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  1. Wrestling with the Left
    The Making of Ralph Ellison's ‹i›Invisible Man‹/i›
    Autor*in: Foley, Barbara
    Erschienen: [2010]; © 2010
    Verlag:  Duke University Press, Durham

    In Wrestling with the Left, Barbara Foley presents a penetrating analysis of the creation of Invisible Man. In the process she sheds new light not only on Ralph Ellison's celebrated novel but also on his early radicalism and the relationship between... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In Wrestling with the Left, Barbara Foley presents a penetrating analysis of the creation of Invisible Man. In the process she sheds new light not only on Ralph Ellison's celebrated novel but also on his early radicalism and the relationship between African American writers and the left during the early years of the cold war. Foley scrutinized thousands of pages of drafts and notes for the novel, as well as the author's early journalism and fiction, published and unpublished. While Ellison had cut his ties with the Communist left by the time he began Invisible Man in 1945, Foley argues that it took him nearly seven years to wrestle down his leftist consciousness (and conscience) and produce the carefully patterned cold war text that won the National Book Award in 1953 and has since become a widely taught American classic. She interweaves her account of the novel's composition with the history of American Communism, linking Ellison's political and artistic transformations to his distress at the Communists' wartime policies, his growing embrace of American nationalism, his isolation from radical friends, and his recognition, as the cold war heated up, that an explicitly leftist writer could not expect to have a viable literary career. Foley suggests that by expunging a leftist vision from Invisible Man, Ellison rendered his novel not only less radical but also less humane than it might otherwise have been

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822393276
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / American / African-American
    Umfang: 1 online resource (462 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020)

  2. Wrestling with the Left
    The Making of Ralph Ellison’s ‹i›Invisible Man‹/i›
    Autor*in: Foley, Barbara
    Erschienen: [2010]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Acknowledgments -- Note on the Text -- Introduction: Reading Forward to Invisible Man -- 1. Forming a Politics -- 2. Developing an Aesthetic -- 3. Writing from the Left -- 4. Living Jim Crow -- 5. Becoming Proletarian -- 6.... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Note on the Text -- Introduction: Reading Forward to Invisible Man -- 1. Forming a Politics -- 2. Developing an Aesthetic -- 3. Writing from the Left -- 4. Living Jim Crow -- 5. Becoming Proletarian -- 6. Finding Brotherhood -- 7. Recognizing Necessity -- 8. Beginning and Ending -- Notes -- Selected Bibliography -- Index In Wrestling with the Left, Barbara Foley presents a penetrating analysis of the creation of Invisible Man. In the process she sheds new light not only on Ralph Ellison’s celebrated novel but also on his early radicalism and the relationship between African American writers and the left during the early years of the cold war. Foley scrutinized thousands of pages of drafts and notes for the novel, as well as the author’s early journalism and fiction, published and unpublished. While Ellison had cut his ties with the Communist left by the time he began Invisible Man in 1945, Foley argues that it took him nearly seven years to wrestle down his leftist consciousness (and conscience) and produce the carefully patterned cold war text that won the National Book Award in 1953 and has since become a widely taught American classic. She interweaves her account of the novel’s composition with the history of American Communism, linking Ellison’s political and artistic transformations to his distress at the Communists’ wartime policies, his growing embrace of American nationalism, his isolation from radical friends, and his recognition, as the cold war heated up, that an explicitly leftist writer could not expect to have a viable literary career. Foley suggests that by expunging a leftist vision from Invisible Man, Ellison rendered his novel not only less radical but also less humane than it might otherwise have been

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822393276
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / American / African-American
    Umfang: 1 Online-Ressource (462 p)
  3. Wrestling with the Left
    The Making of Ralph Ellison's ‹i›Invisible Man‹/i›
    Autor*in: Foley, Barbara
    Erschienen: [2010]; © 2010
    Verlag:  Duke University Press, Durham

    In Wrestling with the Left, Barbara Foley presents a penetrating analysis of the creation of Invisible Man. In the process she sheds new light not only on Ralph Ellison's celebrated novel but also on his early radicalism and the relationship between... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    In Wrestling with the Left, Barbara Foley presents a penetrating analysis of the creation of Invisible Man. In the process she sheds new light not only on Ralph Ellison's celebrated novel but also on his early radicalism and the relationship between African American writers and the left during the early years of the cold war. Foley scrutinized thousands of pages of drafts and notes for the novel, as well as the author's early journalism and fiction, published and unpublished. While Ellison had cut his ties with the Communist left by the time he began Invisible Man in 1945, Foley argues that it took him nearly seven years to wrestle down his leftist consciousness (and conscience) and produce the carefully patterned cold war text that won the National Book Award in 1953 and has since become a widely taught American classic. She interweaves her account of the novel's composition with the history of American Communism, linking Ellison's political and artistic transformations to his distress at the Communists' wartime policies, his growing embrace of American nationalism, his isolation from radical friends, and his recognition, as the cold war heated up, that an explicitly leftist writer could not expect to have a viable literary career. Foley suggests that by expunging a leftist vision from Invisible Man, Ellison rendered his novel not only less radical but also less humane than it might otherwise have been

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822393276
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / American / African-American
    Umfang: 1 online resource (462 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020)

  4. Wrestling with the Left
    The Making of Ralph Ellison’s ‹i›Invisible Man‹/i›
    Autor*in: Foley, Barbara
    Erschienen: [2010]
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    In Wrestling with the Left, Barbara Foley presents a penetrating analysis of the creation of Invisible Man. In the process she sheds new light not only on Ralph Ellison’s celebrated novel but also on his early radicalism and the relationship between... mehr

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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    In Wrestling with the Left, Barbara Foley presents a penetrating analysis of the creation of Invisible Man. In the process she sheds new light not only on Ralph Ellison’s celebrated novel but also on his early radicalism and the relationship between African American writers and the left during the early years of the cold war. Foley scrutinized thousands of pages of drafts and notes for the novel, as well as the author’s early journalism and fiction, published and unpublished. While Ellison had cut his ties with the Communist left by the time he began Invisible Man in 1945, Foley argues that it took him nearly seven years to wrestle down his leftist consciousness (and conscience) and produce the carefully patterned cold war text that won the National Book Award in 1953 and has since become a widely taught American classic. She interweaves her account of the novel’s composition with the history of American Communism, linking Ellison’s political and artistic transformations to his distress at the Communists’ wartime policies, his growing embrace of American nationalism, his isolation from radical friends, and his recognition, as the cold war heated up, that an explicitly leftist writer could not expect to have a viable literary career. Foley suggests that by expunging a leftist vision from Invisible Man, Ellison rendered his novel not only less radical but also less humane than it might otherwise have been.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822393276
    Weitere Identifier:
    Umfang: 1 Online-Ressource (462 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020)