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  1. Portrait Stories
    Erschienen: [2014]; © 2014
    Verlag:  Fordham University Press, New York, NY

    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James,... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823262625
    Weitere Identifier:
    Schlagworte: gender; portrait; power; reading; representation; seeing; subjectivity; LITERARY CRITICISM / European / General; Characters and characteristics in literature; Fiction; Portraits in literature
    Umfang: 1 online resource (224 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  2. Portrait Stories
    Erschienen: [2014]
    Verlag:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1. Poe’s “Oval Portrait” -- Chapter 2. The Portrait’s Two Faces: James’s “The Special Type” and “The Tone of Time” -- Chapter 3. The Portrait Paint er and His Doubles: Hoffmann’s... mehr

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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1. Poe’s “Oval Portrait” -- Chapter 2. The Portrait’s Two Faces: James’s “The Special Type” and “The Tone of Time” -- Chapter 3. The Portrait Paint er and His Doubles: Hoffmann’s “Die Doppeltgänger,” Gautier’s “La Cafetière,” and Nerval’s “Portrait du diable” -- Chapter 4. On Portraits, Paint ers, and Women: Balzac’s La Maison du chat- qui- pelote and James’s “Glasses” -- Chapter 5. Portraits of the Male Body: Kleist’s “Der Findling,” Hardy’s “Barbara of the House of Grebe,” and Wilde’s The Picture of Dorian Gray -- Chapter 6. Portraits, Parents, and Children: Storm’s “Aquis submersus” and Sand’s “Le Château de Pictordu” -- Chapter 7. Gogol, “The Portrait” -- Afterword. Reading Portrait Stories -- Notes -- Works Cited -- Index What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823262625
    Weitere Identifier:
    Schlagworte: Characters and characteristics in literature; Fiction; Portraits in literature; LITERARY CRITICISM / European / General
    Umfang: 1 Online-Ressource (224 p)
  3. Portrait Stories
    Erschienen: [2014]; © 2014
    Verlag:  Fordham University Press, New York, NY

    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James,... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
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    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823262625
    Weitere Identifier:
    Schlagworte: gender; portrait; power; reading; representation; seeing; subjectivity; LITERARY CRITICISM / European / General; Characters and characteristics in literature; Fiction; Portraits in literature
    Umfang: 1 online resource (224 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  4. Portrait Stories
    Erschienen: [2014]
    Verlag:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James,... mehr

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823262625
    Weitere Identifier:
    Umfang: 1 Online-Ressource (224 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  5. Portrait stories
    Erschienen: 2015
    Verlag:  Fordham University Press, New York, NY

    Introduction -- Poe's oval portrait -- The portrait's two faces: James's "The special type" and "The tone of time" -- The portrait painter and his doubles: Hoffmann's "Die Doppeltgänger", Gautier's "La cafetière", and Nerval's "Portrait du diable" --... mehr

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    Introduction -- Poe's oval portrait -- The portrait's two faces: James's "The special type" and "The tone of time" -- The portrait painter and his doubles: Hoffmann's "Die Doppeltgänger", Gautier's "La cafetière", and Nerval's "Portrait du diable" -- On portraits, painters, and women: Balzac's La maison du chat-qui-pelote and James's "Glasses" -- Portraits of the male body: Kleist's "Der Findling", Hardy's "Barbara of the house of Grebe", and Wilde's The picture of Dorian Gray -- Portraits, parents, and children: Storm's "Aquis submersus" and Sand's "Le château de Pictordu" -- Gogol, "the portrait" -- Afterword: reading portrait stories

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823262625
    RVK Klassifikation: EC 5410
    Auflage/Ausgabe: First edition
    Schlagworte: Portraits in literature; Characters and characteristics in literature; Fiction
    Umfang: 1 Online-Ressource (ix, 213 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index