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  1. The cracks between what we are and what we are supposed to be
    essays and interviews
    Autor*in: Mullen, Harryette Romell
    Erschienen: 2012 (2012)
    Verlag:  University Alabama Press, Tuscaloosa

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780817386177; 0817386173; 9780817357139; 0817357130
    Schlagworte: LITERARY CRITICISM / Poetry; POETRY / American / General; African American women / Intellectual life; African American women poets; Literature and society; Poets, American; Geschichte; Weibliche Schwarze. Amerika; African American women; Literature and society; African American women poets; Poets, American
    Weitere Schlagworte: Mullen, Harryette Romell / Interviews; Mullen, Harryette Romell / Criticism and interpretation; Mullen, Harryette Romell; Mullen, Harryette Romell; Mullen, Harryette Romell
    Umfang: 291 pages
    Bemerkung(en):

    Includes bibliographical references

    I. Shorter Essays; 1. Imagining the Unimagined Reader: Writing to the Unborn and Including the Excluded; 2. Poetry and Identity; 3. Kinky Quatrains: The Making of Muse & Drudge; 4. Telegraphs from a Distracted Sibyl; 5. If Lilies are Lily White: From the Stain of Miscegenation in Stein's "Melanctha" to the "Clean Mixture" of White and Color in Tender Buttons; 6. Nine Syllables Label Sylvia: Reading Plath's "Metaphors"; 7. Evaluation of an Unwritten Poem: Wislawa Szymborska in the Dialogue of Creative and Critical Thinkers; 8. Theme for the Oulipians; 9. When He Is Least Himself: Paul Laurence Dunbar and Double Consciousness in African American Poetry; 10. Truly Unruly Julie: The Innovative Rule-Breaking Poetry of Julie Patton; 11. All Silence Says Music Will Follow: Listening to Lorenzo Thomas; 12. The Cracks Between What We Are and What We Are Supposed to Be: Stretching the Dialogue of African American Poetry; II. Longer Essays; 13. African Signs and Spirit Writing; 14. Runaway Tongue: Resistant Orality in Uncle Tom's Cabin, Our Nig, Incidents in the Life of a Slave Girl, and Beloved; 15. Optic White: Blackness and the Production of Whiteness16. Phantom Pain: Nathaniel Mackey's Bedouin Hornbook; 17. A Collective Force of Burning Ink: Will Alexander's Asia & Haiti; 18. Incessant Elusives: The Oppositional Poetics of Erica Hunt and Will Alexander; III. Interviews; 19. "The Solo Mysterioso Blues": An Interview with Harryette Mullen by Calvin Bedient; 20. An Interview with Harryette Mullen by Daniel Kane; 21. An Interview with Harryette Mullen by Elisabeth A. Frost; 22. An Interview with Harryette Mullen by Cynthia Hogue

    "The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women's voices, and the future of poetry. Together, these essays and interviews highlight the impulses and influences that drive Mullen's work as a poet and thinker, and suggest unique possibilities for the future of poetic language and its role as an instrument of identity and power."--Project Muse
  2. The cracks between what we are and what we are supposed to be
    essays and interviews
    Autor*in: Mullen, Harryette Romell
    Erschienen: c2012
    Verlag:  University Alabama Press, Tuscaloosa

  3. The Cracks Between What We Are and What We Are Supposed to Be
    Essays and Interviews
    Autor*in: Mullen, Harryette Romell
    Erschienen: 2012
    Verlag:  University of Alabama Press, Alabama

    The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language,... mehr

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women's voices, and the future of poetry.Together, these essays and interviews highlight the impulses and influences that drive Mullen's work as a poet and thinker, and suggest unique possibilities for the future of poetic language and its role as an instrument of identity and power.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780817357139; 9780817386177 (Sekundärausgabe)
    Schriftenreihe: Modern & Contemporary Poetics
    Umfang: 292 p.
    Bemerkung(en):

    Description based upon print version of record

    Online-Ausg.:
  4. The cracks between what we are and what we are supposed to be
    essays and interviews
    Autor*in: Mullen, Harryette Romell
    Erschienen: 2012
    Verlag:  Univ. Alabama Press, Tuscaloosa, Ala.

    Standort:
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    Signatur:
    G/G M 53 2
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780817357139
    Schriftenreihe: Modern and contemporary poetics
    Umfang: XVI, 273 S.
    Bemerkung(en):

    Literaturverz. S. [267]-273).
  5. The cracks between what we are and what we are supposed to be
    essays and interviews
    Autor*in: Mullen, Harryette Romell
    Erschienen: c2012
    Verlag:  University Alabama Press, Tuscaloosa

    The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language,... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women's voices, and the future of poetry.Together, these essays and interviews highlight the impulses and influences that drive Mullen's work as a poet and thinker, and suggest unique possibilities for the future of poetic language and its role as an instrument of identity and power

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0817357130; 9780817357139
    Schriftenreihe: Modern and contemporary poetics
    Schlagworte: African American women poets; Literature and society; African American women; Poets, American
    Weitere Schlagworte: Mullen, Harryette Romell; Mullen, Harryette Romell
    Umfang: Online-Ressource (xvi, 273 p)
    Bemerkung(en):

    Includes bibliographical references

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Introduction; I. Shorter Essays; 1. Imagining the Unimagined Reader: Writing to the Unborn and Including the Excluded; 2. Poetry and Identity; 3. Kinky Quatrains: The Making of Muse & Drudge; 4. Telegraphs from a Distracted Sibyl; 5. If Lilies are Lily White: From the Stain of Miscegenation in Stein's "Melanctha" to the "Clean Mixture" of White and Color in Tender Buttons; 6. Nine Syllables Label Sylvia: Reading Plath's "Metaphors"; 7. Evaluation of an Unwritten Poem: Wislawa Szymborska in the Dialogue of Creative and Critical Thinkers; 8. Theme for the Oulipians

    9. When He Is Least Himself: Paul Laurence Dunbar and Double Consciousness in African American Poetry10. Truly Unruly Julie: The Innovative Rule-Breaking Poetry of Julie Patton; 11. All Silence Says Music Will Follow: Listening to Lorenzo Thomas; 12. The Cracks Between What We Are and What We Are Supposed to Be: Stretching the Dialogue of African American Poetry; II. Longer Essays; 13. African Signs and Spirit Writing; 14. Runaway Tongue: Resistant Orality in Uncle Tom's Cabin, Our Nig, Incidents in the Life of a Slave Girl, and Beloved

    15. Optic White: Blackness and the Production of Whiteness16. Phantom Pain: Nathaniel Mackey's Bedouin Hornbook; 17. A Collective Force of Burning Ink: Will Alexander's Asia & Haiti; 18. Incessant Elusives: The Oppositional Poetics of Erica Hunt and Will Alexander; III. Interviews; 19. "The Solo Mysterioso Blues": An Interview with Harryette Mullen by Calvin Bedient; 20. An Interview with Harryette Mullen by Daniel Kane; 21. An Interview with Harryette Mullen by Elisabeth A. Frost; 22. An Interview with Harryette Mullen by Cynthia Hogue

    23. "I Dream a World": A Conversation with Harryette Mullen by Nibir K. GhoshBibliography