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  1. Stop the Clocks!
    Time and Narrative in Cinema.
    Autor*in: Powell, Helen
    Erschienen: 2012
    Verlag:  I.B. Tauris & Co. Ltd, London [England] ; Bloomsbury Publishing, London

    The clock plays a significant part in our understanding of temporality, but while it simplifies, regulates, and coordinates, it fails to reflect and communicate the more experiential dimensions of time. As Helen Powell demonstrates in this book,... mehr

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    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

     

    The clock plays a significant part in our understanding of temporality, but while it simplifies, regulates, and coordinates, it fails to reflect and communicate the more experiential dimensions of time. As Helen Powell demonstrates in this book, cinema has been addressing this issue since its inception. Stop the Clocks! examines filmmakers' relationship to time and its visual manipulation and representation from the birth of the medium to the digital present. It engages both with experimentation in narrative construction and with films that take time as their subject matter, such as Donnie Dar.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 085772147X; 9780755693863; 9780857721471
    Weitere Identifier:
    RVK Klassifikation: AP 50300
    Auflage/Ausgabe: First edition
    Schlagworte: Film; Zeit <Motiv>; Uhr <Motiv>
    Umfang: 1 Online-Ressource (192 pages)
    Bemerkung(en):

    I.B. Tauris Film Studies Archive 1998-2015
  2. Stop the clocks!
    time and narrative in cinema
    Autor*in: Powell, Helen
    Erschienen: 2012
    Verlag:  I.B. Tauris, London

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 178076216X; 1848851758; 9780857721471; 9781780762166; 9781848851757
    Schlagworte: Film; Geschichte; Time in motion pictures; Clocks and watches in motion pictures; Motion pictures; Narration (Rhetoric); Zeit <Motiv>; Film; Uhr <Motiv>
    Umfang: viii, 183 p.
    Bemerkung(en):

    Includes bibliographical references and index
  3. Stop the clocks!
    time and narrative in cinema
    Autor*in: Powell, Helen
    Erschienen: 2012
    Verlag:  I.B. Tauris, London ; New York

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781780762166; 9781848851757; 9780857721471
    Schlagworte: ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; Film; Geschichte; Time in motion pictures; Clocks and watches; Motion pictures; Narration (Rhetoric); Zeit <Motiv>; Film; Uhr <Motiv>
    Umfang: 1 Online-Ressource (viii, 183 Seiten), Illustrationen
  4. Stop the clocks!
    time and narrative in cinema
    Autor*in: Powell, Helen Louise
    Erschienen: [2012]
    Verlag:  I.B. Tauris, London

    The clock plays a significant part in our understanding of temporality, but while it simplifies, regulates and coordinates, it fails to reflect and communicate the more experiential dimensions of time. As Helen Powell demonstrates in this book,... mehr

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

     

    The clock plays a significant part in our understanding of temporality, but while it simplifies, regulates and coordinates, it fails to reflect and communicate the more experiential dimensions of time. As Helen Powell demonstrates in this book, cinema has been addressing this issue since its inception.Stop the Clocks! examines filmmakers' relationship to time and its visual manipulation and representation from the birth of the medium to the digital present. It engages both with experimentation in narrative construction and with films that take time as their subject matter, such as Donnie Darko, Interview with a Vampire, Lost Highway and Pulp Fiction. Helen Powell asks what underpins the enduring appeal of the science fiction genre with filmmakers and audience and how cinematography might inform our conceptualisation of other imagined temporal worlds, including the afterlife. She examines the role of angels and vampires in contemporary cinema, as well as the distinctive time schemes of new media and their implications for rethinking time and the moving image through digitalisation. Broad based and accessible, Stop the Clocks! will appeal to a wide interdisciplinary audience and provides a useful sourcebook on undergraduate and postgraduate courses in film and other arts and media-based disciplines. Intro -- CONTENTS -- INTRODUCTION: CINEMA AS TIME MACHINE -- 1. REAL TIME -- 2. FUTURE TIME -- 3. DREAMING TIME -- 4. CONSUMING TIME -- 5. FRACTURED TIME -- CONCLUSION: TIME IN THE DIGITAL AGE -- BIBLIOGRAPHY -- INDEX.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1280876522; 9781280876523; 9780857721471; 1848851758; 178076216X; 9781780762166; 9781848851757
    RVK Klassifikation: AP 50300
    Schriftenreihe: International library of the moving image ; 4
    International Library of the Moving Image Ser.
    MyiLibrary
    Schlagworte: Clocks and watches - In motion pictures; Clocks and watches; Motion pictures; Narration (Rhetoric); Time in motion pictures; Electronic books
    Weitere Schlagworte: Time in motion pictures; Clocks and watches in motion pictures; Array; Narration (Rhetoric)
    Umfang: 1 Online-Ressource (183 Seiten)
    Bemerkung(en):

    Description based upon print version of record

    CONTENTS; INTRODUCTION: CINEMA AS TIME MACHINE; 1. REAL TIME; 2. FUTURE TIME; 3. DREAMING TIME; 4. CONSUMING TIME; 5. FRACTURED TIME; CONCLUSION: TIME IN THE DIGITAL AGE; BIBLIOGRAPHY; INDEX
  5. Stop the clocks!
    time and narrative in cinema
    Autor*in: Powell, Helen
    Erschienen: 2012
    Verlag:  I.B. Tauris, London ; New York

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781780762166; 9781848851757; 9780857721471
    Schlagworte: ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; Film; Geschichte; Time in motion pictures; Clocks and watches; Motion pictures; Narration (Rhetoric); Zeit <Motiv>; Film; Uhr <Motiv>
    Umfang: 1 Online-Ressource (viii, 183 Seiten), Illustrationen