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  1. Mourning Philology
    Art and Religion at the Margins of the Ottoman Empire
    Autor*in: Nichanian, Marc
    Erschienen: [2014]; © 2014
    Verlag:  Fordham University Press, New York, NY

    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art?Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823255269
    Weitere Identifier:
    Schlagworte: Armenian literature; Mythological religion; Nationalism; Orientalism; Ottoman empire; Philology; Philosophy of art; LITERARY CRITICISM / General; Armenian literature; Art and literature; Religion and literature; Religion and literature
    Umfang: 1 online resource (420 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  2. Mourning Philology
    Art and Religion at the Margins of the Ottoman Empire
    Autor*in: Nichanian, Marc
    Erschienen: [2014]
    Verlag:  Fordham University Press, New York, NY

    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in... mehr

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    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art?Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora Frontmatter -- Contents -- A Note on the Transliteration -- Acknowledgments -- INTRODUCTION -- 1. Variants and Facets of the Literary Erection -- 2. Abovean and the Birth of the Native -- 3. Orientalism and Neo-Archeology -- 4. The Disaster of the Native -- 5. The Other Scene of Representation -- 6. Erection and Self-Sacrifice -- 7. The Mourning of Religion I -- 8. The Mourning of Religion II -- EPILOGUE: Nietzsche in Armenian Literature at the Turn of the Twentieth Century -- A. Excerpts from Nineteenth-Century Works of Philology and Ethnography -- B. Essays in Mehyan and Other Writings of Constant Zarian -- C. Daniel Varuzhan: Poems and Prose -- Notes -- Bibliography -- Index

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823255269
    Weitere Identifier:
    Schlagworte: Armenian literature; Art and literature; Religion and literature; Religion and literature; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource (420 p)
  3. Mourning Philology
    Art and Religion at the Margins of the Ottoman Empire
    Autor*in: Nichanian, Marc
    Erschienen: [2014]; © 2014
    Verlag:  Fordham University Press, New York, NY

    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art?Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823255269
    Weitere Identifier:
    Schlagworte: Armenian literature; Mythological religion; Nationalism; Orientalism; Ottoman empire; Philology; Philosophy of art; LITERARY CRITICISM / General; Armenian literature; Art and literature; Religion and literature; Religion and literature
    Umfang: 1 online resource (420 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  4. Mourning Philology
    Art and Religion at the Margins of the Ottoman Empire
    Autor*in: Nichanian, Marc
    Erschienen: [2014]
    Verlag:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in... mehr

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    "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art?Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora...

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Fort, Jeff; Goshgarian, G. M.
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823255269
    Weitere Identifier:
    Umfang: 1 Online-Ressource (420 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)