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  1. New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man""
    Autor*in: Oliver, Lawrence
    Erschienen: 2017
    Verlag:  University of Georgia Press, Athens

    Part Two: Relational Tropes: Transnationalism, Futurity, and the Ex-Colored ManThe Futurity of Miscegenation: James Weldon Johnson's The Autobiography of an Ex-Colored Man and Pauline Hopkins's Of One Blood; Blackness Written, Erased, Rewritten:... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Part Two: Relational Tropes: Transnationalism, Futurity, and the Ex-Colored ManThe Futurity of Miscegenation: James Weldon Johnson's The Autobiography of an Ex-Colored Man and Pauline Hopkins's Of One Blood; Blackness Written, Erased, Rewritten: James Weldon Johnson, Teju Cole, and the Palimpsest of Modernity; Dead Ambitions and Repeated Interruptions: Economies of Race and Temporality in The Autobiography of an Ex-Coloured Man; Part Three: Poetics: Sound, Affect, and the Archive; The Autobiography as Ars Poetica: Satire and Rhythmic Exegesis in "Saint Peter Relates an Incident Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Introduction: Biography of an Author, Biography of a Text: James Weldon Johnson's Ultimate American Work; Part One: Cultures of Reading, Cultures of Writing: Canons and Authenticity; "Stepping across the Confines of Language and Race": Brander Matthews, James Weldon Johnson, and Racial Cosmopolitanism; How The Autobiography of an Ex-Colored Man Became an Unlikely Literary Classic; Authenticity and Transparency in The Autobiography of an Ex-Colored Man The Composer versus the "Perfessor": Writing Race and (Rag)TimeJames Weldon Johnson's The Autobiography of an Ex-Colored Man, Archived and Live; Part Four: Legacies; W. E. B. Du Bois, Barack Obama, and the Search for Race: School House Blues; Afterword: The Ex-Colored Man for a New Century; Suggested Further Reading; Contributors; Index

     
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  2. New Perspectives on James Weldon Johnson's "The Autobiography of an Ex-Colored Man".
    Autor*in: Oliver, Lawrence
    Erschienen: 2017; ©2017
    Verlag:  University of Georgia Press, Athens

    Cover -- Title -- Copyright -- Dedication -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION: Biography of an Author, Biography of a Text: James Weldon Johnson's Ultimate American Work -- PART ONE: CULTURES OF READING, CULTURES OF WRITING: CANONS AND... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

     

    Cover -- Title -- Copyright -- Dedication -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION: Biography of an Author, Biography of a Text: James Weldon Johnson's Ultimate American Work -- PART ONE: CULTURES OF READING, CULTURES OF WRITING: CANONS AND AUTHENTICITY -- "Stepping across the Confines of Language and Race": Brander Matthews, James Weldon Johnson, and Racial Cosmopolitanism -- How The Autobiography of an Ex-Colored Man Became an Unlikely Literary Classic -- Authenticity and Transparency in The Autobiography of an Ex-Colored Man -- PART TWO: RELATIONAL TROPES: TRANSNATIONALISM, FUTURITY, AND THE EX-COLORED MAN -- The Futurity of Miscegenation: James Weldon Johnson's The Autobiography of an Ex-Colored Man and Pauline Hopkins's Of One Blood -- Blackness Written, Erased, Rewritten: James Weldon Johnson, Teju Cole, and the Palimpsest of Modernity -- Dead Ambitions and Repeated Interruptions: Economies of Race and Temporality in The Autobiography of an Ex-Coloured Man -- PART THREE: POETICS: SOUND, AFFECT, AND THE ARCHIVE -- The Autobiography as Ars Poetica: Satire and Rhythmic Exegesis in "Saint Peter Relates an Incident" -- The Composer versus the "Perfessor": Writing Race and (Rag)Time -- James Weldon Johnson's The Autobiography of an Ex-Colored Man, Archived and Live -- PART FOUR: LEGACIES -- W. E. B. Du Bois, Barack Obama, and the Search for Race: School House Blues -- AFTERWORD: The Ex-Colored Man for a New Century -- SUGGESTED FURTHER READING -- CONTRIBUTORS -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y.

     
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