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  1. Film noir, American workers, and postwar Hollywood
    Autor*in: Broe, Dennis
    Erschienen: 2009
    Verlag:  University Press of Florida, Gainesville, Fla. [u.a.]

    Let a thousand fetish objects bloom -- The Home-front detective as dissident lawman (and -woman): Hammett, Chandler, Woolrich, and 1940s Hollywood -- Noir part 1: socialism in one genre: wildcat strikers, fugitive outsiders, and a savage lament --... mehr

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a tea 849 7ga/055
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2009/4540
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    VG/500/1081
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Signatur:
    2010-2687
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    UB Weimar
    Signatur:
    239 571
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Let a thousand fetish objects bloom -- The Home-front detective as dissident lawman (and -woman): Hammett, Chandler, Woolrich, and 1940s Hollywood -- Noir part 1: socialism in one genre: wildcat strikers, fugitive outsiders, and a savage lament -- Noir part 2: fugitive kinds -- The McCarthyite crime film: the time of the (quasi-scientific) toad (criminal/informer/vigilante cops versus psychotic fugitives) -- The neo-noirers: fugitives, surrealists, and the return of the degenerate detective -- Crime films of each film noir period

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780813033228; 0813033225; 9780813035499
    Weitere Identifier:
    2008035071
    RVK Klassifikation: AP 53600
    Schriftenreihe: Working in the Americas
    Schlagworte: Film noir; Crime films; Working class in motion pictures; Film noir; Crime films; Working class in motion pictures
    Umfang: XXXV, 178 S., Ill.
    Bemerkung(en):

    Includes bibliographical references (p. [157]-169) and index
  2. Film noir, American workers, and postwar Hollywood
    Autor*in: Broe, Dennis
    Erschienen: c2009
    Verlag:  University Press of Florida, Gainesville

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0813033225; 081303549X; 0813040035; 9780813033228; 9780813035499; 9780813040035
    Schriftenreihe: Working in the Americas
    Schlagworte: ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; Schwarzer Film; Kriminalfilm; Proletariat; Film noir; Kriminalfilm; Arbeiter <Motiv>; Crime films; Film noir; Working class in motion pictures; Film noir; Crime films; Working class in motion pictures; Film noir; Arbeiter <Motiv>
    Umfang: 1 Online-Ressource (xxxv, 178 p.)
    Bemerkung(en):

    Let a thousand fetish objects bloom -- The Home-front detective as dissident lawman (and -woman): Hammett, Chandler, Woolrich, and 1940s Hollywood -- Noir part 1: socialism in one genre: wildcat strikers, fugitive outsiders, and a savage lament -- Noir part 2: fugitive kinds -- The McCarthyite crime film: the time of the (quasi-scientific) toad (criminal/informer/vigilante cops versus psychotic fugitives) -- The neo-noirers: fugitives, surrealists, and the return of the degenerate detective -- Crime films of each film noir period

    Includes bibliographical references (p. [157]-169) and index

    "Ever since French critics began using the term film noir in the mid-1940s, a clear definition of the genre has remained elusive. Though sometimes defined visually, there is more to film noir than meets the eye. This interdisciplinary examination argues for the central importance of class in the creation of film noir and demonstrates how the form itself came to fruition during one of the most active periods of working-class agitation and middle-class antagonism in American history." "After World War II, the crime film centered around the movement of its protagonist outside the law. This movement was congruent with postwar labor movements that were forced to use extralegal means because of the increasing pressure applied by new legislation such as the Taft-Hartley Act, which declared strikes to be illegal. At the same time, many unionists were driven out of the industries they helped to organize by the House Un-American Activities Committee. It is during this period that noir became a lament, with protagonists moving further outside the law to seek justice and with these struggles written on their battered corpses at the end of the film." "Expanding this investigation into Cold War and post-9/11 America, Broe extends his analysis of the ways film noir is intimately connected to labor history. The constructed nature of the cold war and its lurch toward conservatism points to the war on terrorism and the struggles within and between global capital, class, race, and gender."--Jacket
  3. Film noir, American workers, and postwar Hollywood
    Autor*in: Broe, Dennis
    Erschienen: c2009
    Verlag:  Univ. Press of Florida, Gainesville, Fla. [u.a.]

    Let a thousand fetish objects bloom -- The Home-front detective as dissident lawman (and -woman): Hammett, Chandler, Woolrich, and 1940s Hollywood -- Noir part 1: socialism in one genre: wildcat strikers, fugitive outsiders, and a savage lament --... mehr

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a tea 849 7ga/055
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    VG/500/1081
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    UB Weimar
    Signatur:
    239 571
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Let a thousand fetish objects bloom -- The Home-front detective as dissident lawman (and -woman): Hammett, Chandler, Woolrich, and 1940s Hollywood -- Noir part 1: socialism in one genre: wildcat strikers, fugitive outsiders, and a savage lament -- Noir part 2: fugitive kinds -- The McCarthyite crime film: the time of the (quasi-scientific) toad (criminal/informer/vigilante cops versus psychotic fugitives) -- The neo-noirers: fugitives, surrealists, and the return of the degenerate detective -- Crime films of each film noir period

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0813033225; 9780813035499; 9780813033228
    Weitere Identifier:
    2008035071
    RVK Klassifikation: AP 53600
    Schriftenreihe: Working in the Americas
    Schlagworte: Film noir; Crime films; Working class in motion pictures
    Umfang: xxxv, 178 S, Ill, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [157]-169) and index