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  1. That's all folks?
    ecocritical readings of American animated features
    Autor*in: Murray, Robin L.
    Erschienen: c2011
    Verlag:  University of Nebraska Press, Lincoln [Neb.]

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780803239647
    RVK Klassifikation: AP 48600
    Schlagworte: Environmentalism in motion pictures; Animated films; Ökologische Bewegung; Zeichentrickfilm; Umwelt <Motiv>
    Umfang: ix, 283 p.
    Bemerkung(en):

    Includes bibliographical references (p. 265-275), filmography and index

    "Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels--particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema"--Provided by publisher

    Introduction: A foundation for contemporary enviro-toons -- Bambi and Mr. Bug Goes to Town: nature with or without us -- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement -- The UPA and the environment: a modernist look at urban nature -- Animation and live action: a demonstration of interdependence? -- Rankin/Bass Studios, nature, and the supernatural: where technology serves and destroys -- Disney in the 1960s and 1970s: blurring boundaries between human and nonhuman nature -- Dinosaurs return: evolution outplays Disney's binaries -- DreamWorks and human and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie -- Pixar and the case of WALL-E: moving between environmental adaptation and sentimental nostalgia -- The Simpsons Movie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaotic approaches to ecology -- Conclusion: Animation's movement to green?
  2. That's All Folks?
    Ecocritical Readings of American Animated Features
    Autor*in: Murray, Robin L.
    Erschienen: 2011
    Verlag:  UNP - Nebraska, Lincoln

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0803239645; 9780803239647
    Schlagworte: Animated features; PERFORMING ARTS / Animation; Animated films; Environmentalism; Motion pictures; Film; Environmentalism in motion pictures; Animated films; Ökologische Bewegung; Zeichentrickfilm; Umwelt <Motiv>
    Umfang: 1 online resource (296 pages)
    Bemerkung(en):

    Print version record

    Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; IntroductionA Foundation for Contemporary Enviro-toons; 1. Bambi and Mr. Bug Goes to Town: Nature with or without Us; 2. Animal Liberation inthe 1940s and 1950s: What Disney Does for the Animal Rights Movement; 3. The UPA and the Environment: A Modernist Look at Urban Nature; 4. Animation and Live Action: A Demonstration of Interdependence?; 5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys; 6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature

    7. Dinosaurs Return: Evolution Outplays Disney's Binaries8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie; 9. Pixar and the Case of WALL-E: Moving between Environmental Adaptation and Sentimental Nostalgia; 10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology; Conclusion: Animation's Movement to Green?; Filmography; Works Cited; Index

    Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat c
  3. That's All Folks?
    Ecocritical Readings of American Animated Features
    Autor*in: Murray, Robin L.
    Erschienen: 2011
    Verlag:  UNP - Nebraska, Lincoln

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0803239645; 9780803239647
    Schlagworte: Animated features; PERFORMING ARTS / Animation; Animated films; Environmentalism; Motion pictures; Film; Environmentalism in motion pictures; Animated films; Ökologische Bewegung; Zeichentrickfilm; Umwelt <Motiv>
    Umfang: 1 online resource (296 pages)
    Bemerkung(en):

    Print version record

    Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; IntroductionA Foundation for Contemporary Enviro-toons; 1. Bambi and Mr. Bug Goes to Town: Nature with or without Us; 2. Animal Liberation inthe 1940s and 1950s: What Disney Does for the Animal Rights Movement; 3. The UPA and the Environment: A Modernist Look at Urban Nature; 4. Animation and Live Action: A Demonstration of Interdependence?; 5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys; 6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature

    7. Dinosaurs Return: Evolution Outplays Disney's Binaries8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie; 9. Pixar and the Case of WALL-E: Moving between Environmental Adaptation and Sentimental Nostalgia; 10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology; Conclusion: Animation's Movement to Green?; Filmography; Works Cited; Index

    Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat c