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  1. Figures of Resistance
    Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts
    Autor*in: Okada, Richard H.
    Erschienen: [1991]; © 1991
    Verlag:  Duke University Press, Durham

    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature.Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author's reading stratgey is based on the texts' own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts.Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822381723
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / Asian / General; Japanese literature
    Umfang: 1 online resource (400 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  2. Figures of Resistance
    Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts
    Autor*in: Okada, Richard H
    Erschienen: [1991]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Preface -- Introduction -- I. Tales of the Bamboo Cutter -- 1. Languages of Narrating and Bamboo-Cutter Pretexts -- 2. A "Pivotal" Narrative: The Tale of the Bamboo Cutter -- II. Waka JJPoetics" and Tales of JJlse" -- 3.... mehr

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    Frontmatter -- Contents -- Preface -- Introduction -- I. Tales of the Bamboo Cutter -- 1. Languages of Narrating and Bamboo-Cutter Pretexts -- 2. A "Pivotal" Narrative: The Tale of the Bamboo Cutter -- II. Waka JJPoetics" and Tales of JJlse" -- 3. Constructing a Capital "Poetics": Kokin wakashu -- 4. An Early Figure of Resistance: Lady Ise -- 5. Sexual/Textual Politics and The Tale of Ise -- III. Tales of "Genji" -- 6. Situating the "Feminine Hand" -- 7. Narrating the Private: "Kiritsubo" -- 8. Feminine Representation and Critique: "Hahakigi" -- 9. A Figure of Narrating: Tamakazura -- 10. Aesthetics, Politics, and Genealogy -- 11. Substitutions and Incidental Narrating: "Wakamurasaki" -- 12. The Akashi Intertexts -- Epilogue: Endings, Tellings, and Retellings -- Appendix: Chapters in The Tale of Genji -- Notes -- Bibliography -- Index In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature.Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author’s reading stratgey is based on the texts’ own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts.Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (HerausgeberIn); Jameson, Fredric (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822381723
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: Japanese literature; LITERARY CRITICISM / Asian / General
    Umfang: 1 Online-Ressource (400 p)
  3. Figures of Resistance
    Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts
    Autor*in: Okada, Richard H.
    Erschienen: [1991]; © 1991
    Verlag:  Duke University Press, Durham

    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature.Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author's reading stratgey is based on the texts' own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts.Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822381723
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / Asian / General; Japanese literature
    Umfang: 1 online resource (400 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  4. Figures of Resistance
    Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts
    Autor*in: Okada, Richard H.
    Erschienen: 1991; ©1991
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and... mehr

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature.Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author's reading stratgey is based on the texts' own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts.Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Herausgeber); Jameson, Fredric (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822381723
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Umfang: 1 Online-Ressource (400 p.)
  5. Figures of resistance
    language, poetry, and narrating in The tale of Genji and other mid-Heian texts
    Autor*in: Okada, H. Richard
    Erschienen: 1991
    Verlag:  Duke University Press, Durham

    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The tale of the bamboo-cutter, The tale of Ise, and The tale of Genji. Okada contends that the cultural and... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
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    keine Fernleihe

     

    In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The tale of the bamboo-cutter, The tale of Ise, and The tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature. Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author's reading strategy is based on the texts' own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0822381729; 0822311925; 0822311852; 9780822381723; 9780822311928; 9780822311850
    Schriftenreihe: Post-contemporary interventions
    Schlagworte: Japanese literature
    Umfang: Online-Ressource (x, 388 p), 23 cm
    Bemerkung(en):

    Includes bibliographical references (p. [367]-376) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Preface; Introduction; I Tales of the Bamboo Cutter; 1 Languages of Narrating and Bamboo-Cutter Pretexts; 2 A "Pivotal" Narrative: The Tale of the Bamboo Cutter; II Waka "Poetics" and Tales of "Ise"; 3 Constructing a Capital "Poetics": Kokin wakashu; 4 An Early Figure of Resistance: Lady Ise; 5 Sexual/Textual Politics and The Tale of Ise; III Tales of "Genji"; 6 Situating the "Feminine Hand"; 7 Narrating the Private: "Kiritsubo"; 8 Feminine Representation and Critique: "Hahakigi"; 9 A Figure of Narrating: Tamakazura; 10 Aesthetics, Politics, and Genealogy

    11 Substitutions and Incidental Narrating: "Wakamurasaki"12 The Akashi Intertexts; Epilogue: Endings, Tellings, and Retellings; Appendix: Chapters in The Tale of Genji; Notes; Bibliography; Index