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  1. Sex, the self and the sacred
    women in the cinema of Pier Paolo Pasolini
    Autor*in: Ryan-Scheuz, Colleen
    Erschienen: 2007
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0802092853; 9780802092854
    RVK Klassifikation: IV 39361
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Sex in motion pictures; Feminism and motion pictures; Women in motion pictures
    Weitere Schlagworte: Pasolini, Pier Paolo (1922-1975)
    Umfang: X, 297 S., [4] Bl, Ill, 24cm
    Bemerkung(en):

    Includes bibliographical references and index
  2. Sex, the self, and the sacred
    women in the cinema of Pier Paolo Pasolini
    Autor*in: Ryan-Scheutz, Colleen
    Erschienen: 2007
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    "Italian poet and filmmaker Pier Paolo Pasolini (1922-1975) was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Italian poet and filmmaker Pier Paolo Pasolini (1922-1975) was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies - was becoming endangered, and he used his films to denounce the social and ideological forces he felt were responsible for its decline. Rather than protest with overtly political films, however, Pasolini vested ideological impetus in his principal film characters, many of whom were women." "Drawing upon Italy's distinct sociocultural history as well as feminist and psychoanalytic approaches to film, Colleen Ryan-Scheutz explores the ways in which Pasolini's representations of women reveal his concerns about the corruption of modern society. She demonstrates how Pasolini used his female protagonists to challenge dominant social values and to propose a range of alternatives to the increasingly sterile and capitalistic world of Italy and the West."--BOOK JACKET.

     
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  3. Sex, the self, and the sacred
    women in the cinema of Pier Paolo Pasolini
    Autor*in: Ryan-Scheutz, Colleen
    Erschienen: 2007
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    13.531.42
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780802092854
    RVK Klassifikation: IV 39361 ; AP 51265
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Film; Frau <Motiv>
    Weitere Schlagworte: Pasolini, Pier Paolo (1922-1975)
    Umfang: 297 S.
  4. Sex, the self, and the sacred
    women in the cinema of Pier Paolo Pasolini
    Autor*in: Ryan-Scheutz, Colleen
    Erschienen: 2007
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    "Italian poet and filmmaker Pier Paolo Pasolini (1922-1975) was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Fernsehen und Film, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Italian poet and filmmaker Pier Paolo Pasolini (1922-1975) was one of the most controversial European intellectuals of his time. Pasolini believed the 'authentic' Italy - with its many languages and subcultures, its ancient roots and idiosyncrasies - was becoming endangered, and he used his films to denounce the social and ideological forces he felt were responsible for its decline. Rather than protest with overtly political films, however, Pasolini vested ideological impetus in his principal film characters, many of whom were women." "Drawing upon Italy's distinct sociocultural history as well as feminist and psychoanalytic approaches to film, Colleen Ryan-Scheutz explores the ways in which Pasolini's representations of women reveal his concerns about the corruption of modern society. She demonstrates how Pasolini used his female protagonists to challenge dominant social values and to propose a range of alternatives to the increasingly sterile and capitalistic world of Italy and the West."--BOOK JACKET.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  5. Sex, the self and the sacred
    women in the cinema of Pier Paolo Pasolini
    Autor*in: Ryan-Scheuz, Colleen
    Erschienen: 2007
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    Standort:
    Institute for Cultural Inquiry- Kulturlabor, Bibliothek
    Signatur:
    PN1998.3.P367 R93 2007
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 674014
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0802092853; 9780802092854
    RVK Klassifikation: IV 39361
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Sex in motion pictures; Feminism and motion pictures; Women in motion pictures
    Weitere Schlagworte: Pasolini, Pier Paolo (1922-1975)
    Umfang: X, 297 S., [4] Bl, Ill, 24cm
    Bemerkung(en):

    Includes bibliographical references and index