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  1. Design in Puritan American literature
    Autor*in: Scheick, William J.
    Erschienen: c1992
    Verlag:  The University Press of Kentucky, Lexington

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813164205; 0813164206; 0813117755; 9780813117751; 0813154243; 9780813154244
    Schlagworte: American literature / Colonial period, ca. 1600-1775 / History and criticism; American literature / New England / History and criticism; American literature / Puritan authors / History and criticism; Christian literature, American / History and criticism; Puritans / New England / Intellectual life; Rhetoric / 1500-1800; LITERARY CRITICISM / American / General; Littérature américaine / Auteurs puritains / Histoire et critique; Littérature américaine / ca 1600-1775 (Période coloniale) / Histoire et critique; Littérature américaine / Nouvelle-Angleterre / Histoire et critique; Littérature chrétienne américaine / Histoire et critique; Puritains / Nouvelle-Angleterre / Vie intellectuelle; Rhétorique / États-Unis / Histoire; American literature; American literature / Colonial period; American literature / Puritan authors; Christian literature, American; English language / Rhetoric; Puritans / Intellectual life; RELIGION / Christianity / Protestant; Christentum; Englisch; American literature; American literature; American literature; Christian literature, American; Puritans; English language; Literatur; Puritanismus; Allegorie
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Puritan American writers faced a dilemma: they had an obligation to use language as a celebration of divine artistry, but they could not allow their writing to become an iconic graven image of authorial self-idolatry. In this study William Scheick explores one way in which William Bradford, Nathaniel Ward, Anne Bradstreet, Urian Oakes, Edward Taylor, and Jonathan Edwards mediated these conflicting imperatives
  2. Design in Puritan American Literature
    Autor*in: Scheick, William J.
    Erschienen: 2015
    Verlag:  The University Press of Kentucky, Lexington

    Puritan American writers faced a dilemma: they had an obligation to use language as a celebration of divine artistry, but they could not allow their writing to become an iconic graven image of authorial self-idolatry. In this study William Scheick... mehr

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

     

    Puritan American writers faced a dilemma: they had an obligation to use language as a celebration of divine artistry, but they could not allow their writing to become an iconic graven image of authorial self-idolatry. In this study William Scheick explores one way in which William Bradford, Nathaniel Ward, Anne Bradstreet, Urian Oakes, Edward Taylor, and Jonathan Edwards mediated these conflicting imperatives. They did so, he argues, by creating moments in their works when they and their audience could hesitate and contemplate the central paradox of language: its capacity to intimate both conc...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813154244; 9780813164205 (Sekundärausgabe)
    Umfang: 176 p.
    Bemerkung(en):

    Description based upon print version of record

    Online-Ausg.:
  3. Design in Puritan American Literature
    Autor*in: Scheick, William J.
    Erschienen: 2015
    Verlag:  The University Press of Kentucky, Lexington

    Puritan American writers faced a dilemma: they had an obligation to use language as a celebration of divine artistry, but they could not allow their writing to become an iconic graven image of authorial self-idolatry. In this study William Scheick... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Puritan American writers faced a dilemma: they had an obligation to use language as a celebration of divine artistry, but they could not allow their writing to become an iconic graven image of authorial self-idolatry. In this study William Scheick explores one way in which William Bradford, Nathaniel Ward, Anne Bradstreet, Urian Oakes, Edward Taylor, and Jonathan Edwards mediated these conflicting imperatives. They did so, he argues, by creating moments in their works when they and their audience could hesitate and contemplate the central paradox of language: its capacity to intimate both conc

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813154244
    Umfang: Online-Ressource (176 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Title; Copyright; Contents; Introduction; 1. The Necessity of Language; Words Like Wooden Horses William Bradford and Thomas Morton; Double-Talk Renaissance and Reformed Traditions; Concealed Verbal Artistry Richard Mather and Edward Taylor; 2. The Winding Sheet of Meditative Verse; The Wrack of Mortal Poets Anne Bradstreet's ""Contemplations""; Unfolding the Twisting Serpent Edward Taylor's ""Meditation 1.19""; 3. Laughter and Death; All in Jest Nathaniel Ward's The Simple Cobler; Dissolving Stones Urian Oakes's Elegy on Thomas Shepard; 4. Breaking Verbal Icons

    Nature, Reason, and Language Jonathan Edwards in ReactionFrom Something to Nothing to Everything Edwards's Early Sermons; 5. Islands of Meaning; Eighteenth-Century Allegory or Satire? Nathan Fiske's ""An Allegorical Description""; The Letter Killeth Edward Bellamy's ""To Whom This May Come""; Notes; Index; A; B; C; D; E; F; G; H; I; J; L; M; N; O; P; Q; R; S; T; W; Y; Z