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  1. Poetry of the possible
    spontaneity, modernism, and the multitude
    Autor*in: Nickels, Joel
    Erschienen: 2012
    Verlag:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780816676088; 9780816676095
    RVK Klassifikation: HU 1769
    Schlagworte: American poetry; English poetry; Spontaneity (Philosophy) in literature; Modernism (Literature); Modernism (Literature); LITERARY CRITICISM / Poetry; LITERARY CRITICISM / Semiotics & Theory; PHILOSOPHY / General; Politische Theorie; Moderne; Englisch; Lyrik
    Umfang: X, 272 S.
    Bemerkung(en):

    " The Poetry of the Possible challenges the conventional image of modernism as a socially phobic formation, arguing that modernism's abstractions and difficulties are ways of imagining unrealized powers of collective self-organization. Establishing a conceptual continuum between modernism and contemporary theorists such as Paulo Virno, Michael Hardt, Antonio Negri, and Alain Badiou, Joel Nickels rediscovers modernism's attempts to document the creative potenza of the multitude.By examining scenes of collective life in works by William Carlos Williams, Wyndham Lewis, Laura Riding, and Wallace Stevens, Nickels resurrects modernism's obsession with constituent power: the raw, indeterminate capacity for reciprocal counsel that continually constitutes and reconstitutes established political regimes. In doing so, he reminds us that our own attempts to imagine leaderless networks of collective initiative are not so much breaks with modernist forms of knowledge as restagings of some of modernism's most radical moments of political speculation.Setting modernism's individual and collective models of spontaneity in dialogue with theorists of political spontaneity such as Antonio Gramsci, Herbert Marcuse, and Theodor Adorno, Nickels retells the story of modernism as the struggle to represent powers of collective self-organization that lie outside established regimes of political representation. "-- Provided by publisher.
  2. Poetry of the possible
    spontaneity, modernism, and the multitude
    Autor*in: Nickels, Joel
    Erschienen: c2012
    Verlag:  University of Minnesota Press, Minneapolis

  3. Poetry of the possible
    spontaneity, modernism, and the multitude
    Autor*in: Nickels, Joel
    Erschienen: c2012
    Verlag:  University of Minnesota Press, Minneapolis

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780816680320; 9780816676095; 0816676097
    RVK Klassifikation: HU 1769
    Schlagworte: American poetry; English poetry; Spontaneity (Philosophy) in literature; Modernism (Literature); Modernism (Literature); Lyrik; Politische Theorie; Moderne; Englisch
    Umfang: x, 272 p
    Bemerkung(en):

    Includes bibliographical references and index
  4. Poetry of the possible
    spontaneity, modernism, and the multitude
    Autor*in: Nickels, Joel
    Erschienen: 2012
    Verlag:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780816676088; 9780816676095
    RVK Klassifikation: HU 1769
    Schlagworte: American poetry; English poetry; Spontaneity (Philosophy) in literature; Modernism (Literature); Modernism (Literature); LITERARY CRITICISM / Poetry; LITERARY CRITICISM / Semiotics & Theory; PHILOSOPHY / General; Politische Theorie; Moderne; Englisch; Lyrik
    Umfang: X, 272 S.
    Bemerkung(en):

    " The Poetry of the Possible challenges the conventional image of modernism as a socially phobic formation, arguing that modernism's abstractions and difficulties are ways of imagining unrealized powers of collective self-organization. Establishing a conceptual continuum between modernism and contemporary theorists such as Paulo Virno, Michael Hardt, Antonio Negri, and Alain Badiou, Joel Nickels rediscovers modernism's attempts to document the creative potenza of the multitude.By examining scenes of collective life in works by William Carlos Williams, Wyndham Lewis, Laura Riding, and Wallace Stevens, Nickels resurrects modernism's obsession with constituent power: the raw, indeterminate capacity for reciprocal counsel that continually constitutes and reconstitutes established political regimes. In doing so, he reminds us that our own attempts to imagine leaderless networks of collective initiative are not so much breaks with modernist forms of knowledge as restagings of some of modernism's most radical moments of political speculation.Setting modernism's individual and collective models of spontaneity in dialogue with theorists of political spontaneity such as Antonio Gramsci, Herbert Marcuse, and Theodor Adorno, Nickels retells the story of modernism as the struggle to represent powers of collective self-organization that lie outside established regimes of political representation. "-- Provided by publisher.
  5. Poetry of the possible
    spontaneity, modernism, and the multitude
    Autor*in: Nickels, Joel
    Erschienen: 2012
    Verlag:  University of Minnesota Press, Minneapolis [u.a.]

    " The Poetry of the Possible challenges the conventional image of modernism as a socially phobic formation, arguing that modernism's abstractions and difficulties are ways of imagining unrealized powers of collective self-organization. Establishing a... mehr

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2013 A 2083
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    " The Poetry of the Possible challenges the conventional image of modernism as a socially phobic formation, arguing that modernism's abstractions and difficulties are ways of imagining unrealized powers of collective self-organization. Establishing a conceptual continuum between modernism and contemporary theorists such as Paulo Virno, Michael Hardt, Antonio Negri, and Alain Badiou, Joel Nickels rediscovers modernism's attempts to document the creative potenza of the multitude.By examining scenes of collective life in works by William Carlos Williams, Wyndham Lewis, Laura Riding, and Wallace Stevens, Nickels resurrects modernism's obsession with constituent power: the raw, indeterminate capacity for reciprocal counsel that continually constitutes and reconstitutes established political regimes. In doing so, he reminds us that our own attempts to imagine leaderless networks of collective initiative are not so much breaks with modernist forms of knowledge as restagings of some of modernism's most radical moments of political speculation.Setting modernism's individual and collective models of spontaneity in dialogue with theorists of political spontaneity such as Antonio Gramsci, Herbert Marcuse, and Theodor Adorno, Nickels retells the story of modernism as the struggle to represent powers of collective self-organization that lie outside established regimes of political representation. "--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780816676088; 9780816676095
    RVK Klassifikation: HU 1769 ; HM 1191
    Schlagworte: American poetry; English poetry; Spontaneity (Philosophy) in literature; Modernism (Literature); Modernism (Literature)
    Umfang: X, 272 S., 23 cm
    Bemerkung(en):

    Introduction: Modernism and spontaneous organization -- Rising from vowhere: self-valorization in William Carlos Williams's poetry -- Wyndham Lewis, constituent power, and collective Life -- "An instantaneous sympathy of communication": Laura Riding and the politics of spontaneity -- Rhapsodies of change: the location of the multitude in Wallace Stevens's poetry -- Conclusion: Beginning again.
  6. Poetry of the possible
    spontaneity, modernism, and the multitude
    Autor*in: Nickels, Joel
    Erschienen: c2012
    Verlag:  University of Minnesota Press, Minneapolis

    The Poetry of the Possible challenges the conventional image of modernism as a socially phobic formation, arguing that modernism's abstractions and difficulties are ways of imagining unrealized powers of collective self-organization. Establishing a... mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    The Poetry of the Possible challenges the conventional image of modernism as a socially phobic formation, arguing that modernism's abstractions and difficulties are ways of imagining unrealized powers of collective self-organization. Establishing a conceptual continuum between modernism and contemporary theorists such as Paulo Virno, Michael Hardt, Antonio Negri, and Alain Badiou, Joel Nickels rediscovers modernism's attempts to document the creative potenza of the multitude. By examining scenes of collective life in works by William Carlos Williams, Wyndham Lewis, Laura Riding, and Wallace St

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0816676089; 0816676097; 9780816680320; 9780816676088; 9780816676095
    Schlagworte: Modernism (Literature); Modernism (Literature); Spontaneity (Philosophy) in literature; English poetry; American poetry; American poetry ; 20th century ; History and criticism; English poetry ; 20th century ; History and criticism; Modernism (Literature) ; England; Modernism (Literature) ; United States; Spontaneity (Philosophy) in literature; Electronic books
    Umfang: Online-Ressource (x, 272 p)
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Cover; Contents; Acknowledgments; Introduction: Modernism and Spontaneous Organization; 1 Rising from Nowhere: Self-Valorization in William Carlos Williams's Poetry; 2 Wyndham Lewis, Constituent Power, and Collective Life; 3 "An Instantaneous Sympathy of Communication": Laura Riding and the Politics of Spontaneity; 4 Rhapsodies of Change: The Location of the Multitude in Wallace Stevens's Poetry; Conclusion: Beginning Again; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z