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  1. Indians playing Indian
    multiculturalism and contemporary indigenous art in North America
    Autor*in: Siebert, Monika
    Erschienen: [2015]
    Verlag:  The University of Alabama Press, Tuscaloosa

    Standort:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signatur:
    704.0397 SIE
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Signatur:
    001 LC 90600 S571
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0817318550; 9780817318550
    RVK Klassifikation: LC 90600
    Schlagworte: Indianer; Indianerbild; Kunst; Multikulturelle Gesellschaft; Postkolonialismus; Selbstbestimmung; Stereotyp
    Umfang: xiii, 221 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 207-216
  2. Indians playing Indian
    multiculturalism and contemporary indigenous art in North America
    Autor*in: Siebert, Monika
    Erschienen: 2015
    Verlag:  University of Alabama Press, Tuscaloosa

    Contemporary indigenous peoples in North America confront a unique predicament. While they are reclaiming their historic status as sovereign nations, mainstream popular culture continues to depict them as cultural minorities similar to other ethnic... mehr

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

     

    Contemporary indigenous peoples in North America confront a unique predicament. While they are reclaiming their historic status as sovereign nations, mainstream popular culture continues to depict them as cultural minorities similar to other ethnic Americans. These depictions of indigenous peoples as " Native Americans" complete the broader narrative of America as a refuge to the world' s immigrants and a home to contemporary multicultural democracies, such as the United States and Canada. But they fundamentally misrepresent indigenous peoples, whose Americ...

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780817318550; 9780817387983 (Sekundärausgabe)
    RVK Klassifikation: LC 90600
    Schlagworte: Indianer; Indianerbild; Kunst; Multikulturelle Gesellschaft; Postkolonialismus; Selbstbestimmung; Stereotyp
    Umfang: XIII, 221 S.
    Bemerkung(en):

    Description based upon print version of record

    Online-Ausg.:
  3. Indians playing Indian
    multiculturalism and contemporary indigenous art in North America
    Autor*in: Siebert, Monika
    Erschienen: 2015
    Verlag:  Univ. of Alabama Press, Tuscaloosa

    "In Indians Playing Indian, Monika Siebert explores the appropriation, or misappropriation, of Native American cultural heritage for political and commercial ends, and the innovative ways in which indigenous artists in a range of media have responded... mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signatur:
    MS 1235 S571
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A/666572
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Signatur:
    4763-136 4
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In Indians Playing Indian, Monika Siebert explores the appropriation, or misappropriation, of Native American cultural heritage for political and commercial ends, and the innovative ways in which indigenous artists in a range of media have responded to these developments. Contemporary indigenous people in North America confront a unique predicament. As legal and diplomatic practice in the early twenty first century returns to the recognition of their status as citizens of historic sovereign nations, popular culture continues to depict them as cultural minorities on the par with other ethnic Americans. This popular misperception of indigeneity as culture rather than as a historically developed political status sustains the myth of America as a refuge to the world's immigrants and a home to successful multicultural democracies. But it fundamentally misrepresents indigenous people who have experienced a history of colonization rather than a tradition of immigration on the continent. Contemporary indigenous cultural production is caught up in this phenomenon of multicultural misrecognition as well. The current flowering of indigenous literature, cinema, and visual arts is typically taken as evidence that Canada and the United States have successfully broken with their colonial pasts to become thriving nations of many cultures, where Native Americans, along other minorities, enjoy full freedom to represent their cultural difference"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780817318550
    Schlagworte: Indian arts; Arts and society; Arts and society; Indians of North America; Indians of North America; Multiculturalism; Multiculturalism; Recognition (Philosophy); ART; Arts and society; Native American; Gesellschaft; Indian arts; Indianer; Indians of North America; LITERARY CRITICISM; Multiculturalism; Native American; Recognition (Philosophy); SOCIAL SCIENCE; Ethnic Studies; Native American Studies
    Umfang: XIII, 221 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: Indigeneity and Multicultural MisrecognitionIndigeneity and the Dialectics of Recognition at the National Museum of the American Indian -- Atanarjuat and the Ideological Work of Indigenous Filmmaking -- Palimpsestic Images : Contemporary American Indian Digital Fine Art and the Ethnographic Photo Archive -- Of Turtles, Snakes, Bones, and Precious Stones : Jimmie Durham's Indices of Indigeneity -- Fictions of the Gruesome Authentic in LeAnne Howe's Shell Shaker -- Conclusion: Unsettling Misrecognition.