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  1. Making film and television histories
    Australia and New Zealand
    Erschienen: 2012
    Verlag:  I.B. Tauris, London

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781848859449; 9781848859432; 9780857720863
    Schlagworte: Historical television programs; Historical television programs; History on television; Geschichte <Motiv>; Historischer Film; Fernsehfilm
    Umfang: xxiii, 296 p.
    Bemerkung(en):

    Includes bibliographical references and index

    section 1. Aboriginal narratives -- section 2. Māori narratives -- section 3. The New Zealand wars -- section 4. Imaging the nation -- section 5. War and society -- section 6. Stories of adolescence -- section 7. Icons, crime and the imagination -- section 8. Explorations of gender and sexuality -- section 9. Immigrants, refugees and multicultural narratives -- section 10. Playing with the past
  2. Making film and television histories
    Australia and New Zealand
    Erschienen: 2011
    Verlag:  I.B. Tauris, London

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0857720864; 1848859430; 1848859449; 9780857720863; 9781848859432; 9781848859449
    Schlagworte: ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; Historical films; Historical films; Fernsehfilm; Geschichte <Motiv>; Historischer Film
    Umfang: 1 Online-Ressource (xxiii, 296 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Notes on the Contributors; Acknowledgments; Introduction; Section One: Aboriginal Narratives; Introduction; Jedda -- Suneeti Rekhari; The Making of Lousy Little Sixpence -- Alec Morgan; Buffalo Legends -- Margot Ford and Shane Motlap; Rabbit Proof Fence -- Kathy Butler; Blood is Thicker than Water: Stains on the Land in Bra Boys -- Brooke Collins-Gearing and Henk Huijser; Australia -- Ann McGrath; Section Two: Māori Narratives; Introduction -- Jennifer Gauthier; Méliès in Maoriland: The Making of the First New Zealand Feature Films -- Mark Derby; Patu! -- Geraldene Peters

    Ngati -- Jennifer GauthierOnce Were Warriors -- Stuart Murray; Section Three: The New Zealand Wars; Introduction -- Annabel Cooper; 'Magnificent Failure' or Subversive Triumph?: The Governor -- Trisha Dunleavy; Making Nation: Utu -- Hester Joyce; Ngā Pakanga Nunuiō Aotearoa/The New Zealand Wars -- Annabel Cooper; Reconciling History inVincentWard's River Queen -- Cherie Lacey; Section Four: Imaging the Nation; Introduction -- Mark Derby; Romantic New Zealand: 1920s and 1930s' NZ Government Publicity Office Travelogues -- Alfio Leotta

    From Colony to Nation in One Hundred Crowded Years: A Narrative on Civilisation, Progress and Modernity -- LarsWeckbeckerCamera Natura -- Deane Williams; Cinema of Unease -- Brenda Allen; Seeing Red in 1949 and 1995 -- Alan Wright; Section Five: War and Society; Introduction -- Daniel Reynaud; Breaker Morant -- Craig Wilcox; Gallipoli -- Daniel Reynaud; The Cowra Breakout -- Belinda Smaill; War Stories Our Mothers Never Told Us -- Gabrielle A. Fortune; Revealing Revealing Gallipoli -- Peter Stanley; Section Six: Stories of Adolescence; Introduction -- Emma Hamilton; Smiley -- Emma Hamilton

    The Devil's Playground: Coming-of-Age as National Cinema -- Josephine MaySex and Subculture: Bruce Beresford's Puberty Blues -- Lisa Featherstone; Whale Rider -- Jennifer Gauthier; Section Seven: Icons, Crime and the Imagination; Introduction -- Michelle Arrow; One Summer Again: The Dramatising of the Heidelberg School -- Billy Garner; Witnessing Innocence: Fred Schepisi's Evil Angels -- Michelle Arrow; An Angel at My Table -- Fincina Hopgood; The Piano -- Harriet Margolis; Heavenly Creatures: The 1954 Parker-Hulme Case -- James E. Bennett; Ned Kelly (2003) -- Sarah Pinto

    Section Eight: Explorations of Gender and SexualityIntroduction -- Rebecca Beirne; Dad and Dave Come to Town: Mr Entwhistle and Male Homosexuality -- Yorick Smaal; My Brilliant Career -- Jill Roe; Witches, Faggots, Dykes and Poofters -- Scott McKinnon; Love the Beast -- Kirsten Stevens; Section Nine: Immigrants, Refugees and Multicultural Narratives; Introduction -- Michelle Langford; Who's the Weird Mob Anyway? Assimilation and Authenticity in They're A Weird Mob -- Jessica Carniel; Illustrious Energy -- Brenda Allen; Serenades -- Michelle Langford

    Pacific Solution: From Afghanistan to Aotearoa -- Annie Goldson

    ""Making Film and Television Histories"" approaches film and television texts as primary historical media with the potential to bring historical topics alive through their interplay between past and present. It is a major text, the first to situate in a clear historical context selected New Zealand and Australian films and television programs ranging from highly successful films such as ""Gallipoli"", ""The Piano"", ""Australia"", ""Once Were Warriors"" and ""Heavenly Creatures"" to less well-known texts that form the basis for intriguing examinations of history, representation and identity. T.