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  1. The fourth estate at the fourth wall
    newspapers on stage in July Monarchy France
    Autor*in: Hollinshead-Strick, Cary
    Erschienen: 2019
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction -- The press personified -- Do new media encourage scandalmongering? The view from 1838 -- From Beaumarchais to scribe, Balzac's concrete publicity -- Papers that block the light -- Paper as moral fiber -- Conclusion -- Appendix 1. Plays... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 88665
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2020 A 11144
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    301532 - A
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction -- The press personified -- Do new media encourage scandalmongering? The view from 1838 -- From Beaumarchais to scribe, Balzac's concrete publicity -- Papers that block the light -- Paper as moral fiber -- Conclusion -- Appendix 1. Plays about the press (1836-1848) -- Appendix 2. Prospectus, Cesar Birotteau. "New media are often greeted with suspicion by older media. When the commercial press arrived in France, in 1836, popular theater critiqued its corruption, its diluted politics, and its tendency to orient its content towards the lowest common denominator. July Monarchy plays, which provided affordable entertainment to a broader section of the public than even new newspapers did, constitute a large, nearly untapped reservoir of commentary on the arrival of the forty-franc press. Vaudevilles and comedies ask whether journalism that benefits from advertisement can be unbiased. Dramas explore whether the threat of spreading fake news is an acceptable way for journalists to exercise their influence. Both plays and novels suggest that media that claim to enlighten can sometimes obscure public access to information. Balzac's interventions in this media sphere reveal his utopian views on print technology. Nerval's and Pyat's demonstrate the nefarious impact that corrupt theater critics could have on authors and on the public alike. Scholars of press and media studies, French literature, theater, and nineteenth-century literature more generally will find this book a valuable introduction to a cross-genre debate about press publicity that remains surprisingly resonant today"--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810140356; 9780810140363
    Schlagworte: French drama; Theater and society; Press; Press and journalism in literature
    Umfang: x, 189 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 167-183
  2. The fourth estate at the fourth wall
    newspapers on stage in July Monarchy France
    Autor*in: Hollinshead-Strick, Cary
    Erschienen: 2019
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction -- The press personified -- Do new media encourage scandalmongering? The view from 1838 -- From Beaumarchais to scribe, Balzac's concrete publicity -- Papers that block the light -- Paper as moral fiber -- Conclusion -- Appendix 1. Plays... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    W 2019/4209
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

     

    Introduction -- The press personified -- Do new media encourage scandalmongering? The view from 1838 -- From Beaumarchais to scribe, Balzac's concrete publicity -- Papers that block the light -- Paper as moral fiber -- Conclusion -- Appendix 1. Plays about the press (1836-1848) -- Appendix 2. Prospectus, Cesar Birotteau. "New media are often greeted with suspicion by older media. When the commercial press arrived in France, in 1836, popular theater critiqued its corruption, its diluted politics, and its tendency to orient its content towards the lowest common denominator. July Monarchy plays, which provided affordable entertainment to a broader section of the public than even new newspapers did, constitute a large, nearly untapped reservoir of commentary on the arrival of the forty-franc press. Vaudevilles and comedies ask whether journalism that benefits from advertisement can be unbiased. Dramas explore whether the threat of spreading fake news is an acceptable way for journalists to exercise their influence. Both plays and novels suggest that media that claim to enlighten can sometimes obscure public access to information. Balzac's interventions in this media sphere reveal his utopian views on print technology. Nerval's and Pyat's demonstrate the nefarious impact that corrupt theater critics could have on authors and on the public alike. Scholars of press and media studies, French literature, theater, and nineteenth-century literature more generally will find this book a valuable introduction to a cross-genre debate about press publicity that remains surprisingly resonant today"--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780810140356; 9780810140363
    Schlagworte: Zeitung <Motiv>; Französisch; Journalismus <Motiv>; Drama
    Weitere Schlagworte: French drama / 19th century / History and criticism; Theater and society / France / History / 19th century; Press / France / History / 19th century; Press and journalism in literature; France / History / Louis Philippe, 1830-1848
    Umfang: x, 189 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  3. The fourth estate at the fourth wall
    newspapers on stage in July Monarchy France
    Autor*in: Hollinshead-Strick, Cary
    Erschienen: [2019]
    Verlag:  Northwestern University Press, Evanston, Illinois

    "New media are often greeted with suspicion by older media. When the commercial press arrived in France, in 1836, popular theater critiqued its corruption, its diluted politics, and its tendency to orient its content towards the lowest common... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "New media are often greeted with suspicion by older media. When the commercial press arrived in France, in 1836, popular theater critiqued its corruption, its diluted politics, and its tendency to orient its content towards the lowest common denominator. July Monarchy plays, which provided affordable entertainment to a broader section of the public than even new newspapers did, constitute a large, nearly untapped reservoir of commentary on the arrival of the forty-franc press. Vaudevilles and comedies ask whether journalism that benefits from advertisement can be unbiased. Dramas explore whether the threat of spreading fake news is an acceptable way for journalists to exercise their influence. Both plays and novels suggest that media that claim to enlighten can sometimes obscure public access to information. Balzac's interventions in this media sphere reveal his utopian views on print technology. Nerval's and Pyat's demonstrate the nefarious impact that corrupt theater critics could have on authors and on the public alike. Scholars of press and media studies, French literature, theater, and nineteenth-century literature more generally will find this book a valuable introduction to a cross-genre debate about press publicity that remains surprisingly resonant today"--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780810140356; 9780810140363
    Schlagworte: Theater; Zeitung <Motiv>; Journalismus <Motiv>
    Weitere Schlagworte: French drama / 19th century / History and criticism; Theater and society / France / History / 19th century; Press / France / History / 19th century; Press and journalism in literature; France / History / Louis Philippe, 1830-1848; French drama; Press; Press and journalism in literature; Theater and society; France; 1800-1899; Criticism, interpretation, etc; History
    Umfang: x, 189 Seiten, Illustrationen
    Bemerkung(en):

    Introduction -- The press personified -- Do new media encourage scandalmongering? The view from 1838 -- From Beaumarchais to scribe, Balzac's concrete publicity -- Papers that block the light -- Paper as moral fiber -- Conclusion -- Appendix 1. Plays about the press (1836-1848) -- Appendix 2. Prospectus, Cesar Birotteau
  4. <<The>> fourth estate at the fourth wall
    newspapers on stage in July Monarchy France
    Autor*in: Hollinshead-Strick, Cary
    Erschienen: 2019
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction -- The press personified -- Do new media encourage scandalmongering? The view from 1838 -- From Beaumarchais to scribe, Balzac's concrete publicity -- Papers that block the light -- Paper as moral fiber -- Conclusion -- Appendix 1. Plays... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction -- The press personified -- Do new media encourage scandalmongering? The view from 1838 -- From Beaumarchais to scribe, Balzac's concrete publicity -- Papers that block the light -- Paper as moral fiber -- Conclusion -- Appendix 1. Plays about the press (1836-1848) -- Appendix 2. Prospectus, Cesar Birotteau "New media are often greeted with suspicion by older media. When the commercial press arrived in France, in 1836, popular theater critiqued its corruption, its diluted politics, and its tendency to orient its content towards the lowest common denominator. July Monarchy plays, which provided affordable entertainment to a broader section of the public than even new newspapers did, constitute a large, nearly untapped reservoir of commentary on the arrival of the forty-franc press. Vaudevilles and comedies ask whether journalism that benefits from advertisement can be unbiased. Dramas explore whether the threat of spreading fake news is an acceptable way for journalists to exercise their influence. Both plays and novels suggest that media that claim to enlighten can sometimes obscure public access to information. Balzac's interventions in this media sphere reveal his utopian views on print technology. Nerval's and Pyat's demonstrate the nefarious impact that corrupt theater critics could have on authors and on the public alike. Scholars of press and media studies, French literature, theater, and nineteenth-century literature more generally will find this book a valuable introduction to a cross-genre debate about press publicity that remains surprisingly resonant today"--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810140356; 9780810140363
    Schlagworte: French drama / 19th century / History and criticism; Theater and society / France / History / 19th century; Press / France / History / 19th century; Press and journalism in literature
    Umfang: x, 189 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  5. The fourth estate at the fourth wall
    newspapers on stage in July Monarchy France
    Autor*in: Hollinshead-Strick, Cary
    Erschienen: 2019
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction -- The press personified -- Do new media encourage scandalmongering? The view from 1838 -- From Beaumarchais to scribe, Balzac's concrete publicity -- Papers that block the light -- Paper as moral fiber -- Conclusion -- Appendix 1. Plays... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction -- The press personified -- Do new media encourage scandalmongering? The view from 1838 -- From Beaumarchais to scribe, Balzac's concrete publicity -- Papers that block the light -- Paper as moral fiber -- Conclusion -- Appendix 1. Plays about the press (1836-1848) -- Appendix 2. Prospectus, Cesar Birotteau. "New media are often greeted with suspicion by older media. When the commercial press arrived in France, in 1836, popular theater critiqued its corruption, its diluted politics, and its tendency to orient its content towards the lowest common denominator. July Monarchy plays, which provided affordable entertainment to a broader section of the public than even new newspapers did, constitute a large, nearly untapped reservoir of commentary on the arrival of the forty-franc press. Vaudevilles and comedies ask whether journalism that benefits from advertisement can be unbiased. Dramas explore whether the threat of spreading fake news is an acceptable way for journalists to exercise their influence. Both plays and novels suggest that media that claim to enlighten can sometimes obscure public access to information. Balzac's interventions in this media sphere reveal his utopian views on print technology. Nerval's and Pyat's demonstrate the nefarious impact that corrupt theater critics could have on authors and on the public alike. Scholars of press and media studies, French literature, theater, and nineteenth-century literature more generally will find this book a valuable introduction to a cross-genre debate about press publicity that remains surprisingly resonant today"--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810140356; 9780810140363
    Schlagworte: French drama; Theater and society; Press; Press and journalism in literature
    Umfang: x, 189 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 167-183