt argues that her work serves as a window toward larger questions in art. These include an examination of the evolution of abstraction; the role of women in western society, as seen through the history of painting the body; the effects of western art on cultures outside the west (sometimes referred to in Iran as 'west-toxication'); and how artists in non-western countries, specifically those in Iran living under rules of censorship that specifically prohibit representation of the body, engage with the history of western art found in the censored books

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780997003420
    RVK Klassifikation: LH 61100
    Schlagworte: Art; Nude in art; Freedom and art; Censorship; Orientalism; Art, Iranian; Art, Modern; Women artists; Women in art; Art and society; Art; Art and society; Art, Iranian; Art, Modern; Censorship; Freedom and art; Nude in art; Orientalism; Women artists; Women in art; Joseph, Pamela
    Weitere Schlagworte: Joseph, Pamela (1942-)
    Umfang: xi, 179 Seiten, Illustrationen, 26 cm