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  1. Romanticism and women poets
    opening the doors of reception
    Erschienen: 1999
    Verlag:  Univ. Press of Kentucky, Lexington

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  2. Romanticism and women poets
    opening the doors of reception
    Erschienen: 2015
    Verlag:  The University Press of Kentucky, Lexington

    One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813157030; 081315703X
    Schlagworte: English poetry; English poetry; Feminism and literature; Women and literature; Feminist poetry, English; Romanticism; Canon (Literature); English poetry; Feminism and literature; Women and literature; Feminist poetry, English; Romanticism; English poetry; Women and literature; Feminist poetry, English; Romanticism; Feminism and literature; English poetry; English poetry; Canon (Literature); Canon (Literature); English poetry; English poetry ; Women authors; Feminism and literature; Feminist poetry, English; Romanticism; Women and literature; POETRY ; European ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc; History; POETRY ; English, Irish, Scottish, Welsh
    Umfang: Online Ressource (306 pages)
    Bemerkung(en):

    Print version record

    ""Be Good!"": Acting, Reader's Theater, and Oratory in Frances Anne Kemble's WritingRecuperating Romanticism in Mary Tighe's Psyche; Part Three: Reconstructing Reception; A ""High-Minded Christian Lady"": The Posthumous Reception of Anna Letitia Barbauld; ""Burst Are the Prison Bars"": Caroline Bowles Southey and the Vicissitudes of Poetic Reputation; Felicia Hemans and the Revolving Doors of Reception; Receiving the Legend, Rethinking the Writer: Letitia Landon and the Poetess Tradition; Works Cited; Contributors; Index.

    Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction: Recovering Romanticism and Women Poets; Prologue ; Endurance and Forgetting: What the Evidence Suggests; Part One: Questioning Reception; The Gap That Is Not a Gap: British Poetry by Women, 1802-1812; The Subject of Violence: Mary Lamb, Femme Fatale; ""Tales of Truth?"": Amelia Opie's Antislavery Poetics; Part Two: Anticipating Reception; ""Dost thou not know my voice?"": Charlotte Smith and the Lyric's Audience.