COVER -- CONTENTS -- INTRODUCTION -- PART I: DETECTING SOUTHERN NOIR -- EXPLORING THE NOIR LANDSCAPEOF THE NEW SOUTH -- THE BEAUTIFUL MYSTERIOUS: The Case of William Eggleston -- SANCTUARY & -- "THE BROKEN AND MYRIADREFLECTION OF" NOIR -- SOUTHERN...
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COVER -- CONTENTS -- INTRODUCTION -- PART I: DETECTING SOUTHERN NOIR -- EXPLORING THE NOIR LANDSCAPEOF THE NEW SOUTH -- THE BEAUTIFUL MYSTERIOUS: The Case of William Eggleston -- SANCTUARY & -- "THE BROKEN AND MYRIADREFLECTION OF" NOIR -- SOUTHERN GOTHIC & -- FILM NOIR: The Commingling of Genre and Cinematic Stylistics -- A MOUNTAINOIR: The Arrival of Country Noir and Frank Borzage's Moonrise (1948) in Retrospect -- FILM NOIR, MATTHEW MCCONAUGHEY, & -- QUEERCAPITAL IN THE SOUTHERN IMAGINARY -- DETECTING HOLLYWOOD SOUTH: In the Electric Mist and the Changing Relations of Louisiana Noir -- ACE ATKINS, TRUE DETECTIVE, & -- THE MYSTERYOF THE "NO-ORLEANS" -- THE SUBURBAN NOIR HEADS SOUTH: From Desperate Housewives to Gone Girl -- PART II: PRIVATELY DETECTING THE SOUTH -- ELNORA MAY HARDIN: Creating Space for a Complex Black Woman in Southern Noir -- DOWN THESE MEAN STREETS(WHOSE NAMES NO ONE CAN PRONOUNCE) -- EVOLVING SECRETS: Eudora Welty and the Mystery Genre -- REFUSING A "SINGLE SONG" OF THE SOUTH: The Frustrated Detective in Donna Tartt's The Little Friend -- A FAILED SOUTHERN STRATEGY: Detecting Race, Gender, and Region on CBS's Yancy Derringer -- ECOLOGICAL ANARCHY & -- PHILOSOPHICALANARCHISM IN THE FLORIDA CRIME FICTIONOF JOHN D. MACDONALD -- PART III: DETECTING SOUTHERN COPS -- SHERIFF ANDY TAYLOR & -- THE NON-PROCEDURALIN MAYBERRY -- ARRESTING VISIONS: Film Noir, Visual Detection, and the Invisible Corpse in Ron Rash's One Foot in Eden -- MARCOS MCPEEK VILLATORO'S HOME KILLINGS: Sleuthing Central American Identity and History in the New Latino South -- TAKING THE SOUTHERN BAIT: Law & -- Order: Special Victims Unit and the Televisual South -- PART IV: JOURNALISTS DETECTING THE SOUTH -- THE TRUTH SLEUTH: The Detective Journalism of William Bradford Huie and Thulani Davis's Everybody's Ruby.