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  1. Public history, private stories
    Italian women's autobiography
    Erschienen: c1996
    Verlag:  University of Minnesota Press, Minneapolis

    Parati examines the ways in which Italian women writers articulate their identities through autobiography-a public act that is also the creation of a private life. Considering autobiographical writings by five women writers from the seventeenth... mehr

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Parati examines the ways in which Italian women writers articulate their identities through autobiography-a public act that is also the creation of a private life. Considering autobiographical writings by five women writers from the seventeenth century to the present, Parati draws important connections between self-writing and the debate over women's roles, both traditional and transgressive

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780816626076; 0816626073; 0816626065; 9780816686483
    Schlagworte: Italian prose literature; Privacy in literature; Women in literature; Women and literature; Public opinion in literature; Autobiography; Autobiography ; Women authors; Italian prose literature ; Women authors ; History and criticism; Privacy in literature; Public opinion in literature; Women and literature ; Italy; Women in literature; Electronic books
    Umfang: Online-Ressource (x, 194 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 159-188) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Introduction; ONE: Camilla Faà Gonzaga: Public and Private in a Woman's Autobiography; TWO: Speaking through Her Body: The Futurist Seduction of a Woman's Voice; THREE: From Genealogy to Gynealogy and Beyond: Fausta Cialente's Le quattro ragazze Wieselberger; FOUR: Rita Levi Montalcini's Perfect Imperfection: A Woman's Role in the Public Sphere; FIVE: Luisa Passerini's Autoritratto di gruppo: Personalizing Theory; CONCLUSION: Beyond Gynealogical Techniques: Writing Private History and Public Stories; Notes; Index

  2. Public history, private stories
    Italian women's autobiography
    Erschienen: c1996
    Verlag:  University of Minnesota Press, Minneapolis

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0816626065; 0816626073; 9780816626076; 9780816686483
    Schlagworte: Italian prose literature; Autobiography; Public opinion in literature; Women and literature; Privacy in literature; Women in literature; Autobiografische Literatur; Italienisch; Frau
    Umfang: x, 194 p
    Bemerkung(en):

    Includes bibliographical references (p. 159-188) and index

  3. Public History, Private Stories
    Italian Women's Autobiography
    Erschienen: 1996
    Verlag:  University of Minnesota Press, Minneapolis ; ProQuest, Ann Arbor, Michigan

    In this important volume, Graziella Parati examines the ways in which Italian women writers articulate their identities through autobiography-a public act that is also the creation of a private life. Considering autobiographical writings by five... mehr

    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe
    Universitätsbibliothek Gießen
    keine Fernleihe
    Universität Mainz, Zentralbibliothek
    keine Fernleihe

     

    In this important volume, Graziella Parati examines the ways in which Italian women writers articulate their identities through autobiography-a public act that is also the creation of a private life. Considering autobiographical writings by five women writers from the seventeenth century to the present, Parati draws important connections between self-writing and the debate over women's roles, both traditional and transgressive. Parati considers the first prose autobiography written by an Italian woman -Camilla Faà Gonzaga's 1622 memoir-as her beginning point, citing it as a central "pre-text." In her memoir, Gonzaga makes explicit her conflict over the public silence imposed on her, yet succeeds in writing herself into history through self-narrative. Parati then examines Enif Robert's autobiography, in which Robert strives to enter the public sphere of the post-World War I futurist movement by writing about her fight to overcome cancer of the uterus. Next, Parati considers Fausta Cialente's life story, an account of her family's life in Trieste from World War I through the fascist era, as well as the narrative in which Rita Levi Montalcini describes her life as a woman, a Nobel-Prize winning scientist, and a Jew who lived under fascism in the thirties and forties. Finally, Parati analyzes Luisa Passerini's look back on her involvement with the student movement of 1968. Through her discussion of these women's writings, Parati demonstrates the complex negotiations over identity contained within them, negotiations that challenge dichotomies between male and female, maternal and paternal, and private and public. Public History, Private Stories is a compelling exploration of the disparate identities created by these women through the act of writing autobiography.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780816686483
    RVK Klassifikation: IT 2278
    Schlagworte: Italienisch; Schriftstellerin
    Umfang: 1 Online-Ressource (206 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  4. Public history, private stories
    Italian women's autobiography
    Erschienen: c1996
    Verlag:  University of Minnesota Press, Minneapolis

    Parati examines the ways in which Italian women writers articulate their identities through autobiography-a public act that is also the creation of a private life. Considering autobiographical writings by five women writers from the seventeenth... mehr

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    keine Fernleihe
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    keine Fernleihe
    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Parati examines the ways in which Italian women writers articulate their identities through autobiography-a public act that is also the creation of a private life. Considering autobiographical writings by five women writers from the seventeenth century to the present, Parati draws important connections between self-writing and the debate over women's roles, both traditional and transgressive

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780816626076; 0816626073; 0816626065; 9780816686483
    Schlagworte: Italian prose literature; Privacy in literature; Women in literature; Women and literature; Public opinion in literature; Autobiography; Autobiography ; Women authors; Italian prose literature ; Women authors ; History and criticism; Privacy in literature; Public opinion in literature; Women and literature ; Italy; Women in literature; Electronic books
    Umfang: Online-Ressource (x, 194 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 159-188) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Introduction; ONE: Camilla Faà Gonzaga: Public and Private in a Woman's Autobiography; TWO: Speaking through Her Body: The Futurist Seduction of a Woman's Voice; THREE: From Genealogy to Gynealogy and Beyond: Fausta Cialente's Le quattro ragazze Wieselberger; FOUR: Rita Levi Montalcini's Perfect Imperfection: A Woman's Role in the Public Sphere; FIVE: Luisa Passerini's Autoritratto di gruppo: Personalizing Theory; CONCLUSION: Beyond Gynealogical Techniques: Writing Private History and Public Stories; Notes; Index