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  1. Becoming past
    history in contemporary art
    Autor*in: Blocker, Jane
    Erschienen: [2016]
    Verlag:  University of Minnesota Press, Minneapolis

    "Is there such a thing as contemporary art history? The contemporary, after all--as much as we may want to consider it otherwise--is being made history as it happens. By what means do we examine this moving target? These questions lie at the center... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2016:4693:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 970119
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Signatur:
    Kdd 3022
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Is there such a thing as contemporary art history? The contemporary, after all--as much as we may want to consider it otherwise--is being made history as it happens. By what means do we examine this moving target? These questions lie at the center of Jane Blocker's Becoming Past. The important point is not whether there is--or should be--contemporary art history, Blocker argues, but how.Focusing on a significant aspect of current art practice?in which artists have engaged with historical subject matter, methods, and inquiry?Blocker asks how the creation of the artist implicates and interrogates that of the art historian. She moves from art history to theater, to performance, and to literature as she investigates a series of works, including performances by the collaborative group Goat Island, the film Deadpan by Steve McQueen, the philosophies of science fiction writer Samuel Delany and documentary filmmaker Ross McElwee, the film Amos Fortune Road by Matthew Buckingham, and sculptures by Dario Robleto.Many books have sought to understand the key directions of contemporary art. In contrast, Becoming Past is concerned with the application of art history in the pursuit of such trends. Setting the idea of temporality decisively in the realm of art, Blocker's work is crucial for artists, art historians, curators, critics, and scholars of performance and cultural studies interested in the role of history in the practice of art. "-- Machine generated contents note: ContentsIntroduction: History as Prosthesis -- 1. Wooden Legs: Goat Island's Acts of Repair -- 2. Houses Falling Down: Archival Violence in Steve McQueen's Deadpan -- 3. Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies -- 4. The Empty Stage: A Story About the Past by Matthew Buckingham -- 5. Stupid Birds: Temporal Dissidence in The Lastmaker -- 6. Transitional Objects: Dario Robleto's Spools -- Conclusion. Wooden Feet: Francis Alÿs and Syncopated Time -- Acknowledgments -- Notes -- Bibliography -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780816696970; 9780816696987
    RVK Klassifikation: LH 61100
    Schlagworte: Arts and history; Arts, Modern; Arts, Modern
    Umfang: 236 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: ContentsIntroduction: History as Prosthesis1. Wooden Legs: Goat Island's Acts of Repair -- 2. Houses Falling Down: Archival Violence in Steve McQueen's Deadpan -- 3. Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies -- 4. The Empty Stage: A Story About the Past by Matthew Buckingham -- 5. Stupid Birds: Temporal Dissidence in The Lastmaker -- 6. Transitional Objects: Dario Robleto's Spools -- Conclusion. Wooden Feet: Francis Alÿs and Syncopated Time -- Acknowledgments -- Notes -- Bibliography -- Index.
  2. Becoming past
    history in contemporary art
    Autor*in: Blocker, Jane
    Erschienen: [2016]
    Verlag:  University of Minnesota Press, Minneapolis

    "Is there such a thing as contemporary art history? The contemporary, after all--as much as we may want to consider it otherwise--is being made history as it happens. By what means do we examine this moving target? These questions lie at the center... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Is there such a thing as contemporary art history? The contemporary, after all--as much as we may want to consider it otherwise--is being made history as it happens. By what means do we examine this moving target? These questions lie at the center of Jane Blocker's Becoming Past. The important point is not whether there is--or should be--contemporary art history, Blocker argues, but how.Focusing on a significant aspect of current art practice?in which artists have engaged with historical subject matter, methods, and inquiry?Blocker asks how the creation of the artist implicates and interrogates that of the art historian. She moves from art history to theater, to performance, and to literature as she investigates a series of works, including performances by the collaborative group Goat Island, the film Deadpan by Steve McQueen, the philosophies of science fiction writer Samuel Delany and documentary filmmaker Ross McElwee, the film Amos Fortune Road by Matthew Buckingham, and sculptures by Dario Robleto.Many books have sought to understand the key directions of contemporary art. In contrast, Becoming Past is concerned with the application of art history in the pursuit of such trends. Setting the idea of temporality decisively in the realm of art, Blocker's work is crucial for artists, art historians, curators, critics, and scholars of performance and cultural studies interested in the role of history in the practice of art. "-- Machine generated contents note: ContentsIntroduction: History as Prosthesis -- 1. Wooden Legs: Goat Island's Acts of Repair -- 2. Houses Falling Down: Archival Violence in Steve McQueen's Deadpan -- 3. Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies -- 4. The Empty Stage: A Story About the Past by Matthew Buckingham -- 5. Stupid Birds: Temporal Dissidence in The Lastmaker -- 6. Transitional Objects: Dario Robleto's Spools -- Conclusion. Wooden Feet: Francis Alÿs and Syncopated Time -- Acknowledgments -- Notes -- Bibliography -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780816696970; 9780816696987
    RVK Klassifikation: LH 61100
    Schlagworte: Arts and history; Arts, Modern; Arts, Modern
    Umfang: 236 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: ContentsIntroduction: History as Prosthesis1. Wooden Legs: Goat Island's Acts of Repair -- 2. Houses Falling Down: Archival Violence in Steve McQueen's Deadpan -- 3. Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies -- 4. The Empty Stage: A Story About the Past by Matthew Buckingham -- 5. Stupid Birds: Temporal Dissidence in The Lastmaker -- 6. Transitional Objects: Dario Robleto's Spools -- Conclusion. Wooden Feet: Francis Alÿs and Syncopated Time -- Acknowledgments -- Notes -- Bibliography -- Index.
  3. Becoming past
    history in contemporary art
    Autor*in: Blocker, Jane
    Erschienen: [2016]
    Verlag:  Univ. of Minnesota Press, Minneapolis

    "Is there such a thing as contemporary art history? The contemporary, after all...as much as we may want to consider it otherwise...is being made history as it happens. By what means do we examine this moving target? These questions lie at the center... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Is there such a thing as contemporary art history? The contemporary, after all...as much as we may want to consider it otherwise...is being made history as it happens. By what means do we examine this moving target? These questions lie at the center of Jane Blocker's Becoming Past. The important point is not whether there is...or should be...contemporary art history, Blocker argues, but how.Focusing on a significant aspect of current art practice?in which artists have engaged with historical subject matter, methods, and inquiry?Blocker asks how the creation of the artist implicates and interrogates that of the art historian. She moves from art history to theater, to performance, and to literature as she investigates a series of works, including performances by the collaborative group Goat Island, the film Deadpan by Steve McQueen, the philosophies of science fiction writer Samuel Delany and documentary filmmaker Ross McElwee, the film Amos Fortune Road by Matthew Buckingham, and sculptures by Dario Robleto.Many books have sought to understand the key directions of contemporary art. In contrast, Becoming Past is concerned with the application of art history in the pursuit of such trends. Setting the idea of temporality decisively in the realm of art, Blocker's work is crucial for artists, art historians, curators, critics, and scholars of performance and cultural studies interested in the role of history in the practice of art. "..

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  4. Becoming past
    history in contemporary art
    Autor*in: Blocker, Jane
    Erschienen: [2016]
    Verlag:  Univ. of Minnesota Press, Minneapolis

    "Is there such a thing as contemporary art history? The contemporary, after all...as much as we may want to consider it otherwise...is being made history as it happens. By what means do we examine this moving target? These questions lie at the center... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Is there such a thing as contemporary art history? The contemporary, after all...as much as we may want to consider it otherwise...is being made history as it happens. By what means do we examine this moving target? These questions lie at the center of Jane Blocker's Becoming Past. The important point is not whether there is...or should be...contemporary art history, Blocker argues, but how.Focusing on a significant aspect of current art practice?in which artists have engaged with historical subject matter, methods, and inquiry?Blocker asks how the creation of the artist implicates and interrogates that of the art historian. She moves from art history to theater, to performance, and to literature as she investigates a series of works, including performances by the collaborative group Goat Island, the film Deadpan by Steve McQueen, the philosophies of science fiction writer Samuel Delany and documentary filmmaker Ross McElwee, the film Amos Fortune Road by Matthew Buckingham, and sculptures by Dario Robleto.Many books have sought to understand the key directions of contemporary art. In contrast, Becoming Past is concerned with the application of art history in the pursuit of such trends. Setting the idea of temporality decisively in the realm of art, Blocker's work is crucial for artists, art historians, curators, critics, and scholars of performance and cultural studies interested in the role of history in the practice of art. "..

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780816696970; 9780816696987
    RVK Klassifikation: LH 61100
    Schlagworte: ART / History / Contemporary (1945-); ART / Criticism & Theory; Geschichte; Arts and history; Arts, Modern; Arts, Modern; ART / History / Contemporary (1945-); ART / Criticism & Theory; Geschichte <Motiv>; Kunst
    Weitere Schlagworte: Nauman, Bruce (1941-); McElwee, Ross (1947-); Robleto, Dario (1972-); Buckingham, Matthew (1963-); Delany, Samuel R. (1942-); Alÿs, Francis (1959-); McQueen, Steve (1969-)
    Umfang: 236 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  5. Becoming past
    history in contemporary art
    Autor*in: Blocker, Jane
    Erschienen: [2016]
    Verlag:  University of Minnesota Press, Minneapolis

    "Is there such a thing as contemporary art history? The contemporary, after all--as much as we may want to consider it otherwise--is being made history as it happens. By what means do we examine this moving target? These questions lie at the center... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2016:4693:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 970119
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Is there such a thing as contemporary art history? The contemporary, after all--as much as we may want to consider it otherwise--is being made history as it happens. By what means do we examine this moving target? These questions lie at the center of Jane Blocker's Becoming Past. The important point is not whether there is--or should be--contemporary art history, Blocker argues, but how.Focusing on a significant aspect of current art practice?in which artists have engaged with historical subject matter, methods, and inquiry?Blocker asks how the creation of the artist implicates and interrogates that of the art historian. She moves from art history to theater, to performance, and to literature as she investigates a series of works, including performances by the collaborative group Goat Island, the film Deadpan by Steve McQueen, the philosophies of science fiction writer Samuel Delany and documentary filmmaker Ross McElwee, the film Amos Fortune Road by Matthew Buckingham, and sculptures by Dario Robleto.Many books have sought to understand the key directions of contemporary art. In contrast, Becoming Past is concerned with the application of art history in the pursuit of such trends. Setting the idea of temporality decisively in the realm of art, Blocker's work is crucial for artists, art historians, curators, critics, and scholars of performance and cultural studies interested in the role of history in the practice of art. "-- Machine generated contents note: ContentsIntroduction: History as Prosthesis -- 1. Wooden Legs: Goat Island's Acts of Repair -- 2. Houses Falling Down: Archival Violence in Steve McQueen's Deadpan -- 3. Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies -- 4. The Empty Stage: A Story About the Past by Matthew Buckingham -- 5. Stupid Birds: Temporal Dissidence in The Lastmaker -- 6. Transitional Objects: Dario Robleto's Spools -- Conclusion. Wooden Feet: Francis Alÿs and Syncopated Time -- Acknowledgments -- Notes -- Bibliography -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780816696970; 9780816696987
    RVK Klassifikation: LH 61100
    Schlagworte: Arts and history; Arts, Modern; Arts, Modern
    Umfang: 236 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: ContentsIntroduction: History as Prosthesis1. Wooden Legs: Goat Island's Acts of Repair -- 2. Houses Falling Down: Archival Violence in Steve McQueen's Deadpan -- 3. Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies -- 4. The Empty Stage: A Story About the Past by Matthew Buckingham -- 5. Stupid Birds: Temporal Dissidence in The Lastmaker -- 6. Transitional Objects: Dario Robleto's Spools -- Conclusion. Wooden Feet: Francis Alÿs and Syncopated Time -- Acknowledgments -- Notes -- Bibliography -- Index.